Please use this identifier to cite or link to this item: https://ah.lib.nccu.edu.tw/handle/140.119/101851
題名: 初世都太夫一中的人物像
其他題名: The Essay about the Miyako Tayu Icchuu (I)’s
作者: 小俣喜久雄
Kikuo, OMATA
關鍵詞: 一中節; 都太夫一中; 近松門左衛門; 紀海音; 浄瑠璃
Icchuu-Bushi; Miyako Tayu Icchuu; Chikamatsu Monzaemon; Kino Kaion; Joruri
日期: Jan-2006
上傳時間: 10-Sep-2016
摘要: 初世一中所創造的「一中節」,為江戶時代元祿年間流傳的淨瑠璃流派之一。它受到古淨瑠璃的「角太夫節」流派之影響,成為後來豐後節.常磐津節.富本節.清元節等之流派。同時它亦是「強硬派」淨瑠璃相反之「溫和派」淨瑠璃之鼻祖。因此「一中節」在近世淨瑠璃中扮演重要角色。本論文根據明福寺之亡魂名冊.演員評論.文學記載等資料,探討他的為人與品德。
ICCHUU-BUSHI, which is one of the schools of joruri (a dramatic narrative chanted to a samisen accompaniment) started to be transmitted from EDO Era. It became the original school of BUNGO-BUSHI, TOKIWAZU-BUSHI, TOMIMOTO-BUSHI and KIYOMOTO-BUSHI after being influenced by KAKUDAYUU-BUSHI of ancient joruri. ICCHUU-BUSHI had an important position recently. The essay is about ICCHUU-BUSHI’s inaugurator—Miyako Tayu Icchuu (I), who left monks to invest lots of time in literature. I investigate the left description about Miyako Tayu Icchuu (I) from his birthplace—MYOFUKU-JI temple’s register, evaluation of performers at that time, literature and so on, and discuss his portrait.
關聯: 外國語文研究, 3, 38-60
Foreign language studies
資料類型: article
Appears in Collections:期刊論文

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