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Title: 初世都太夫一中的人物像
Other Titles: The Essay about the Miyako Tayu Icchuu (I)’s
Authors: 小俣喜久雄
Kikuo, OMATA
Keywords: 一中節;都太夫一中;近松門左衛門;紀海音;浄瑠璃
Icchuu-Bushi;Miyako Tayu Icchuu;Chikamatsu Monzaemon;Kino Kaion;Joruri
Date: 2006-01
Issue Date: 2016-09-10 11:58:43 (UTC+8)
Abstract: 初世一中所創造的「一中節」,為江戶時代元祿年間流傳的淨瑠璃流派之一。它受到古淨瑠璃的「角太夫節」流派之影響,成為後來豐後節.常磐津節.富本節.清元節等之流派。同時它亦是「強硬派」淨瑠璃相反之「溫和派」淨瑠璃之鼻祖。因此「一中節」在近世淨瑠璃中扮演重要角色。本論文根據明福寺之亡魂名冊.演員評論.文學記載等資料,探討他的為人與品德。
ICCHUU-BUSHI, which is one of the schools of joruri (a dramatic narrative chanted to a samisen accompaniment) started to be transmitted from EDO Era. It became the original school of BUNGO-BUSHI, TOKIWAZU-BUSHI, TOMIMOTO-BUSHI and KIYOMOTO-BUSHI after being influenced by KAKUDAYUU-BUSHI of ancient joruri. ICCHUU-BUSHI had an important position recently. The essay is about ICCHUU-BUSHI’s inaugurator—Miyako Tayu Icchuu (I), who left monks to invest lots of time in literature. I investigate the left description about Miyako Tayu Icchuu (I) from his birthplace—MYOFUKU-JI temple’s register, evaluation of performers at that time, literature and so on, and discuss his portrait.
Relation: 外國語文研究, 3, 38-60
Foreign language studies
Data Type: article
Appears in Collections:[外國語文研究 ] 期刊論文

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