| 2021-10 |
Exercising with embodied young avatars: How young vs. older avatars in virtual reality affect perceived exertion and physical activity among male and female elderly individuals |
林日璇、Lin, Jih-Hsuan Tammy、Wu, Dai-Yun |
article |
說明頁(267) |
| 2022-03 |
Cross-Cutting Exposure, Perceived Realism, and Online Political Engagement in the Age of Algorithms |
林芝璇、Lin, Jhih-Syuan |
article |
說明頁(247) |
| 2021-06 |
Narrative Rhythm and Formal Structure in the Informational Picture Book: A Case of A Seed is Sleepy |
林玲遠、Fabia Lin, Ling-Yuan |
article |
說明頁(267) |
| 2021-12 |
社群小編的新聞選擇及其意義再現：以臉書上的「反送中」為例 |
劉慧雯、Liu, Hui-Wen |
article |
說明頁(238) |
| 2022-02 |
Copyright Licensing and Regulation of China’s Music Market: Searching for Transactional Efficiency and Fair Compensation |
盧建誌、Lu, Chien-Chih (Jesse) |
article |
說明頁(256) |
| 2021-10 |
Have a Good Laugh: American Television Sitcom "I Love Lucy" in 1960s Taiwan |
柯裕棻、Ko, Yu-Fen |
article |
說明頁(272) |
| 2022-04 |
Z世代媒介多工動機與消費決策信心：從眾、任務相關性、與資訊可診斷性之調節連續中介效果 |
張郁敏、Chang, Yuhmiin |
article |
說明頁(348) |
| 2022-03 |
Online opinions, sentiments and news framing of the first nuclear referendum in Taiwan: a mix-method approach |
林翠絹、Lin, Trisha T. C. |
article |
說明頁(207) |
| 2022-08 |
Watching VR advertising together: How 3D animated agents influence audience responses and enjoyment to VR advertising |
林日璇、Lin, Jih-Hsuan Tammy、Wu, Dai-Yun、Bowman, Nicholas David |
article |
說明頁(237) |
| 2021-12 |
Nation, Mediation, and the Structure of Feeling: How Chinese People Perceive Taiwan`s Pop Music |
黃俊銘、Huang, Chun-ming |
article |
說明頁(203) |
| 2022-01 |
從新聞組織看日常新聞查證：以臺灣四大報為例 |
江靜之、Chiang, Chin-Chih |
article |
pdf(246) |
| 2022-06 |
Social video gaming and well-being |
林日璇、Lin, Jih-HsuanTammy、Bowman, Nicholas David、Rieger, Diana |
article |
說明頁(174) |
| 2021-10 |
Narrative Rhythm of the Informational Picture Book: A Seed is Sleepy |
林玲遠、Lin, Fabia Ling-Yuan |
article |
說明頁(146) |
| 2020-12 |
Guest Editor`s Introduction |
方念萱、Fang, Nien-Hsuan |
article |
說明頁(125) |
| 2022-02 |
Music, Institutions and Identity: How China’s People’s Music （1950–2019） Represented Taiwan’s Popular Music |
黃俊銘、Huang, Chun-Ming |
article |
說明頁(177) |
| 2022-05 |
Exploring uses and gratifications and psychological outcomes of engagement with Instagram Stories |
林芝璇、Lin, Jhih-Syuan (Elaine)、Lu, Jia-Dai (Evelyn) |
article |
說明頁(188) |
| 2023-01 |
Social Bots in Taiwanese Data-Driven Election Campaigns: An Exploratory Study |
林翠絹、Lin, Trisha T. C. |
article |
說明頁(208) |
| 2022-05 |
Effect of colour sensing and drawing pen on children’s colour perception and feature detection of objects when drawing |
鄭霈絨、Cheng, Pei-Jung、Sung, Chih-Kai、Chen, Li-Chieh |
article |
說明頁(140) |
| 2022-07 |
The Influence of Augmented Reality and Graphic Teaching Materials on Children`s Cognition of Object Features |
鄭霈絨、宋誌凱、郭晉谷、陳立杰、Cheng, Pei-jung、Sung, Chih-kai、Guo, Jin-gu、Chen, Li-chieh |
article |
說明頁(120) |
| 2022-03 |
Taking stock of social-political polarization in Asia: Political communication, social media and digital governance |
林翠絹、蔡佳泓、Lin, Trisha T. C.、Tsai, Chia-Hung |
article |
說明頁(190) |
| 2021-11 |
數據驅動下的影音IP：權利保護與管制取徑 |
盧建誌 |
article |
說明頁(137) |
| 2023-01 |
Media Construction of Controversial Discourse in the Process of Energy Transition: Dilemmas of Risk Communication Among Carbon Emission Reduction, Nuclear-Free Homeland, and Air Pollution Control in Taiwan |
徐美苓、Hsu, Mei-Ling |
article |
說明頁(199) |
| 2023-01 |
Global Information Sharing on Social Media under the COVID-19 Risk: Analysis of Hyperlinks and Contents on Twitter |
鄭宇君、Cheng, Yu-Chung |
article |
說明頁(297) |
| 2022-08 |
Representation of the Unobservable and the Shift of Narrative Style in TV Science Documentaries: BBC’s Horizon |
林玲遠、Lin, Fabia Ling-Yuan |
article |
pdf(166) |
| 2022-09 |
Nomopobia and phubbing: Examining affective smartphone communication and family cohesion among youths |
林翠絹、Lin, Trisha T. C. |
article |
說明頁(131) |
