| 2008 |
重建翻譯規範---以「天鷹與神豹的回憶(Las memorias del Aguila y el Jaguar)」為例 |
MENG-HSUAN KU |
conference |
|
| 2011-06 |
Tokio Hotel. Articulation of the Subaltern in German Pop Culture? |
MONIKA LEIPELT-TSAI |
conference |
pdf(588) |
| 2015-05 |
Aspects of Grammatical Agreement in Iraqi Arabic Relative Clauses: A Descriptive Approach |
ABDULWAHED JAWAD AL ABAEEJI SAIF、AlAbaeeji, Saif |
conference |
web page(839) |
| 2011-10 |
Muttersprache – Fremdsprache. Herta Müllers Prosatext ‘In jeder Sprache sitzen andere Augen’ |
MONIKA LEIPELT-TSAI、MONIKA LEIPELT-TSAI |
conference |
web page(572) |
| 2012-11 |
Considering a first deconstructivistic approach for teaching German literature in Taiwan |
MONIKA LEIPELT-TSAI、MONIKA LEIPELT-TSAI |
conference |
pdf(315) |
| 2015-02 |
Aufbruch und Bruch in Herta Müllers Roman ‘Atemschaukel’ |
MONIKA LEIPELT-TSAI、MONIKA LEIPELT-TSAI |
conference |
web page(878) |
| 2017-10 |
Homelessness and Unhomeliness in contemporary German language dementia novels |
MONIKA LEIPELT-TSAI、MONIKA LEIPELT-TSAI |
conference |
pdf(278) |
| 2017-11 |
墨西哥原住民族自治運動 |
YA-JU SHIN、YA-JU SHIN |
conference |
pdf(516) |
| 2013-12 |
World literature at the margins. Unhomeliness in Herta Muller’s prose text “Das Land am Nebentisch” (The country at the next table) |
MONIKA LEIPELT-TSAI、MONIKA LEIPELT-TSAI |
conference |
pdf(289) |
| 2011-11 |
Giving-to-read, and the gift of names in prose texts by German-Jewish writer Else Lasker-Schüler |
MONIKA LEIPELT-TSAI、MONIKA LEIPELT-TSAI |
conference |
web page(532) |
| 2012-11 |
In-between cultures. Cultural boundary-crossing of students from Taiwan who went abroad to Germany’ |
MONIKA LEIPELT-TSAI、MONIKA LEIPELT-TSAI |
conference |
web page(388) |
| 2010-07 |
Anmerkungen zur Sprach- und Kulturvermittlung des Deutschen in einer von chinesischer Kultur geprägten Gesellschaft auf Taiwan. |
MONIKA LEIPELT-TSAI、MONIKA LEIPELT-TSAI |
conference |
|
| 2013-04 |
Ethnizität in mikrologischen Formen von Bildern und Texten Else Lasker-Schülers |
MONIKA LEIPELT-TSAI、MONIKA LEIPELT-TSAI |
conference |
|
| 2014-04 |
From Eastern to Western Europe. Herta Muller’s prose text ‘The Passport’ |
MONIKA LEIPELT-TSAI、MONIKA LEIPELT-TSAI |
conference |
|
| 2015-03 |
Tokio Hotel, and the postmodern body in German ‘Cyberpunk’-Popmusic. |
MONIKA LEIPELT-TSAI、MONIKA LEIPELT-TSAI |
conference |
|
| 2015-08 |
Sehen in Texten Herta Müllers |
MONIKA LEIPELT-TSAI、MONIKA LEIPELT-TSAI |
conference |
|
| 2016-03 |
Space, and Movement in a foreign Culture |
MONIKA LEIPELT-TSAI、MONIKA LEIPELT-TSAI |
conference |
pdf(133) |
| 2016-05 |
Schreiben gegen das Vergessen bei Herta Müller |
MONIKA LEIPELT-TSAI、MONIKA LEIPELT-TSAI |
conference |
|
| 2016-07 |
Kindheit und Jugend in den Texten Herta Müllers |
MONIKA LEIPELT-TSAI、MONIKA LEIPELT-TSAI |
conference |
pdf(152) |
| 2018-06 |
Aproximaciones pedagogicas a la novela policiaca escrita por mujeres: el caso de Ritos de muerte |
CHUNG-YING YANG、CHUNG-YING YANG |
conference |
|
| 2016-10 |
Desarrollo del derecho indígena de América Latina |
YA-JU SHIN、YA-JU SHIN |
conference |
|
| 2018-06 |
Consideraciones de la memoria, la violencia de género y la incomunicación en las novelas de la Trilogía de la huida |
CHUNG-YING YANG、CHUNG-YING YANG |
conference |
pdf(387) |
| 2017-10 |
德國國會選舉對歐洲政經情勢之影響 |
TAI-LIN CHANG |
conference |
|
| 2018-05 |
Demenz und Gender. Roswitha Quadfliegs Roman “Neun Monate. Über das Sterben meiner Mutter.” |
MONIKA LEIPELT-TSAI、MONIKA LEIPELT-TSAI |
conference |
pdf(288) |
| 2019-11 |
Hybridization of Genres and Recovery of Memory: the Case of Dulce Chacon`s Cieslos de barro (Clay Colored Skies) |
CHUNG-YING YANG、CHUNG-YING YANG |
conference |
|
