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＂Tao-Being＂ and ＂Mind＂: An Observation of the Deepening and Derivation of Zhu Studies in Cai Qing`s Primary Introduction to the Four Books |
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| 2022-03 |
On the Concept and Background of ＂Xing Zhi Wu She＂ in ＂Chengren＂ in the Qinghua Manuscripts and the ＂Five Punishments＂ in the Shangshu Dazhuan |
YU-AN KU、Ku, Yu-an |
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| 2022-06 |
Ancient Chinese Traditions of Ritual and Music and Cultural Orientation: From the Perspective of Sacrificial Rites |
CHI-PING LIN、CHI-PING LIN |
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| 2022-09 |
The Concept of ＂the Great Age of Tang Poetry＂: From Late Song Dynasty to Early Ming Dynasty |
YING-CHIEH CHEN、YING-CHIEH CHEN |
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| 2022-06 |
Investigation and Thinking: Fu Guang in the Encyclopedia of the Four Books (Sishu Daquan) |
FENG-YUAN CHEN、FENG-YUAN CHEN |
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| 2022-06 |
An Analysis of the Integration of Yi-Diagrams and Hongfan in the Song Dynasty |
RUI- HONG CHEN、RUI- HONG CHEN |
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| 2022-03 |
The Origins of Biographic Narratives of Chan School Patriarchs and Miraculous Legends in the Dunhuang Version of Lidai Fabao Ji |
MING-CHANG YANG、MING-CHANG YANG |
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| 2020-02 |
鷹歸梵林墩——致尉天驄老師 |
SHUO-WIN CHEN |
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| 2021-12 |
The Legacy of Performance of Taiwanese Gezixi in Singapore in the 1960s |
HSIN-HSIN TSAI、HSIN-HSIN TSAI |
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| 2022-06 |
Secularism in Monastic Life: Implicit Acceptance of Secularism in The Biographies of Eminent Monks |
YEN-CHIU TU、YEN-CHIU TU |
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| 2022-06 |
經學講會「雙溪繼刱」暨蔣秋華教授榮退誌慶特輯--關於特輯 |
HSING-CHIEN CHE |
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| 2022-06 |
蔣公，在文哲所的歲月 |
HSING-CHIEN CHE |
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| 2022-01 |
關於何定生著作集的整理與出版 |
HSING-CHIEN CHE |
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| 2022-01 |
顧頡剛與戰後臺灣經學暨何定生著作重刊發佈會專輯前言 |
HSING-CHIEN CHE |
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| 2021-11 |
Forum on the Fortieth Anniversary of the Death of Gu Jiegang |
HSING-CHIEN CHE |
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| 2022-03 |
Mysterious Sights and Instincts`, `Extensive and Harmonious`: Thomé H. Fang`s Critique on Chinese Art--Also on the Philosophical Interest in Poems by Thomé H. Fang and Nan Huai-Chin |
CHIH-HUANG CHOU、CHIH-HUANG CHOU |
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| 2021-12 |
On Liu Chenweng`s Poetry Criticism: Influencing the Transformation of "Uncanny" Poetics and Its Significance in the Southern-Song Dynasty`s History of Poetry |
YA-WEN HOU、YA-WEN HOU |
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| 2020-12 |
A Study of Folk Deity Scriptures in Taoism in Ming and Qing Dynasties |
CHEN-HUNG KAO、CHEN-HUNG KAO |
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| 2022-09 |
Performing the Competition of Monastic and Demons and Staging Interaction between the Dao and Exorcism: Re-interpretation of Fengshen Yanyi through the Exorcism in Song and Yuan Dynasties |
CHEN-HUNG KAO、CHEN-HUNG KAO |
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| 2021-06 |
A Spectral Critique of Hong Kong Films: A Reading of the Urban Spectre: Dr. Esther MK Cheung’s Essays in Hong Kong Film Studies |
KOK-HWA NG、Ng, Kok Hwa |
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| 2017-07 |
The Gaze of Modernism: The Modern Layout Arrangement of The Young Companion |
KOK-HWA NG、Ng, Kok-hwa |
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| 2021-12 |
民國的南洋：上海《良友》畫報的「南洋群島」想像 |
KOK-HWA NG、Ng, Kok-hwa |
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| 2016-07 |
Anti-Incorporation: "Post-03" Ghostly Writing in Lee Pik-wah`s Film Tie-in Edition Novels |
KOK-HWA NG、Ng, Kok-hwa |
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| 2022-09 |
The Rise of Nanyang Studies: Topography Writings in Nanyang Yanjiu and Nanyang Qingbao (1928-1944) |
KOK-HWA NG、Ng, Kok-hwa |
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| 2021-09 |
Flow and Metamorphosis: The Becoming-Fish Imagination in Contemporary Sinophone Fictions since the End of the Twentieth Century |
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