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|Other Titles:||The Impersonal and Impersonality in Deleuze’s Theory of the Creation|
|Issue Date:||2016-08-11 16:04:48 (UTC+8)|
This paper discusses the development of Deleuze's theory of impersonality from impersonal, a critical theory of creation for the 20th century. The paper first reveals the philosophical motivation of Deleuze's impersonal and its operational hypothesis of paradoxical logic. The paper then analyzes the application of impersonal, including impersonality of art, philosophy, and writing. The discussion extends to the rationale that the impersonality in time of Aiôn exceeds the scope of romantic aesthetics. The paper presents the creative nature of exploring the future in time of Aiôn. The paper concludes that Deleuze opened an new era in art philosophy by traveling among philosophy, art and science through his infinite discretion, proceeded with complex thoughts, and created his new theory. Deleuze's approach has transcended the conventional blockages that separated the philosophy, art and science, and stepped out from Romanticists to Heidergger, proposing an idealistic image of art and aesthetics.
|Relation:||政治大學哲學學報, 25, 1-45|
The national Chengchi university philosophical
|Appears in Collections:||[政治大學哲學學報 THCI Core] 期刊論文|
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