Gothic Sublime, Negative Transcendence, and the Politics of Abjection: Woman Writer and Her Monster in Frankenstein

Please use this identifier to cite or link to this item: https://ah.lib.nccu.edu.tw/handle/140.119/101366

DC Field	Value	Language
dc.creator	Hsu, Jen-yi
dc.date	2003-09
dc.date.accessioned	2016-09-06T07:37:42Z	-
dc.date.available	2016-09-06T07:37:42Z	-
dc.date.issued	2016-09-06T07:37:42Z	-
dc.identifier.uri	http://nccur.lib.nccu.edu.tw/handle/140.119/101366	-
dc.description.abstract	Analyzes the aesthetic idea of the sublime in the Romantic tradition; questions of the sublime in its philosophical, political and social context; emphasis on the Gothic side implicit in the idea of the sublime as alterity against the Enlightenment ideology of logocentrism. Frankenstein as a quintessential embodiment of the Gothic transgression against the dominant discourse of patriarchy and reason.
dc.format.extent	115 bytes	-
dc.format.mimetype	text/html	-
dc.relation	臺灣英美文學期刊, 1(1), 1-16
dc.relation	Taiwan journal of English literature
dc.title	Gothic Sublime, Negative Transcendence, and the Politics of Abjection: Woman Writer and Her Monster in Frankenstein
dc.type	article
item.grantfulltext	restricted	-
item.fulltext	With Fulltext	-
item.openairetype	article	-
item.openairecristype	http://purl.org/coar/resource_type/c_18cf	-
item.cerifentitytype	Publications	-
Appears in Collections:	期刊論文

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