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https://ah.lib.nccu.edu.tw/handle/140.119/101851
題名: | 初世都太夫一中的人物像 | 其他題名: | The Essay about the Miyako Tayu Icchuu (I)’s | 作者: | 小俣喜久雄 Kikuo, OMATA |
關鍵詞: | 一中節; 都太夫一中; 近松門左衛門; 紀海音; 浄瑠璃 Icchuu-Bushi; Miyako Tayu Icchuu; Chikamatsu Monzaemon; Kino Kaion; Joruri |
日期: | 一月-2006 | 上傳時間: | 10-九月-2016 | 摘要: | 初世一中所創造的「一中節」,為江戶時代元祿年間流傳的淨瑠璃流派之一。它受到古淨瑠璃的「角太夫節」流派之影響,成為後來豐後節.常磐津節.富本節.清元節等之流派。同時它亦是「強硬派」淨瑠璃相反之「溫和派」淨瑠璃之鼻祖。因此「一中節」在近世淨瑠璃中扮演重要角色。本論文根據明福寺之亡魂名冊.演員評論.文學記載等資料,探討他的為人與品德。 ICCHUU-BUSHI, which is one of the schools of joruri (a dramatic narrative chanted to a samisen accompaniment) started to be transmitted from EDO Era. It became the original school of BUNGO-BUSHI, TOKIWAZU-BUSHI, TOMIMOTO-BUSHI and KIYOMOTO-BUSHI after being influenced by KAKUDAYUU-BUSHI of ancient joruri. ICCHUU-BUSHI had an important position recently. The essay is about ICCHUU-BUSHI’s inaugurator—Miyako Tayu Icchuu (I), who left monks to invest lots of time in literature. I investigate the left description about Miyako Tayu Icchuu (I) from his birthplace—MYOFUKU-JI temple’s register, evaluation of performers at that time, literature and so on, and discuss his portrait. |
關聯: | 外國語文研究, 3, 38-60 Foreign language studies |
資料類型: | article |
Appears in Collections: | 期刊論文 |
Files in This Item:
File | Description | Size | Format | |
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3(p38-60).pdf | 580 kB | Adobe PDF2 | View/Open |
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