Please use this identifier to cite or link to this item: https://ah.lib.nccu.edu.tw/handle/140.119/105090
題名: 借錢有理,消費無罪?解讀現金卡廣告中的消費文化意涵
其他題名: A Study of Contemporary Consumption Culture in the `Cash-Card` Commercials in Taiwan
作者: 甘惟中;許詩韻
關鍵詞: 批判理論;消費文化;現金卡;符號學
cash-cards;consumption culture;critical theories;semiotics
日期: Jan-2005
上傳時間: 19-Dec-2016
摘要: 本研究以批判理論出發,透過符號學分析當今現金卡廣告文本,以解讀其隱含的消費文化意涵。現金卡廣告呈現「萬能」的消費意涵:廣告透過多元連結呈現「金錢至上、消費萬能」的消費氛圍;其次,廣告呈現「無限」的意涵:現金卡改變傳統先勞動後消費的型態,廣告刻意忽略勞動,讓閱聽人誤有消費無限的幻覺;最後,廣告呈現「正當」的消涵:透過與過去借貸意義的對抗強化消費的正當性,而此部分也與世代價值觀的差異密切相關。
From the perspectives of critical theories, this paper explores the inner meanings of consumption cultures in the current cash-card commercials by means of semiotics. After analyzing four TV commercials, this paper proposes three conclusions. First, the current commercials present the idea of consumption as `omnipotent`. It implies one can achieve anything through consumption, including actualizing one`s dream, obtaining the peer identification, solving the predicament etc. Second, the commercials present the `infinite` meaning of consumptions. Lack of labor in these commercials makes the audience think that they can consume everything without paying anything right away. Third, the commercials present the `legitimate` meanings of consumptions, which are closely related to the value that changes between the generations.
關聯: 廣告學研究, 23,93-124
資料類型: article
Appears in Collections:期刊論文

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