Please use this identifier to cite or link to this item: https://ah.nccu.edu.tw/handle/140.119/110253


Title: Yuyan as Allegory/Prophecy: Visions of Ruin in Post-Misty Poetry
Other Titles: 寓言/預言:後朦朧詩的廢墟視域
Authors: 楊小濱
Yang, Xiaobin
Contributors: 台文所
Keywords: 後朦朧詩;寓言;預言;夢境運作;聯延句式;post-misty poetry;allegory;prophecy;dream-work;hypotaxis
Date: 2011
Issue Date: 2017-06-13 16:33:00 (UTC+8)
Abstract: 這篇論文討論的是1980年代中後期中國大陸「後朦朧詩」的寓言性(班雅明意義上)及對於1989年歷史災難的預言表達。我嘗試追索中國古典詩的國族寓言傳統,並且從德曼的理論出發,描述後毛時代新詩寫作中從象徵到寓言的轉換。寓言的碎片同時透過佛洛伊德的「夢境運作」概念加以說明,其中歷史感的表達是經由檢查機制產生的。在末章裡,我探討了後朦朧詩中(反諷式的)聯延句式如何強化了後朦朧詩的修辭轉向,並且挑戰了我稱爲「宏大抒情」的主流模式。The paper examines the allegorical nature (in the Benjaminian sense) of ”post-misty poetry” in the late 1980s which also demonstrates prophetic articulation of the historical catastrophe in the end of the decade. I endeavor to trace the poetic tradition of national allegory in China and, through de Man's theory, map out the development from symbolism to allegory in post-Mao poetic writing. I argue that allegorical fragmentation can be analyzed in light of the Freudian concept of dream-work, by which historical sensibility is produced under censorship. Then, in the final section of the paper, I attempt to demonstrate how (ironically composed) hypotactic syntax works to enforce, rather than diminish, the rhetorical displacement of post-misty poetry as a challenge to what I call ”grand lyrics.”
Relation: NTU Studies in Language and Literature, No.25, 135-163
Data Type: article
Appears in Collections:[臺灣文學研究所 ] 期刊論文

Files in This Item:

File Description SizeFormat
index.html0KbHTML477View/Open


All items in 學術集成 are protected by copyright, with all rights reserved.


社群 sharing