宏大話語與卑瑣現實的喜劇：論殘雪先鋒派時期小說（二）

Abstract

殘雪早期的先鋒派小說在反諷的向度上有力地揭示了宏大話語與現實的錯位,從而凸顯了個人與群體的交往困境。從1980年代中期的《黃泥街》[1],到1980年代末的《突圍表演》[2],到1990年代初的《思想匯報》[3],殘雪的小說話語始終以主導中國現當代文學的主觀、絕對敘事來處理空洞、錯亂的日常事件——《黃泥街》描述了一個意識形態化的社群如何生存于華麗而虛擬的主流話語中,《突圍表演》記敘了街坊鄰里如何在高尚話語的框架里將現實世界設立成趣味盎然的卑瑣現實,《思想匯報》則書寫了個人幻想如何以崇高話語虛構了自身的存在價值,展示了荒誕不經的人際關系。 Canxue’s early avant-garde novels in the dimension of irony effectively reveal the dislocation of grand discourse and reality,which highlight the exchanges plight of individuals and groups.From Wong Nai Street in the mid-1980s,Breakthrough Performance in the end of the 1980s,to thought report in early 1990s,Canxue’s novels deal with the empty,the confusion of daily events by subjective,absolute narrative which has always been dominant in Chinese Modern and Contemporary Literature.Wong Nai Street describes an ideological community to deal with how to survive in a gorgeous virtual mainstream discourse,Breakthrough Performance chronicles how the neighbors in the framework of noble discourse set up a fun Beisuo reality from real world,thought report writing that personal fantasy how to fictionalizel the value of existence by noble words,showing ridiculous relationships.