盡是魅影的歷史：陳大為詩中文化他者的匱乏與絕爽

Abstract

陳大為的詩如何重寫了歷史？歷史作為一種他者的符號秩序在陳大為的詩裡呈現出什麼樣的不同面貌？本文試圖通過拉岡關於符號域與他者的論述，以及匱乏與絕爽的辯證法，辨析陳大為詩中抒情主體的基本面貌。因此，通常所說的陳大為詩學中解構宏大歷史的策略，可以從精神分析學的角度進行更為細密的解讀。陳大為詩中的符號他者狹義地看是中華傳統他者，廣義地看是一般時空意義上的文化他者。那麼，將這樣的歷史書寫置於二十世紀以來華文文學重建歷史符號的脈絡裡來考察，可以更清晰地看到陳大為的歷史書寫也是對現代性的重新書寫。How does Chen Dawei`s poetry rewrite history? What different feature of history as a symbolic Other is shown in his writing? This essay attempts to examine the characteristic of the lyrical subject in Chen`s poetry based on Lacan`s theory of the symbolic and the Other, as well as the dialectics of lack and jouissance. The deconstructive strategy commonly attributed to Chen Dawei`s poetics can be inspected closely from the perspective of Lacanian psychoanalytic theory. The symbolic Other in Chen`s poetry is to be recognized as the Other as Chinese tradition or even the cultural Other in general. Viewed from the context of reconstructing the historical symbolic since the twentieth century, Chen Dawei`s historical writing can be seen clearly as a rewriting of modernity.