Please use this identifier to cite or link to this item: https://ah.lib.nccu.edu.tw/handle/140.119/112581
DC FieldValueLanguage
dc.contributor企業管理學系zh_TW
dc.creator洪順慶zh_TW
dc.creatorHorng, Shun-Chingen_US
dc.date2016
dc.date.accessioned2017-09-07T09:59:55Z-
dc.date.available2017-09-07T09:59:55Z-
dc.date.issued2017-09-07T09:59:55Z-
dc.identifier.urihttp://nccur.lib.nccu.edu.tw/handle/140.119/112581-
dc.description.abstractThe framework of Porter’s value chain(1985) is extremely useful for manufacturing firms to conduct competitive analysis and formulate strategy. However, Cultural products carry a strong symbolic value which is determined by the social and cultural meanings associated with it that allow consumers to express individual and social identity via the purchase and use of the product. We believe the original value chain is not applicable to firms marketing cultural and creative products. Based upon case study from the experiences in Taiwan, we propose a Culture Creative-Based Value Chain (CCVC). Drawn from CCVC, we find there are three different business models utilized by firms, namely, company with marketing competence, craftsman/designer brand, and vertically integrated company. We also compare the various value activities of CCVC for the three business models.en_US
dc.format.extent247059 bytes-
dc.format.mimetypeapplication/pdf-
dc.relationThriving in a New World Economy, pp 198-203en_US
dc.titleThe Business Model and Value Chain of Cultural and Creative Industryen_US
dc.typeconference
dc.identifier.doi10.1007/978-3-319-24148-7_63
dc.doi.urihttps://doi.org/10.1007/978-3-319-24148-7_63
item.fulltextWith Fulltext-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.openairetypeconference-
item.grantfulltextopen-
item.cerifentitytypePublications-
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