Please use this identifier to cite or link to this item: https://ah.lib.nccu.edu.tw/handle/140.119/117593
DC FieldValueLanguage
dc.contributor哲學系zh_TW
dc.creator馬愷之zh_TW
dc.creatorMarchal, Kaien_US
dc.date2017-06
dc.date.accessioned2018-06-12T03:08:40Z-
dc.date.available2018-06-12T03:08:40Z-
dc.date.issued2018-06-12T03:08:40Z-
dc.identifier.urihttp://nccur.lib.nccu.edu.tw/handle/140.119/117593-
dc.description.abstractIn this essay I attempt to clarify the understanding of modernity that can be found in the writings of the Chinese thinker Wang Hui, especially in his magnum opus on The Rise of Modern Chinese Thought (2004). In this book, Wang describes the trajectory of major conceptual and paradigmatic changes from antiquity to modern China. I present and critically discuss important premises of this project, in particular Wang’s assumption that the formation of Chinese modernity is characterized by a dialectical tension between “critique/emancipation” and “control/order”. According to Wang, this tension is already present in the Neo-Confucian world-view, a rather convincing claim as I show in the second part of this essay. It is less clear, however, whether Wang succeeds in grounding Chinese modernity in the historical reality of late imperial China. In the last part, I provide discussion and suggestions for future research.en_US
dc.format.extent102 bytes-
dc.format.mimetypetext/html-
dc.relationDeutsche Zeitschrift für Philosophie, 65(3), 535-553zh_TW
dc.subjectWang Hui; China; Neo-Confucianism; modernityen_US
dc.titleDie Wiederkehr der Moral?en_US
dc.typearticle
dc.identifier.doi10.1515/dzph-2017-0037
dc.doi.urihttp://dx.doi.org/10.1515/dzph-2017-0037
item.grantfulltextrestricted-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.fulltextWith Fulltext-
item.cerifentitytypePublications-
item.openairetypearticle-
Appears in Collections:期刊論文
Files in This Item:
File Description SizeFormat
index.html102 BHTML2View/Open
Show simple item record

Google ScholarTM

Check

Altmetric

Altmetric


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.