Please use this identifier to cite or link to this item: https://ah.lib.nccu.edu.tw/handle/140.119/120040
DC FieldValueLanguage
dc.contributor科技管理與智慧財產研究所
dc.creatorKuo, H.-C.en_US
dc.creator吳靜吉zh_TW
dc.creatorWu, Jing Jyien_US
dc.date2013
dc.date.accessioned2018-09-06T09:46:47Z-
dc.date.available2018-09-06T09:46:47Z-
dc.date.issued2018-09-06T09:46:47Z-
dc.identifier.urihttp://nccur.lib.nccu.edu.tw/handle/140.119/120040-
dc.description.abstractIn Taiwan, the importance of musical creativity has been stated in several government policy documents, including the White Paper on Creative Education (MOE 2002), National Curriculum Grade 1-9 Guidelines (MOE 2003; 2008), and The Creative Taiwan –Action Plans for the Development of Creative and Cultural Industries (Executive Yuan 2009). But how has this target of developing students’ musical creativity been implemented in higher education, especially for students who are not specializing in music and the arts in Taiwan? There is still a lack of published research addressing the question, and that gives this study its significance and appropriateness.en_US
dc.format.extent205 bytes-
dc.format.mimetypetext/html-
dc.relationDeveloping Creativities in Higher Music Education: International Perspectives and Practices, chapter 23, Pages 268-280
dc.titlePromoting institutional creativity: The case of a Taiwanese university’s use of integrated resources to produce a grand musicalen_US
dc.typebook/chapter
dc.identifier.doi10.4324/9781315885223
dc.doi.urihttp://dx.doi.org/10.4324/9781315885223
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item.cerifentitytypePublications-
item.grantfulltextopen-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.openairetypebook/chapter-
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