Please use this identifier to cite or link to this item:
https://ah.lib.nccu.edu.tw/handle/140.119/121910| DC Field | Value | Language |
|---|---|---|
| dc.contributor | 英文系 | |
| dc.creator | 陳音頤 | |
| dc.creator | Chen, Eva | |
| dc.date | 2017-12 | |
| dc.date.accessioned | 2019-01-16T06:05:06Z | - |
| dc.date.available | 2019-01-16T06:05:06Z | - |
| dc.date.issued | 2019-01-16T06:05:06Z | - |
| dc.identifier.uri | http://nccur.lib.nccu.edu.tw/handle/140.119/121910 | - |
| dc.description.abstract | Speed is a new modern pleasure that allows individual power in manipulating movement and compensates the industrial subject for the oppressive efficiency of the factory system. This essay investigates the fin de siècle writings of Grant Allen, George Gissing, and Mrs. Edward Kennard. It argues that women cyclists, numbering half a million in Britain in the mid-1890s, also participate in this modern culture of speed and lay a claim to a new modern subject energized and enhanced by mechanized speed. | en_US |
| dc.format.extent | 99 bytes | - |
| dc.format.mimetype | text/html | - |
| dc.relation | MFS: Modern Fiction Studies, Vol.63, No.4, pp.602-627 | |
| dc.title | Its Beauty, Danger and Feverish Thrill | en_US |
| dc.type | article | |
| dc.identifier.doi | 10.1353/mfs.2017.0049 | |
| dc.doi.uri | http://dx.doi.org/10.1353/mfs.2017.0049 | |
| item.fulltext | With Fulltext | - |
| item.cerifentitytype | Publications | - |
| item.openairecristype | http://purl.org/coar/resource_type/c_18cf | - |
| item.grantfulltext | restricted | - |
| item.openairetype | article | - |
| Appears in Collections: | 期刊論文 | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| index.html | 99 B | HTML2 | View/Open |
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