公理與直覺：梁宗岱詩學理論評析

Abstract

本文由梁宗岱對於梵樂希（Paul Valéry）詩說的詮釋與回應談起，面對梵樂希這樣一位熟諳數理科學的詩人，數理科學如何介入「詩」的思維，或者說「詩」如何挪借數理思維，無疑是梁宗岱與梵樂希之間潛藏的深層對話。尤其面對講究精準如科學公理的梵樂希詩說，梁宗岱屢屢援引哥德（Johann Wolfgang von Goethe）與普恩迦赫（Jules Henri Poincaré）關於「自然」或「直覺」的觀點，並交織傳統詩學的物／我關係，將「詩論」提升到「宇宙論」的層次，而重新發現「宇宙詩學」的現代意義

This essay aims to analyze Liang Zong-dai`s interpretation and response to Paul Valéry`s ＂mechanics of poetry.＂ As Valéry is familiar with mathematics, there is a space for dialogue between the two poets about the role of scientific thinking in Valéry`s poetry and how he enriches his poetic expression with scientific concepts. To highlight Valéry`s stress on precision, which is also a trait of scientific laws, Liang seeks support from Johann Wolfgang von Goethe`s and Jules Henri Poincaré`s interpretations on ＂nature＂ and ＂intuition,＂ and interweaves them with the subject/object relationship and the concept of ＂universe＂ in traditional Chinese poetics. By connecting poetics and cosmism, Liang has illuminated the meaning of ＂cosmological poetics＂ for a modern context.