臺灣樂譜資料整理與維護作業之調查研究

Abstract

音樂是時間的藝術，也是人類重要的文化資產，為了傳承，因而透過記譜將其留存下來。在歐美國家，於數百年前即開始進行樂譜資料與音樂文獻的蒐集、整理與保存；建立專業社群，致力於交流與推廣。反觀國內，在這數十年間雖然也有許多優秀的創作，但由於對樂譜資料的保護沒有積極的認知，也沒有專責機構進行整合與管理，使得這些珍貴的史料逐漸損毀、佚失，最終消弭於無形，令人十分憂心。\n\n本研究透過文獻探討，分析了解國內外重要典藏機構對於樂譜資料之整理與維護現況，據以選定國內五所典藏有國人音樂家樂譜資料之典藏機構，對人員進行深度訪談並分析其館藏概況、樂譜資料整理與維護作業的情形、所遭遇之困難，最終提出對於目前國人音樂家樂譜資料整理與維護之永續發展建議，包括加強宣導史料典藏之觀念、借鑒國內外標準制定作業流程與規範、培養專業人才、推動機構間資源互助共享、以及爭取設立音樂檔案館。

Music is the art of time, also the important cultural property for a nation. In order to pass on, it is preserved through notation. In European and American countries, they began collecting, arranging and preserving music manuscripts, scores, and literatures hundreds of years ago, and established professional organizations to communicate and promote. On the other hand, Taiwan composers also have many excellent musical works in these decades, but there is no positive awareness of the manuscripts protection, and also no specialized organization for integration and management, these precious historical materials are gradually destroyed and lost as time goes by, and eventually disappeared into invisible. The condition is very worrying.\n\nThrough the literature surveys, this study analyzed the current situation of the arrangement and preservation of music manuscripts by important archival institutions at home and abroad, selected five domestic institutions who collects music manuscripts of Taiwan musicians, and then interviewed with employees of these institutions to understand and analyze the overview of collections, the situation of the arrangement and preservation of music manuscripts, and the difficulties they encountered. Finally, I proposed the conclusions and suggestions as follows: strengthen the concept about preservation of historical materials, set up work standards by drawing on domestic and international standards, cultivate professional talents, promote resource sharing among archival institutions, and strive for the establishment of a music archive.