故事產出模式之試建： 附《蟻女蟻男》實作個案

Abstract

台灣影視業界的企劃、提案與評量方式並無標準體例，企編作業缺乏制度化。本研究試圖建立一合理、有效、易於產業操作的的影視故事產出模式。並導入程序控制法，以系統觀點結合故事企編與故事評量回饋機制，完成一故事產出模式。\n\n本研究創作採文獻探討與深度訪談方法，並嘗試透過實踐，具體修正模式。首先耙梳敘事、編劇理論相關文獻，並整理我國知名徵案單位要求之企劃格式，彙整一故事創寫之合理架構；輔以業界編劇、導演、徵案單位深度訪談，從學術理論與業界需求中，試建立兼顧理論與實務的故事產出模式：故事編寫者先利用「故事提案企劃」產出故事，再藉由「故事評量系統」具體修正故事弱點，徵件單位亦可透過評量系統挑選或改良故事，依此循環產出適宜的故事企劃或劇本。本創作研究將依此模式創作劇本《蟻女蟻男》，作為實踐。

There has been no standardized system for story planning, proposition, or assessment in film and television industry of Taiwan. This study aims to establish a logical and effective "Storytelling model" for film industry to refer to.\n\nThis study firstly compiled various documents regarding narratives or playwriting and drafted the basic structure of storytelling. Then it interviewed and consulted several playwrights and director in an attempt to formulate a comprehensive storytelling model that is both theoretically correct and practically functional. The writer can first create the story using “Story proposition planning” mechanism and then polish the story by utilizing “Story assessment table”. Producers and investors can also select or optimize the story through assessment mechanism. As a result, the best story or script can thus be produced. The script 《I have to survive》was created by "Storytelling model" in this study.