Please use this identifier to cite or link to this item:
https://ah.lib.nccu.edu.tw/handle/140.119/139128| DC Field | Value | Language |
|---|---|---|
| dc.contributor.advisor | 施堂模 | zh_TW |
| dc.contributor.advisor | Thomas John Sellari | en_US |
| dc.contributor.author | 呂信醇 | zh_TW |
| dc.contributor.author | Lu, Hsin-Tsun | en_US |
| dc.creator | 呂信醇 | zh_TW |
| dc.creator | Lu, Hsin-Tsun | en_US |
| dc.date | 2022 | en_US |
| dc.date.accessioned | 2022-03-01T08:29:45Z | - |
| dc.date.available | 2022-03-01T08:29:45Z | - |
| dc.date.issued | 2022-03-01T08:29:45Z | - |
| dc.identifier | G0105551007 | en_US |
| dc.identifier.uri | http://nccur.lib.nccu.edu.tw/handle/140.119/139128 | - |
| dc.description | 碩士 | zh_TW |
| dc.description | 國立政治大學 | zh_TW |
| dc.description | 英國語文學系 | zh_TW |
| dc.description | 105551007 | zh_TW |
| dc.description.abstract | 本論文以探索隱藏於馬克白恐懼背後的真相為重點，揭示一般評論家較為忽略的部分，那就是莎士比亞透過馬克白這齣戲要告訴我們的道理--邪不勝正，在劇中，馬克白及其夫人的恐懼其實是來自於害怕正義的到來，雖然整齣戲大多籠罩在血腥、背叛、及恐怖的氛圍中，但馬克白終究自食惡果，無論他怎麼抗拒光明、正義的到來，他還是要離開那自我封閉的黑暗，因為「邪不勝正」，也就是不論陰雨、黑暗多久，太陽一定會出來，本論文在劇中找到諸多證據，顯示這個莎士比亞所隱藏在劇中的道理。 | zh_TW |
| dc.description.abstract | Shakespeare’s tragedy Macbeth is probably the most complicated of his four famous tragedies. This thesis explores the meaning behind Macbeth’s fear. The thesis states that the meaning of Macbeth’s major fear is that evil cannot conquer justice—the usurper will eventually yield to the rightful sovereign. Overshadowed by the dark symbolism and mental suffering in the play, the rightful sovereign is a theme often overlooked by critics. The Tragedy of Macbeth is more than a personal, individual suffering and struggling; it is also a tragedy of a kingdom with hope in the end. | en_US |
| dc.description.tableofcontents | Chinese Abstract…………………………………………………vi\nEnglish Abstract………………………………………………….vii\nIntroduction……………………………………………………1\nChapter One: Symbolism and the Structure of Evil……………21\nChapter Two: The Rightful Sovereign and Pageantry……………37\nConclusion………………………………………………………..55\nWorks Cited………………………………………………………..64 | zh_TW |
| dc.format.extent | 402273 bytes | - |
| dc.format.mimetype | application/pdf | - |
| dc.source.uri | http://thesis.lib.nccu.edu.tw/record/#G0105551007 | en_US |
| dc.subject | 馬克白 | zh_TW |
| dc.subject | 恐懼 | zh_TW |
| dc.subject | 假象 | zh_TW |
| dc.subject | 表徵 | zh_TW |
| dc.subject | 邪惡 | zh_TW |
| dc.subject | 苦難 | zh_TW |
| dc.title | 恐懼的假象：馬克白中的象徵、邪惡、與苦難 | zh_TW |
| dc.title | Painting of Fear: Symbolism, Evil, and Suffering in Macbeth | en_US |
| dc.type | thesis | en_US |
| dc.relation.reference | Blair, David. “What Happens In Macbeth Act I Scene Vii?” The Review of English\nStudies, XLVII, no. 188, 1996, pp. 534–539., doi:10.1093/res/xlvii.188.534.\nBradley, A. C. “Construction in Shakespeare`s Tragedies.” Shakespearean Tragedy:\nLectures on Hamlet, Othello, King Lear, Macbeth. Macmillan, 1904, pp. 5–39.\nBridges, Robert. The Influence of the Audience on Shakespeare’s Drama. Oxford UP,\n1927. Collected Papers &c. of Robert Bridges.\nBriggs, Katharine Mary. Pale Hecate`s Team: An Examination of the Beliefs on\nWitchcraft and Magic among Shakespeare`s Contemporaries and His\nImmediate Successors. Routledge, 2003, Accessed 2021.\nCalvin, John. “John Calvin.” The Norton Anthology of English Literature: The\nSixteenth Century/the Early Seventeenth Century. Edited by Stephen Greenblatt.\nW.W. Norton and Company, 2018, pp. 681–684.\n“Catharsis.” Cambridge Dictionary, Cambridge UP,\ndictionary.cambridge.org/us/dictionary/english/catharsis?q=Catharsis.\nCharnock, Ross. “Hart as Contextualist? Theories of Interpretation in Language and\nthe Law.” Law and Language, 2013, pp. 128–150.,\ndoi:10.1093/acprof:oso/9780199673667.003.0062.\nDaileader, Celia R. “Weird Brothers: What Thomas Middleton’s The Witch Can Tell\nUs about Race, Sex, and Gender in Macbeth.” Weyward Macbeth, 2010, pp. 11–\n20., doi:10.1007/978-0-230-10216-3_2.\nEliot, T. S. “Hamlet and His Problems.” The Sacred Wood: Essays on Poetry and\nCriticism, Faber and Faber, 1997, pp. 81–87.\n---. Selected Essays. New Edition, Harcourt, Brace & Co., 1950.\n“Evil.” Cambridge Dictionary, Cambridge UP,\ndictionary.cambridge.org/us/dictionary/english/evil?q=Evil.\nGoodare, Julian, and Joyce Miller. “Introduction.” Witchcraft and Belief in Early\nModern Scotland, Palgrave Macmillan, 2016, pp. 1.\n“Great Scottish Witch Hunt of 1597.” Wikipedia, Wikimedia Foundation, 31 Oct.\n2019, en.wikipedia.org/wiki/Great_Scottish_Witch_Hunt_of_1597.\nHolinshed, Raphael. Holinshed`s Chronicles of England, Scotland, and Ireland. vol. 5,\nRichard Taylor & Co, 1808, Internet Archive,\narchive.org/details/chroniclesofengl05holiuoft, Accessed 2021.\nInception. Directed by Christopher Nolan. Warner Home Video, 2010.\nJohnson, Samuel. Dr. Johnson on Shakespeare. Edited by William K. Wimsatt.\nPenguin Books, 1969.\nKermode, Frank. “Macbeth.” The Riverside Shakespeare, Houghton Mifflin, 1997, pp.\n1355–1359.\nKipling, Gordon. “Triumphal Drama: Form in English Civic Pageantry.” Renaissance\nDrama, vol. 8, 1977, pp. 37–56. JSTOR, www.jstor.org/stable/41917136.\nAccessed 27 May 2021.\n---. “Wonderfull Spectacles: Theater and Civic Culture.” A New History of Early\nEnglish Drama, edited by John D. Cox et al., Columbia UP, 1997, pp. 153–171.\nKnight, G. Wilson. The Wheel of Fire: Interpretations of Shakespearian Tragedy;\nwith New Essays. World Pub. Co., 1962.\nKnights, L. C. Explorations: Essays in Criticism. G.W. Stewart, 1947, Internet\nArchive, archive.org/details/explorationsessa00knigrich, Accessed 2021.\nMackay, Christopher S., and Heinrich Institoris. The Hammer of Witches: a Complete\nTranslation of the Malleus Maleficarum. Cambridge UP, 2014.\nMiola, Robert S. Shakespeare`s Reading. Oxford UP, 2012.\nMuir, Kenneth. “Introduction.” Macbeth, Mathuen & Co., 1962, pp. iii-lxv.\nNagler, Alois M., and Ralph Manheim. Shakespeare`s Stage. Yale UP, 1966.\nShakespeare, William. Macbeth. Mathuen & Co., 1962.\n---. The Riverside Shakespeare: The Complete Works. Edited by G. Blakemore Evans.\nHoughton Mifflin, 1997.\nSchoenbaum, Samuel. Macbeth: Critical Essays. Garland, 1991.\nStuart, James Charles. “Speech of James I before Parliament, 21 March 1610.” Select\nStatutes and Other Constitutional Documents Illustrative of the Reigns of\nElizabeth and James I. Edited by G.W. Prothero. Clarendon Press, 1906,\nInternet Archive, archive.org/details/selectstatuteso00protuoft, Accessed 2021,\npp. 293–294.\nTillyard, E. M. W. The Elizabethan World Picture: a Study of the Idea of Order in the\nAge of Shakespeare, Donne and Milton. Random House, 1960.\nWilliams, Gordon. Shakespeare`s Sexual Language: a Glossary. Continuum, 2006.\nWills, Garry. Witches & Jesuits. Oxford UP, 1995. | zh_TW |
| dc.identifier.doi | 10.6814/NCCU202200169 | en_US |
| item.grantfulltext | restricted | - |
| item.openairetype | thesis | - |
| item.fulltext | With Fulltext | - |
| item.openairecristype | http://purl.org/coar/resource_type/c_46ec | - |
| item.cerifentitytype | Publications | - |
| Appears in Collections: | 學位論文 | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| 100701.pdf | 392.84 kB | Adobe PDF2 | View/Open |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.