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題名: | The Parenthetical Voice-over: Dialectical Audiovisual Structure in Hollis Frampton`s (nostalgia) and Jonas Mekas`s The Song of Avila | 作者: | Lee, Ming-Yu | 貢獻者: | 文山評論:文學與文化 | 關鍵詞: | voice-over ;Hollis Frampton ;Jonas Mekas ;(nostalgia) ;The Song of Avila ;essay film ;diary film | 日期: | Dec-2021 | 上傳時間: | 8-Apr-2022 | 摘要: | This paper aims to discuss the use of the voice-over in first-person cinema and its unique audiovisual structure. Employing notions of caméra-stylo from Alexandre Astruc, horizontal montage from André Bazin, sonic interstices from Laura Rascaroli, and Michel Chion`s discussion on the sound in cinema, I try to examine in this paper how the voice-over has become the most common approach for revealing the filmmaker/author`s presence, and further, how voice-over narration interacts with images within a dynamic parenthetical structure. By using Hollis Frampton`s (nostalgia) and Jonas Mekas`s The Song of Avila as case studies, I aim to establish that in parenthetical structure, the voice-over functions in various ways and can be seen as a novel perspective for treating audiovisual structure in the first-person cinema. | 關聯: | 文山評論:文學與文化, 15(1), 235-267 | 資料類型: | article | DOI: | https://doi.org/10.30395/WSR.202112_15(1).0010 |
Appears in Collections: | 期刊論文 |
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