Please use this identifier to cite or link to this item: https://ah.lib.nccu.edu.tw/handle/140.119/143419
DC FieldValueLanguage
dc.contributor廣播與電視
dc.creator陳明珠
dc.creatorChen, Ming-chu
dc.date2021-01
dc.date.accessioned2023-02-14T08:06:11Z-
dc.date.available2023-02-14T08:06:11Z-
dc.date.issued2023-02-14T08:06:11Z-
dc.identifier.urihttp://nccur.lib.nccu.edu.tw/handle/140.119/143419-
dc.format.extent105 bytes-
dc.format.mimetypetext/html-
dc.relation廣播與電視, 41, 41-87
dc.subject金秀賢; 韓劇; 母性與母職; 敘事理論
dc.subjectKorean TV dramas; Motherhood and mothering; Narrative theory; Su-Hyeon Kim
dc.title南韓女編劇金秀賢家庭劇的母性與母職研究:以韓劇《媽媽發怒了》、 《人生多美麗》、《無子無憂》為例
dc.titleA Study on Motherhood and Mothering in Korean Female Script Writer Su-Hyeon Kim’s Family Dramas: Taking Mom’s Dead Upset, Life is Beautiful, Childless Comfort as Examples
dc.typearticle
dc.identifier.doi10.30385/JRTS.202101_(41).0002
dc.doi.urihttps://doi.org/10.30385/JRTS.202101_(41).0002
item.openairetypearticle-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.grantfulltextopen-
item.cerifentitytypePublications-
item.fulltext全文-
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