Please use this identifier to cite or link to this item:
https://ah.lib.nccu.edu.tw/handle/140.119/35980| DC Field | Value | Language |
|---|---|---|
| dc.contributor.advisor | 賴惠玲 | zh_TW |
| dc.contributor.advisor | Huei-Ling Lai | en_US |
| dc.contributor.author | 李美芳 | zh_TW |
| dc.contributor.author | Mei-fang F. Lee | en_US |
| dc.creator | 李美芳 | zh_TW |
| dc.creator | Mei-fang F. Lee | en_US |
| dc.date | 2002 | en_US |
| dc.date.accessioned | 2009-09-18T08:41:04Z | - |
| dc.date.available | 2009-09-18T08:41:04Z | - |
| dc.date.issued | 2009-09-18T08:41:04Z | - |
| dc.identifier | G0089555008 | en_US |
| dc.identifier.uri | https://nccur.lib.nccu.edu.tw/handle/140.119/35980 | - |
| dc.description | 碩士 | zh_TW |
| dc.description | 國立政治大學 | zh_TW |
| dc.description | 語言學研究所 | zh_TW |
| dc.description | 89555008 | zh_TW |
| dc.description | 91 | zh_TW |
| dc.description.abstract | 英語動詞take有許多不同的語意，而這些語意之間則存有密切的關聯性。藉著分析take的各種語意，可以讓我們更深入地瞭解多義詞現象。本論文藉助認知語言學派的語意架構理論和構造語法理論，深入分析了take出現在不同句法結構中所產生的不同語意及這些語意彼此之間的關聯性。研究結果發現︰當take出現在及物結構中(Caused-Affected Construction)時，透過語言使用者在觀點上不同的選擇(Windowing of Attention)，會衍生出四個基本語意，分別為選擇、拿取、消耗、及狀態改變。此外，take可以與七類型的介詞片語共同表達出七種不同的語意功能。最後，take還可以與介詞組合成片語動詞，產生特殊的語意，為使動結構的邊緣衍生用法。 | zh_TW |
| dc.description.abstract | The English verb take attests a wide range of meanings and provides rich resources for the exploration of polysemy. Attempting to examine how the various senses of take are related to one another, this thesis investigates the meaning relatedness under the framework of Frame Semantics, which postulates that a conceptual representation is required to fully capture verb semantics (Fillmore and Atkins 1992, 2000), and Construction Grammar, which holds that constructions found in language are the basic units of language and that verb semantics interacts with constructions, thus yielding different meanings (Goldberg 1995, Jackendoff 1997). A careful examination of data reveals that take derives a variety of senses both from its interaction with the semantics of other components in the constructions and from different windowings of take’s conceptual frame. When integrated with the Caused-Affected Construction, the take construction acquires the senses of choosing, grabbing, consuming, and changing. When integrated with the Caused-Motion Construction, the take construction is found to be prototypically followed by prepositional phrases exhibiting seven semantic functions.\r\nWhen occurring in less prototypical cases of the Caused-Motion Construction, the meaning of the take construction blends into the meaning of the preposition following right behind it. | en_US |
| dc.description.tableofcontents | TABLE OF CONTENTS\r\n\r\n\r\nAcknowledgements…………………………………………………iv\r\nChinese Abstract…………………………………………………x\r\nEnglish Abstract…………………………………………………xi\r\nChapter\r\n1. Introduction…………………………………………………1\r\n1.1 Motivation and Purpose……………………………………2\r\n1.2 Layout of the Thesis………………………………………4\r\n2. Literature Review…………………………………………6\r\n2.1 Theoretical Background……………………………………6\r\n2.1.1 Classical Theories of Meaning Versus Cognitive Semantics………………………………………………………………7\r\n2.1.2 Frame Semantics……………………………………………14\r\n2.1.3 Perspective Taking………………………………………16\r\n2.1.4 Constructional Approach…………………………………17\r\n2.1.5 Thematic Roles……………………………………………21\r\n2.1.5.1 Jackendoff’s Thematic Relations…………………22\r\n2.1.5.2 Dowty’s Proto-agent and Proto-patient…………24\r\n2.1.5.3 Dixon’s Notion of Affectedness……………………26\r\n2.1.6 Image Schemas………………………………………………28\r\n2.2 Previous Analyses of Take………………………………30\r\n2.2.1 Norvig & Lakoff (1987)…………………………………31\r\n2.2.2 Ruhl (1999)…………………………………………………4\r\n2.3 Remarks………………………………………………………35\r\n3. Analysis……………………………………………………40\r\n3.1 Data…………………………………………………………40\r\n3.2 The Quest for the Semantics of Take…………………43\r\n3.2.1 The Core Meaning of the Take Construction…………43\r\n3.2.2 The Take Construction plus the Caused-Affected Construction…………………………………………………………46\r\n3.2.2.1 The Choose Type…………………………………………49\r\n3.2.2.2 The Grab Type……………………………………………52\r\n3.2.2.3 The Consume Type………………………………………58\r\n3.2.2.4 The Change-of-state Type……………………………61\r\n3.2.3 The Take Construction plus the Caused-Motion Construction… ……………………………………………………70\r\n3.2.3.1 Source, Path and Goal…………………………………74\r\n3.2.3.2 Concomitant, Locative, Benefactive, and\r\nInstrument……………………………………………………………90\r\n3.2.4 The Chameleon Take plus the Caused-Motion Construction…………………………………………………………94\r\n3.2.4.1 Take out and Take away………………………………97\r\n3.2.4.2 Take over, Take in, Take off, Take on, and Take up………………………………………………………………………99\r\n3.2.4.3 Take After, and Take to……………………………107\r\n3.3 Summary…………………………………………………109\r\n4. Conclusion…………………………………………………111\r\n4.1 Summary of Results………………………………………111\r\n4.2 Further Research Issues………………………………113\r\n\r\nReferences…………………………………………………………118\r\n\r\n\r\n\r\n\r\nTABLE OF FIGURES\r\n\r\n\r\n2-1 Caused-Motion Construction ………………………………20\r\n2-2 Composite Fused Structure: Caused-Motion + put………20\r\n2-3 Norvig & Lakoff’s semantic network for take…………33\r\n3-1 Distributions of syntactic patterns in which take occurs……………………………………………………………………42\r\n3-2 Conceptual frame for the take construction……………44\r\n3-3 Caused-Affected Construction………………………………47\r\n3-4 Windowing of LEFTOVERS’ being left hind………………51\r\n3-5 Windowing of initial fetching……………………………53\r\n3-6 Meaning extension of the grab sense of the take construction……………………………………………………………57\r\n3-7 Windowing of the OUTCOME OF THEME g1……………………58\r\n3-8 Windowing of changes undergone by THEME………………62\r\n3-9 The process of note taking…………………………………63\r\n3-10 The process of photograph taking…………………………63\r\n3-11 Meaning extension of the take construction in the CAC…………………………………………………………………………65\r\n3-12 Caused-Motion Construction…………………………………70\r\n3-13 Composite Fused Structure: Caused-Motion + take……71\r\n3-14 The entire moving trail of theme…………………………75\r\n3-15 The entire moving trail of theme with initial windowing…………………………………………………………………75\r\n3-16 The entire moving trail of theme with medial windowing…………………………………………………………………81\r\n3-17 Image schemas of prepositions across, over and through……………………………………………………………………82\r\n3-18 An image schema of the preposition around……………83\r\n3-19 The entire moving trail of theme with final windowing…………………………………………………………………83\r\n3-20 Image schemas of prepositions……………………………84\r\n3-21 Image schemas of out and away……………………………98\r\n3-22 Semantic network for over (Tyler & Evans 2001)……101\r\n3-23 Image schema of the excuse taking in the teacher…103 | zh_TW |
| dc.language.iso | en_US | - |
| dc.source.uri | http://thesis.lib.nccu.edu.tw/record/#G0089555008 | en_US |
| dc.subject | 多義詞 | zh_TW |
| dc.subject | 構造語法 | zh_TW |
| dc.subject | 語意架構 | zh_TW |
| dc.subject | 認知語意學 | zh_TW |
| dc.subject | Polysemy | en_US |
| dc.subject | Construction Grammar | en_US |
| dc.subject | Frame Semantics | en_US |
| dc.subject | Cognitive Semantics | en_US |
| dc.subject | Windowing of Attention | en_US |
| dc.title | Taking Care of \"Take\": Frame and Constructions | zh_TW |
| dc.title | 從語意架構和構造語法的觀點分析英語多義詞Take | zh_TW |
| dc.type | thesis | en |
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| item.languageiso639-1 | en_US | - |
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| item.openairetype | thesis | - |
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