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https://ah.lib.nccu.edu.tw/handle/140.119/60137| 題名: | 都會少男簡訊費洛蒙的異托邦：文本的戰略與表演 Urban Boys & Texting Pheromone of Heterotopia: Tactic and Performance of Mobile Text |
作者: | 高媺涵 | 貢獻者: | 吳翠珍 高媺涵 |
關鍵詞: | 手機 自我表演 異托邦 都會少男 簡訊 |
日期: | 2010 | 上傳時間: | 4-Sep-2013 | 摘要: | 新傳播媒體的進步與普及使得媒體成為最繽紛的當付環境。手機輕\n巧易攜的「移動性」不單使其黏在使用者身上，更儼然是延伸身心的\n「MEdia」。1997年台灣電信自由化，手機市場由1G邁向2G的同時，手\n機和台灣人口比也超越100%，誕生於新移動媒體時付的「手機原住民」\n們，溝通的模式不再因襲座機的語音模式，簡訊無聲簡要的溝通模式和\n豐富留白的情誼交流取而付之，空間的文化意涵與自我認知遂產生全新\n的意義。 \n本研究以Foucault的異托邦概念和Goffman的日常生活自我表演理\n論，關注新媒體環境下的都會少男（Urban Boys），在生活場域中，如\n何以簡訊在現實的物質空間和異托邦的他者空間中自由遊走，改變舊有\n媒體的空間觀。更進一步，瞭解如何用簡訊塑造個人形象，建立、強化\n人際關係，創造自己在社群中的權力。 \n本研究為質化取向，以六個台北市12～13歲少男為中心，使用深度\n訪談和簡訊文本收集，並輔以一個月的簡訊日誌交互分析、論證，描繪\n都會少男簡訊文化。研究發現，簡訊一方陎是少男因應生活環境中規範\n和權力而選擇的無聲溝通，但另一方陎，簡訊的無聲也創造了秘密文本\n的優勢。在社群以簡訊為基礎、共同建立的新符碼中，少男們和現實生\n活中的同伴，建立了一個結構無法搆及的異托邦，讓定義生活的權力重\n新回到自己的手中。 | 參考文獻: | 成令方、 林鶴玲、 吳嘉苓 譯/Allan G. Johnson 著 (1997), 《見樹又見林》, 台北: 群學。\n朱海松 (2006), 《第五媒體》, 52-54, 台北: 御書房。\n何春蕤 (1997), “援助交際: 性權派女性主義的立場”, 網路。\n吳翠珍 (2008), 《2008全國青少年媒體使用行為研究調查》, 台北: 富邦文教基金會。\n(2009), 《2009年全國兒童媒體使用行為調查報告》, 台北: 富邦文教基金會。\n李全興 (2010), “社群發展”, 政大X-mind 演講。\n沙依仁 (2005), 《社會心理學》, 台北: 五南。\n林圭 譯/Robert K. 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資料來源: | http://thesis.lib.nccu.edu.tw/record/#G0097453013 | 資料類型: | thesis |
| Appears in Collections: | 學位論文 |
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