日期 | 標題 | 作者 |
10-八月-2023 | Book Review: Tim Fulford and Sharon Ruston, eds., «The Collected Letters of Sir Humphry Davy» | Hricko, Jonathon |
10-八月-2023 | Book Review: Emily Sun, «On the Horizon of World Literature: Forms of Modernity in Romantic England and Republican China» | Huang, Bo-yuan |
10-八月-2023 | Intermediality in Contemporary Nigerian Standup Comedy: The Gordons’s Case | Chukwumah, Ignatius |
10-八月-2023 | 「英雄神話」的符號生產——葉慈悼亡詩之羅伯特.格雷戈里的身份建構 | 楊珊;馮偉; Yang, Shan;Feng, Wei |
10-八月-2023 | Retelling Folk as Gothic in Kothanodi and Aamis | Bora, Anshuman |
10-八月-2023 | Queer Werewolves in India: Hybridity, Sexuality and Monstrosity in Indra Das’s The Devourers | Valančiūnas, Deimantas |
10-八月-2023 | A Theatre of Ghosts, a Haunted Cinema: The Japanese Gothic as Theatrical Tradition in Gurozuka | Kevin J. Wetmore, Jr. |
10-八月-2023 | Liberal Vaccine for Communist Viral Disease: National Paranoia, Body Politic, and Contagion as Political Allegory in Por Intharapalit’s “Songkhram Chuerok” [Germ Warfare] (1963) | Prabunya, Suntisuk |
10-八月-2023 | Introduction: Why Do We Need Asian Gothic? | Ancuta, Katarzyna;Hsu, Li-hsin; 許立欣 |
29-三月-2023 | Burning Fat: Edgar Allan Poe’s “Hop-Frog,” Literary Overproduction, and the Engine of Revenge | Manuel, Herrero-Puertas |
29-三月-2023 | 從《撒哈拉歲月》英西兩譯本註釋分析翻譯策略 | 古孟玄; Ku, Meng-hsuan |
29-三月-2023 | Hybridity of Genres in Margaret Cavendish’s The Blazing World | 蘇靖棻; Su, Jing-fen |
29-三月-2023 | Seeing and Hearing through Glass: An Exegesis of the Artificial in Der Sandmann | Lee, Feng-Shu |
29-三月-2023 | 從身體行動到體驗「活角色的生」:晚期風格和史坦尼斯拉夫斯基的身體行動方法 | 蘇子中; Su, Tsu-Chung |
29-三月-2023 | The Earth’s Tragic Drone: Revealing the Incommunicability of Nature’s Mournful Sounds in Wallace Stevens | Lin, Chih-wei |
29-三月-2023 | Shakespeare in Mark Twain’s 1601 | Ou, Hsin-yun |
29-三月-2023 | Contrary Witnesses: John Addington Symonds, Samuel R. Delany and the Historiography of the Unspeakable | Earl Dewayne Jackson, Jr. |
29-三月-2023 | 不吃不理性:從瑪莉安的情傷,看《理性與感性》的拒食、進食,以及餵食 | 陳建龍; Dahn, Alvin |
29-三月-2023 | "A Voice as of the Waters": Women`s Watery Narrative and Julia Margaret Cameron`s "Fluid" Photography in Tennyson`s Idylls of the King | 劉涵英; Liu, Han-ying |
29-三月-2023 | The Power of Things in Terry Tempest Williams`s Refuge and when Women Were Birds | 張麗萍; Chang, Li-ping |