Please use this identifier to cite or link to this item: https://ah.nccu.edu.tw/handle/140.119/65979


Title: Why Were There No Great Chinese Paintings in American Museums Before the Twentieth Century
Authors: 朱靜華
Ju, Jane C.
Contributors: 歷史系
Date: 2014.01
Issue Date: 2014-05-12 16:43:46 (UTC+8)
Abstract: To understand the major shift in Americans' attitudes about Chinese art between the nineteenth and twentieth centuries, it is essential to know not only what the American collectors thought, but also the social history of these collectors and their agents. Since the advent of the field of material culture studies, scholars have begun to look at museum objects, whether as art or not, from the perspective of different lives—that of their makers and users. It seems that the lack of “great” Chinese paintings in American museums before the twentieth century may be due to the fact that the nineteenth century American collectors and their Chinese agents differed from their twentieth century counterparts in what they regarded as “great,” what they thought was “Chinese,” and what they defined as “paintings.”
Relation: The Museum Journal, 57(1), 60-80
Data Type: article
DOI 連結: http://dx.doi.org/10.1111/cura.12051
Appears in Collections:[歷史學系] 期刊論文

Files in This Item:

File Description SizeFormat
6080.pdf960KbAdobe PDF1155View/Open


All items in 學術集成 are protected by copyright, with all rights reserved.


社群 sharing