黑夜來臨

Abstract

短片《黑夜來臨》述說鄭宇勝－三民高中的王牌投手，正侃侃而談他得到勝利與小聯盟合約的喜悅，這讓他可以逃離充滿恐懼的生活。但其實勝利並不是屬於他的，生涯早已報銷的鄭宇勝，將自己投射在別人的勝利中，逃避現實的威脅，在這場設計成「記者採訪」的心理治療裡，鄭宇勝被迫在幻想中看到矛盾之處，道出一場夢靨與真實的自己，而這又是何其殘酷…\n\n 《黑夜來臨》以黑色電影手法，從選手心理的角度切入台灣棒球的教育問題，探究選手對其選手生命的心理過程，帶觀眾去經歷這樣的過程，藉由一個極端的遭遇，隱喻當代台灣每一個高中選手面對職涯選擇時，受全球選手交易與高中教育不見全的影想。\n\n 本創作論述報告包含創作動機、電影表現形式手法、相關心理學研究及高中棒球環境的田野調查報告，亦包含從前製、攝製期與後製期的工作紀錄，並說明本片在試映後的觀眾反應及修改方向。

In psychiatrist`s room, CHENG Yusheng, the ace pitcher from Shan Min Senior High School, was eloquently talking about the wining of the game and the joy of signing his minor league`s contract. This is not only a childhood dream but, more important, an escape from a lifelong fear, his mother. But in reality, this victory never belongs to Cheng, his career has ended log time ago. He imagined a victory not his own in order to runaway from the threat of real world.\n\nIn the process of psychotherapy, Cheng was forced to face the contradictions in his hallucination, and told the story of nightmare and truth.\n\nAnd soon the Darkness is a short film about a Taiwanese high school baseball player’s struggle. The film is produced by skills of film noir, and we look at this situation from the angle of sports psychology, focus on the moment when Taiwanese high school players face their future. \n\nThe director’s report demonstrates the production background of the story, presents the perspective to make this film, and records the process of the production and screening.