Please use this identifier to cite or link to this item:
https://ah.lib.nccu.edu.tw/handle/140.119/74075| DC Field | Value | Language |
|---|---|---|
| dc.contributor | 廣電系 | |
| dc.creator | 郭力昕 | zh_TW |
| dc.creator | Kuo, Li-Hsin | |
| dc.date | 2007-10 | |
| dc.date.accessioned | 2015-03-25T08:44:06Z | - |
| dc.date.available | 2015-03-25T08:44:06Z | - |
| dc.date.issued | 2015-03-25T08:44:06Z | - |
| dc.identifier.uri | http://nccur.lib.nccu.edu.tw/handle/140.119/74075 | - |
| dc.description.abstract | This essay provides a contextualised account of social documentary photography in Taiwan during the second half of the 1980s and a critical review of Ren Jian magazine within a case study of Guan Xiao-rong`s Dignity und Humiliation. The latter emerges as an exemplary documentary work on the socio-political issues of an ethnic group of indigenous Taiwanese. The essay suggests that Guan`s mixed position of documentary photographer and campaign activist made his photographs a distinctive and rare humanistic contribution with a politicised dimension. | |
| dc.format.extent | 4978519 bytes | - |
| dc.format.mimetype | application/pdf | - |
| dc.relation | Javnost-The Public, 14(3), pp.49-64 | |
| dc.title | Politicizing Documentary Photography: Ren Jian and Guan Xiao-rong in late 1980s Taiwan | |
| dc.type | article | en |
| item.cerifentitytype | Publications | - |
| item.fulltext | With Fulltext | - |
| item.grantfulltext | restricted | - |
| item.openairecristype | http://purl.org/coar/resource_type/c_18cf | - |
| item.openairetype | article | - |
| Appears in Collections: | 期刊論文 | |
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