Please use this identifier to cite or link to this item:
https://ah.lib.nccu.edu.tw/handle/140.119/76000
DC Field | Value | Language |
---|---|---|
dc.contributor | 歷史系 | |
dc.creator | Eaton, Joseph | |
dc.creator | 周一騰 | zh_TW |
dc.date | 2011-09 | |
dc.date.accessioned | 2015-06-22T06:26:17Z | - |
dc.date.available | 2015-06-22T06:26:17Z | - |
dc.date.issued | 2015-06-22T06:26:17Z | - |
dc.identifier.uri | http://nccur.lib.nccu.edu.tw/handle/140.119/76000 | - |
dc.description.abstract | Marc L. Moskowitz, an associate professor of anthropology at the University of South Carolina, provides valuable insight into notions of gender in Taiwan and East Asia generally, in his book `Cries of Joy, Songs of Sorrow: Chinese Pop Music and Its Cultural Connotations`. Moskowitz`s research for the book comprised mostly of interviews in Taipei and Shanghai of both laypeople and music industry professionals. Despite all of Shanghai`s history and contemporary modernity, Taiwanese Mandopop plays a vitally important role for the mainland`s most cosmopolitan city. Moskowitz gives a perceptive analysis of the role of pirated music in the mainland, where illegal copying can be seen as a creative act, a means to circumvent state censorship. Cries of Joy, Songs of Sorrow traces the recent history of popular music in Taiwan, but also points to the possibility of Taiwan`s further influence on the mainland in matters of culture and society. | |
dc.format.extent | 176 bytes | - |
dc.format.mimetype | text/html | - |
dc.relation | Taiwan Review, 61(9) | |
dc.title | The mandopop counter-invasion | |
dc.type | article | en |
item.openairecristype | http://purl.org/coar/resource_type/c_18cf | - |
item.cerifentitytype | Publications | - |
item.fulltext | With Fulltext | - |
item.grantfulltext | restricted | - |
item.openairetype | article | - |
Appears in Collections: | 期刊論文 |
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