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Please use this identifier to cite or link to this item: https://ah.lib.nccu.edu.tw/handle/140.119/76255
DC FieldValueLanguage
dc.contributor.advisor趙竹成zh_TW
dc.contributor.advisorZhao, Zhu Chengen_US
dc.contributor.author楊天豪zh_TW
dc.contributor.authorYang, Tien Haoen_US
dc.creator楊天豪zh_TW
dc.creatorYang, Tien Haoen_US
dc.date2014en_US
dc.date.accessioned2015-07-01T07:02:21Z-
dc.date.available2015-07-01T07:02:21Z-
dc.date.issued2015-07-01T07:02:21Z-
dc.identifierG0100263001en_US
dc.identifier.urihttp://nccur.lib.nccu.edu.tw/handle/140.119/76255-
dc.description碩士zh_TW
dc.description國立政治大學zh_TW
dc.description俄羅斯研究所zh_TW
dc.description100263001zh_TW
dc.description103zh_TW
dc.description.abstract在擴大對「蘇聯文化」研究的基礎上，本論文探討蘇聯的文化政治與政策施作，其終極目標乃透過命名的權力來建構文化的社會主體性，也即「蘇維埃人」這樣的歷史共同體。為求例證之多樣性，本論文綜合了文化研究與歷史研究途徑，以文本分析和文獻分析作為研究方法，並將指涉的文化政策範圍縮限於文學與藝術領域，以及對文化公共財，如圖書館、博物館、劇院的擴充。\n 對布爾什維克而言，爭取文化霸權就是建構並傳播蘇維埃意識形態，透過意識形態國家機器，即藝文團體、報刊媒體等來體現，繼而將個人建構為主體，製造出一批批本應如此的「形象」。因此，蘇維埃意識形態始終驅動著蘇聯文化政策的開展。配合主政之領導人，國家對政策的指導可簡化為「文化革命─社會主義寫實主義─公開性」的歷程，並對應由逐漸緊縮到開放的程度。其中，由列寧發起的文化革命可謂蘇聯文化政策的承先啟後階段，尚且容許藝文團體的多元發展。進入史達林時期後，所推出的社會主義寫實主義既是一種創作風格，也是政策的依歸。從寫作到編曲，從繪畫到電影，它為蘇聯的文藝創作設置理論與框架，並成為作品能否公開展演及獲得國家獎勵的唯一標準。至於戈巴契夫的公開性則帶來蘇維埃意識形態更為人性化的修正與文化政策的轉折。\n 另一方面，本論文透過觀照經蘇維埃化所產生之新蘇維埃人的日常生活片斷，概括蘇維埃文化的若干特徵，點出其指導大眾邁向由官方營造之理想人生的規訓功能，繼而探究蘇聯社會中不同身分的互動，析論政策造成的後續影響。藉由對精英、婦女與青年等文化研究關鍵面向的討論，可以發現蘇聯文化政策的差別待遇模式，以及未將文化納入政策考量的若干失誤。zh_TW
dc.description.tableofcontents第壹章 緒論\n \n 第一節 研究動機與目的…………………………………………...…….1\n 第二節 研究途徑與方法…………………………………..……….…….8\n 第三節 研究範圍與概念界定…………………..……………….….…..11\n 第四節 文獻回顧…………………………………………….…….……21\n 第五節 章節安排………………………………………………..………31\n \n第貳章 文化理論與制度的探索\n \n 第一節 文化霸權與意識形態國家機器的接合………………………..33\n 第二節 蘇維埃意識形態與蘇維埃化的推行……………………..……41\n 第三節 蘇聯文化部門及其組織架構………………………….……….59\n 第四節 小結………………………………………………..……………84\n \n第叁章 文化政策的脈絡與實踐\n \n 第一節 帝俄知識份子的文化藝術觀………………………………..…85\n 第二節 列寧與文化革命………………………………………….…….93\n 第三節 史達林至布里茲涅夫：社會主義寫實主義…………………108\n 第四節 戈巴契夫與公開性……………………………………...…….140\n 第五節 小結……………………………………………………..……..152\n \n第肆章 文化與日常生活現象\n \n 第一節 蘇維埃文化與日常生活片斷…………………………………153\n 第二節 對精英的影響…………………………………………………160\n 第三節 對婦女的解放…………………………………………………172\n 第四節 對青年的形塑…………………………………………………183\n 第五節 小結………………………………………………..…………..194\n \n第伍章 結論\n 第一節 研究發現………………………………………………………195\n 第二節 當代俄羅斯文化政策與展望…………………………………199\n\n參考文獻………………………………………………..…………………………..205\n中俄名詞對照………………………………………………..…………………..…222zh_TW
dc.format.extent5481824 bytes-
dc.format.mimetypeapplication/pdf-
dc.source.urihttp://thesis.lib.nccu.edu.tw/record/#G0100263001en_US
dc.subject文化政策zh_TW
dc.subject意識形態zh_TW
dc.subject蘇維埃化zh_TW
dc.subject文化革命zh_TW
dc.subject社會主義寫實主義zh_TW
dc.subject公開性zh_TW
dc.subjectcultural policyen_US
dc.subjectideologyen_US
dc.subjectsovietizationen_US
dc.subjectcultural revolutionen_US
dc.subjectsocialist realismen_US
dc.subjectglasnosten_US
dc.title蘇聯文化政策之研究-蘇維埃意識形態的體與用zh_TW
dc.titleA Study on Cultural Policy of the USSR: The Substance and Function of Soviet Ideologyen_US
dc.typethesisen
dc.relation.reference壹、中文部分\n\n一、專書篇章\n\nAlthusser, Louis著，杜章智譯，列寧和哲學（臺北市：遠流，1990）\nAlthusser, Louis著，杜章智、沈起予譯，自我批評論文集（臺北市：遠流，1990）\nArendt, Hannah著，林驤華譯，極權主義的起源（臺北縣：左岸文化出版，2009）\nBeck, Ulirich著，孫治本譯，全球化危機（臺北市：臺灣商務，1999）\nBerger, John著，吳莉君譯，觀看的方式（臺北市：麥田出版，2010）\nBerlin, Isaiah著，潘永強、劉北成譯，蘇聯的心靈：共產主義時代的俄國文化（南京市：譯林，2011）\nBerlin, Isaiah and Ramin Jahanbegloo著，楊孝明譯，以撒‧柏林對話錄：思想的瀚海（臺北市：正中，1994）\nBocock, Robert著，田心喻譯，文化霸權（臺北市：遠流，1991），頁57。\nCallinicos, Alex著，杜章智譯，阿圖塞的馬克思主義（臺北市：遠流，1990）\nCamus, Albert著，劉俊餘譯，反抗者（臺北市：三民，1972）\nFerro, Marc著，張淑娃譯，電影與歷史（臺北市：麥田出版，1998）\nGramsci, Antonio著，曹雷雨等譯，獄中札記（北京市：中國社會科學出版社，2000）\nGramsci, Antonio著，毛韻澤等譯，政治著作選（一）（臺北市：遠流，1993）\nGray, Camilla著，曾長生譯，俄國的藝術實驗（臺北市：遠流，1995）\nGroys, Boris著，「另一種注視——蘇維埃世界的俄國非官方藝術觀點」，收於Aleš Erjavec，Boris Groys，Miško Šuvakovic，Péter György，Gerardo Mosquera，Gao Minglu著，楊珮芸譯，後現代主義的鐮刀——晚期社會主義的藝術文化（臺北市：典藏藝術家庭，2009）\nHarrison, Lawrence and Samuel Huntington編，李振昌、林淑慈譯，為什麼文化很重要（臺北市：聯經，2003）\nHavel, Václav著，林宗憲等譯，政治，再見！（臺北縣：左岸文化出版，2003）\nHorkheimer, Max and Theodor Adorno著，林宏濤譯，啓蒙的辯證：哲學的片簡（臺北市：商周出版，2008）\nJohnson, Paul著，黃中憲等譯，新藝術的故事（臺北縣：木馬文化出版，2006）\nKapuscinski, Ryszard著，帝國：俄羅斯五十年（臺北市：馬可孛羅文化出版，2008）\nKellner, Douglas著，「批評理論與文化研究：表達的脫節」收於Jim McGuigan編，李朝陽譯，文化硏究方法論（北京市：北京大學出版社，2011）\nKotz, David and Fred Weir著，曹榮湘、孟鳴歧等譯，來自上層的革命：蘇聯體制的終結（北京市：中國人民大學出版社，2008）\nMalinowski, Bronislaw著，「在文化誕生和成長中的自由」，收於莊錫昌，顧曉鳴，顧雲深等編，多維視野中的文化理論（臺北市：淑馨，1991）\nMarcuse, Herbert著，張翼星、萬俊人譯，蘇聯的馬克思主義：一種批判的分析（北京市：中國人民大學出版，2012）\nMarcuse, Herbert著，劉繼譯，單向度的人：發達工業社會意識形態研究（上海市：上海譯文出版，1989）\nMiller, Toby and George Yudice著，蔣淑真、馮建三譯，文化政策（臺北市：巨流出版，2006）\nRemnick, David著，林曉欽譯，列寧的墳墓：一座共產帝國的崩潰（上）（新北市：八旗文化，2014）\nRolland, Romain著，夏伯銘譯，莫斯科日記（臺北市：臺灣商務，1998）\nStorey, John著，常江譯，文化理論與大眾文化導論（第五版）（北京市：北京大學出版社，2010）\nWilliams, Raymond著，「文化分析」，收於羅鋼、劉象愚編，文化研究讀本（北京市：中國社會科學出版，2000）\nWilliams, Raymond著，彭淮棟譯，文化與社會：1780至1950年英國文化觀念之發展（臺北市：聯經，1985）\nWilliams, Raymond著，劉建基譯，關鍵詞：文化與社會的詞彙（臺北市：巨流出版，2003）\nБелинский, В. Г. 著，滿濤、辛未艾譯，別林斯基文學論文選（上海市：上海譯文出版，1999）\nВолков, С. М. 記錄整理，葉瓊芳譯，季米特里‧蕭斯塔科維奇回憶錄（北京市：外文出版局，1981）\nГеоргиева, T. C. 著，焦東建、董茉莉譯，俄羅斯文化史：歷史與現代（北京市：商務印書館，2006）\nГорький, Максим著，余一中、董曉譯，不合時宜的思想（廣州市：花城出版社，2010）\nЗезина, M. P. и Л. B. Кошман, B. C. Шульгин著，劉文飛、蘇玲譯，俄羅斯文化史（上海市：上海譯文出版，1999）\nЗелинский К. 著，建橋譯，「民族形式和社會主義現實主義」，收於中國社會科學院文學研究所編，世界文學中的現實主義問題（北京市：知識產權出版社，2010）\nКрупская, Н. К. 著，尤小明譯，克魯普斯卡婭圖書館學文選（南寧市：廣西教育出版社，1989）\nЛенин, В. И. 著，中共中央馬恩列斯著作編譯局譯，帝國主義是資本主義的最高階段（北京市：人民出版社，2001）\nЛенин, В. И. 著，中共中央馬恩列斯著作編譯局譯，列寧全集（第五卷）、（第六卷）、（第九卷）、（第二十卷）、（第三十五卷）、（第三十六卷）、（第三十七卷）、（第三十八卷）、（第三十九卷）、（第四十三卷）、（第五十二卷）（北京市：人民出版社，1987）\nЛуначарский, А. В. 著，郭家申譯，藝術及其最新形式（天津市：百花文藝出版社，2008）\nМедведев, Р. А. 著，高増訓，趙靈玲等譯，斯大林周圍的人（北京市：東方出版社，2009）\nМетченко, А. И. 著，石田、白堤譯，繼往開來——論蘇聯文學發展中的若干問題（北京市：商務印書館，1995）\nНабоков, В. Д. 著，申慧輝等譯，文學講稿（臺北市：聯經出版，2009）\nРыжков, Н. И. 著，徐昌翰等譯，大國悲劇：蘇聯解體的前因後果（北京市：新華，2010）\nРябцев, Ю. С. 著，張冰、王加興譯，千年俄羅斯：10至20世紀的藝術生活與風情習俗（北京市：三聯書店，2007）\nСинявский, А. Д. 著，薛君智等譯，笑話裡的笑話（北京市：中國文聯出版社，2001）\nСталин, И. В. 著，中共中央馬恩列斯著作編譯局譯，斯大林全集（第三卷）、（第四卷）、（第五卷）、（第十卷）、（第十一卷）（北京市：人民出版社，1953）\nТолстой, Л. Н. 著，草嬰譯，戰爭與和平（上）（臺北縣：木馬文化出版，2004）\nЧернышевский, Н. Г. 著，辛未艾譯，車爾尼雪夫斯基文學論文選（上海市：上海譯文出版，1998）\n人民文學出版社編輯部編，馬、恩、列、斯論文藝（北京市：人民文學出版社，1959）\n中國大百科全書出版社譯，蘇聯百科詞典（上海市：譯者出版，1986）\n任光宣，俄羅斯文化十五講（北京市：北京大學出版社，2007）\n朱達秋、周力，俄羅斯文化論（重慶市：重慶出版社，2004）\n沈志華總主編，蘇聯歷史檔案選編（一）、（四）、（十三）、（二十八）、（三十）、（三十一）（北京市：社會科學文獻，2002）\n沈清松，「質的文化指標與生活文化」，收於沈清松編，文化的生活與生活的文化（臺北縣：立緒，1999）\n馬龍閃，蘇聯文化體制沿革史（北京市：中國社會科學出版社，1996）\n馬龍閃，蘇聯劇變的文化透視（北京市：中國社會科學出版社，2005）\n晨朋，20世纪俄蘇美術（北京市：文化藝術出版社，1997）\n陳英輝，「城鄉意識：威廉士早期文化理論的「感情結構」」，收於李有成，王安琪編，在文學研究與文化研究之間：朱炎教授七秩壽慶論文集（臺北市：書林出版，2006）\n程正民、王志耕、邱運華，盧那察爾斯基文藝理論批評的現代闡釋（北京市：北京大學出版社，2006）\n張愛玲，續集（臺北市：皇冠，1993）\n漢寶德，「國家文化政策的回顧」，收於漢寶德，漢寶德談文化（臺北市：典藏藝術家庭，2006）\n漢寶德，「國家文化政策之形成」，收於漢寶德，漢寶德談文化（臺北市：典藏藝術家庭，2006）\n葉書宗、張勝發，錘子和鐮刀──蘇維埃文化和蘇維埃人（臺北市：淑馨，1991）\n藍英年、朱正，從蘇聯到俄羅斯（北京市：東方出版社，2007）\n羅鋼、劉象愚編，文化研究讀本（北京市：中國社會科學出版，2000）\n\n二、期刊報紙\n\n「文學藝術要同人民生活保持密切的聯繫」，人民日報，1957年9月19日，版6，版7。\n卓鳴鳳，「André Malraux其人其事，兼談法國文化部」，巴黎視野，第15期（2011），頁9-17。\n吳介祥，「在文化思維下建構文化政策──借鏡國際，政治力之外的自治與自主」，今藝術，第232期（2012），頁76-7。\n馬龍閃，「日丹諾夫與蘇斯洛夫臧否之辨——與嚴秀、藍英年二位先生商榷」，探索與爭鳴，第10期（2008），頁35-39。\n陳美芬，「以蘇聯政治海報為文本解讀史達林個人崇拜的藝術體現」，俄羅斯學報，第1期（2001），頁147-70。\n張建華，「政治文化背景下蘇聯知識份子的公共空間與政治表達」，福建師範大學學報，第5期（2010），頁147-55。\n張建華，「紅色領袖列寧、布哈林、斯大林——對文化革命和蘇維埃文化的理解與闡釋」，俄羅斯學刊，第1卷第1期（2011），頁52-63。\n黃雪霞，「馬勒侯開啟的文化政策」，哲學與文化，第36卷第5期（2009），頁91-102。\n趙竹成，「認同的選擇─以「境外俄羅斯人」為案例的分析」，問題與研究，第46卷第2期（2007），頁53-81。\n\n貳、英文部分\n\n一、專書篇章\n\nAbeßer, Michel. “Staging a Cultured Community. Soviet Jazz after 1953,” In Thomas M. Bohn, Rayk Einax, Michel Abeßer, (eds.), De-Stalinisation Reconsidered: Persistence and Change in the Soviet Union (New York: Campus Verlag, 2014)\nAdelman, Deborah. The “Children of Perestroika”: Moscow Teenagers Talk about Their Lives and the Future (Armonk, N.Y.: M.E. Sharpe, 1992)\nAlessandri, Susan. Visual Identity: Promoting and Protecting the Public Face of an Organization (New York: M.E. Sharpe, 2009)\nAlexeyeva, Ludmilla and Paul Goldberg. The Thaw Generation: Coming of Age in the Post-Stalin Era (Pittsburgh: University of Pittsburgh Press, 1993)\nAmar, Tarik Cyril. “Sovietization as a Civilizing Mission in the West,” In Balázs Apor, Péter Apor and E.A. Rees, (eds.), The Sovietization of Eastern Europe: New Perspectives on the Postwar Period (Washington, D.C.: New Academia Pub., 2008)\nArgenbright, Robert. “Soviet Agitational Vehicles: Bolsheviks in Strange Places,” In Mark Bassin, Christopher Ely, and Melissa Stockdale, (eds.), Space, Place and Power in Modern Russia: Essays in the New Spatial History (DeKalb: Northern Illinois University Press, 2010)\nAtlas, Caron. “Cultural Policy: What Is It? Who Makes It? Why Does It Matter?” In Culture Counts: Strategies for a More Vibrant Cultural Life for New York City (New York Foundation for the Arts, 2001) \nAzhgikhina, Nadezhda and Helena Goscilo. “Getting under Their Skin: The Beauty Salon in Russian Women’s Lives,” In Helena Goscilo and Beth Holmgren, (eds.), Russia, Women, Culture (Bloomington: Indiana University Press, 1996)\nBarghoorn, Frederick C. The Soviet Cultural Offensive: The Role of Cultural Diplomacy in Soviet Foreign Policy (Princeton, N. J.: Princeton University Press, 1960)\nBarker, Chris. The Sage Dictionary of Cultural Studies (London: Sage Publications, 2004)\nBartlett, Djurdja. Fashion East: The Spectre that Haunted Socialism (Cambridge: MIT Press, 2010)\nBeumers, Birgit. A History of Russian Cinema (New York: Berg, 2009)\nBennett, Tony. “Putting Policy into Cultural Studies,” In Lawrence Grossberg, Cary Nelson, Paula Treichler, (eds.), Cultural Studies (New York: Routledge, 1992) \nBlackwell, Carole. Tradition and Society in Turkmenistan: Gender, Oral Culture and Song (Richmond, Surrey: Curzon, 2001)\nBoobbyer, Philip. Conscience, Dissent and Reform in Soviet Russia (New York: Routledge, 2005)\nBoym, Svetlana. Common Places: Mythologies of Everyday Life in Russia (Cambridge: Harvard University Press, 1994)\nBrandenberger, David and Kevin M. F. Platt. “Terribly Pragmatic: Rewriting the History of Ivan IV’s Reign, 1937-1956,” In Kevin M. F. Platt and David Brandenberger, (eds.), Epic Revisionism: Russian History and Literature as Stalinist Propaganda (Madison: University of Wisconsin Press, 2006)\nCaroe, Olaf. Soviet Empire: The Turks of Central Asia and Stalinism (London: Macmillan, 1954)\nCarroll, Noёl and Sally Banes. “Cinematic Nation-Building: Eisenstein’s The Old and the New,” In Mette Hjort and Scott MacKenzie, (eds.), Cinema and Nation (New York: Routledge, 2000)\nConstantine, Elizabeth. “Practical Consequences of Soviet Policy and Ideology for Gender in Central Asia and Contemporary Reversal,” In Jeff Sahadeo and Russell Zanca, (eds.), Everyday Life in Central Asia: Past and Present (Bloomington: Indiana University Press, 2007)\nCrump, Thomas. Brezhnev and the Decline of the Soviet Union (New York: Routledge, 2014)\nEbon, Martin. The Soviet Propaganda Machine (New York: McGraw-Hill, 1987)\nEdgar, Adrienne. “Portrait of Lenin: Carpets and National Culture in Soviet Turkmenistan,” In Valerie Kivelson and Joan Neuberger, (eds.), Picturing Russia: Explorations in Visual Culture (Yale University Press, 2008)\nEngel, Barbara. Women in Russia, 1700-2000 (New York: Cambridge University Press, 2004)\nEnglish, Robert. Russia and the Idea of the West: Gorbachev, Intellectuals, and the End of the Cold War (New York: Columbia University Press, 2000)\nField, Deborah. Private Life and Communist Morality in Khrushchev’s Russia (New York: Peter Lang, 2007)\nFürst, Juliane. Stalin’s Last Generation: Soviet Post-war Youth and the Emergence of Mature Socialism (New York: Oxford University Press, 2010) \nGalichenko, Nicholas; Robert Allington, (ed.), Glasnost – Soviet Cinema Responds (Austin: University of Texas Press, 1991)\nGorsuch, Anne. Youth in Revolutionary Russia: Enthusiasts, Bohemians, Delinquents (Indiana University Press, 2000)\nGraham, Seth. “Chernukha and Russian Film,” In Helena Gosclo and Michael Brewer, (eds.), Studies in Slavic Cultures 1 (Pittsburgh: University of Pittsburgh, 2000)\nGurevich, David. From Lenin to Lennon: A Memoir of Russia in the Sixties (San Diego, Calif.: Harcourt Brace Jovanovich, 1991)\nGurova, Olga. “The Art of Dressing: Body, Gender and Discourse on Fashion in Soviet Russia in the 1950s and 1960s,” In Eugenia Paulicelli and Hazel Clark, (eds.), The Fabric of Cultures: Fashion, Identity, and Globalization (New York: Routledge, 2009)\nHadjinicolaou, Nicos. Art History and Class Struggle (London: Pluto Press, 1978)\nHammer, Darrell P. “Inside the Ministry of Culture: Cultural Policy in the Soviet Union,” In Gordon B. Smith, (ed.), Public Policy and Administration in the Soviet Union (New York: Praeger, 1980)\nHessler, Julie. “Cultured Trade: The Stalinist Turn towards Consumerism,” In Sheila Fitzpatrick, (ed.), Stalinism: New Directions (New York: Routledge, 2000) \nHilton, Alison. “Holiday on the Kolkhoz: Socialist Realism’s Dialogue with Impressionism,” In Rosalind P. Blakesley and Susan E Reid, (eds.), Russian Art and the West: A Century of Dialogue in Painting, Architecture and the Decorative Arts (DeKalb: Northern Illinois University Press, 2007)\nHodgson, Katharine. “‘Russia is Reading Us Once More’: The Rehabilitation of Poetry, 1953-64,” In Polly Jones, (ed.), The Dilemmas of De-Stalinization: Negotiating Cultural and Social Change in the Khrushchev Era (New York: Routledge, 2006)\nHornsby, Robert. “Voicing Discontent: Political Dissent from the Secret Speech to Khrushchev’s Ouster,” In Melanie Ilic and Jeremy Smith, (eds.), Soviet State and Society under Nikita Khrushchev (New York: Routledge, 2009)\nHorvath, Robert. The Legacy of Soviet Dissent: Dissidents, Democratisation and Radical Nationalism in Russia (New York: RoutledgeCurzon, 2005)\nHughes, Albert. Political Socialization of Soviet Youth (Lewiston, N.Y.: Edwin Mellen Press, 1992)\nHutton, Marcelline. “Women in Russian Society from the Tsars to Yeltsin,” In Wilma Rule and Norma Noonan, (eds.), Russian Women in Politics and Society (Westport: Greenwood Press, 1996)\nIlic, Melanie. “What Did Women Want? Khrushchev and the Revival of the Zhensovety,” In Melanie Ilic and Jeremy Smith, (eds.), Soviet State and Society under Nikita Khrushchev (New York: Routledge, 2009)\nIshkanian, Armine. “Gendered Transitions: The Impact of the Post-Soviet Transition on Women in Central Asia and the Caucasus,” In Mehdi Parvizi Amineh and Henk Houweling, (eds.), Central Eurasia in Global Politics: Conflict, Security, and Development (Leiden; Boston: Brill, 2005)\nJones, Steve. Antonio Gramsci (New York: Routledge, 2006)\nJordan, Glenn and Chris Weedon. Cultural Politics: Class, Gender, Race, and the Postmodern World (Oxford: Blackwell Publishers, 1995)\nKelly, Catriona. Comrade Pavlik: The Rise and Fall of a Soviet Boy Hero (London: Granta Books, 2005)\nKenez, Peter. The Birth of the Propaganda State: Soviet Methods of Mass Mobilization, 1917-1929 (New York: Cambridge University Press, 1985)\nKing, Charles. The Moldovans: Romania, Russia, and the Politics of Culture (Calif.: Hoover Institution Press, 2000)\nKing, David. The Commissar Vanishes: The Falsification of Photographs and Art in Stalin’s Russia (New York: Henry Holt, 1999) \nKoivunen, Pia. “The 1957 Moscow Youth Festival: Propagating a New, Peaceful Image of the Soviet Union,” In Melanie Ilic and Jeremy Smith, (eds.), Soviet State and Society under Nikita Khrushchev (New York: Routledge, 2009)\nKuzio, Taras. Ukraine: Perestroika to Independence (New York: St. Martin’s Press, 2000)\nLaqueur, Walter. The Long Road to Freedom: Russia and Glasnost (New York: C. Scribner’s, 1989) \nLiutkus, Viktoras. “Breaking the Barriers: Art under the Pressure of Soviet Ideology from World War II to Glasnost,” In Alla Rosenfeld and Norton T. Dodge, (eds.), Art of the Baltics: The struggle for Freedom of Artistic Expression under the Soviets, 1945-1991 (New Brunswick: Rutgers University Press, 2002)\nLygo, Emily. “The Need for New Voices: Writers’ Union Policy towards Young Writers 1953-64,” In Polly Jones, (ed.), The Dilemmas of De-Stalinization: Negotiating Cultural and Social Change in the Khrushchev Era (New York: Routledge, 2006)\nMarsh, Rosalind. “An Image of their Own? Feminism, Revisionism and Russian Culture,” In Rosalind Marsh, (ed.), Women and Russian Culture: Projections and Self-Perceptions (New York: Berghahn Books, 1998)\nMarshall, Alex. The Caucasus under Soviet Rule (New York: Routledge, 2010)\nMole, Richard. The Baltic States from the Soviet Union to the European Union: Identity, Discourse and Power in the Post-Communist Transition of Estonia, Latvia and Lithuania (New York: Routledge, 2012)\nMurray, John. The Russian Press from Brezhnev to Yeltsin: Behind the Paper Curtain (Brookfield: Edward Elgar, 1994)\nNercessian, Andy. “National Identity, Cultural Policy and the Soviet Folk Ensemble in Amernia,” In Neil Edmunds, (ed.), Soviet Music and Society under Lenin and Stalin: The Baton and Sickle (New York: RoutledgeCurzon, 2004)\nNeumann, Matthias. The Communist Youth League and the Transformation of the Soviet Union, 1917-1932 (New York: Routledge, 2011) \nNove, Alec. Glasnost’ in Action: Cultural Renaissance in Russia (Boston: Unwin Hyman, 1989) \nOlcott, Anthony. “Glasnost’ and Soviet Culture,” In Maurice Friedberg and Heyward Isham, (eds.), Soviet Society under Gorbachev: Current Trends and the Prospects for Reform (Armonk: M.E. Sharpe, 1987)\nPilkington, Hilary. Russia’s Youth and Its Culture: A Nation’s Constructors and Constructed (New York: Routledge, 1994)\nRead, Christopher. “Bolshevik Cultural Policy,” In Edward Acton, Vladimir Cherniaev, William Rosenberg, (eds.), Critical Companion to the Russian Revolution (Bloomington: Indiana University Press, 1997)\nReid, Susan E. “Modernizing Socialist Realism in the Khrushchev Thaw: The Struggle for a ‘Contemporary Style’ in Soviet Art,” In Polly Jones, (ed.), The Dilemmas of De-Stalinization: Negotiating Cultural and Social Change in the Khrushchev Era (New York: Routledge, 2006)\nReid, Susan E. “The Exhibition Art of Socialist Countries, Moscow 1958-9, and the Contemporary Style of Painting,” In Susan E. Reid and David Crowley, (eds.), Style and Socialism: Modernity and Material Culture in Post-war Eastern Europe (New York: Berg, 2000)\nReid, Susan E. “Toward a New (Socialist) Realism: The Re-engagement with Western Modernism in the Khrushchev Thaw,” In Rosalind P. Blakesley and Susan E Reid, (eds.), Russian Art and the West: A Century of Dialogue in Painting, Architecture and the Decorative Arts (DeKalb: Northern Illinois University Press, 2007)\nRichmond, Yale. Cultural Exchange and the Cold War: Raising the Iron Curtain (Pennsylvania: Pennsylvania State University Press, 2003)\nRiordan, Jim. “Soviet Youth,” In David Lane, (ed.), Russia in Flux: The Political and Social Consequences of Reform (England: Edward Elgar, 1992)\nRisch, William Jay. The Ukrainian West: Culture and the Fate of Empire in Soviet Lviv (Cambridge: Harvard University Press, 2011)\nRoberts, Kenneth et al. (eds.), Surviving Post-Communism: Young People in the Former Soviet Union (Northampton, Mass.: Edward Elgar, 2000)\nRomanenchuk, Bondan. “Russification of Ukrainian Literature by Soviet Russia,” In Nicholas Chirovsky, (ed.), Moscow’s Russification of Ukraine (New York: Ukrainian Congress Committee of America, 1987)\nRoosevelt, Priscilla. “The Fate of Russia’s Estate House and Their Contents, 1917-1930,” In Anne Odom and Wendy Salmond, (eds.), Treasures into Tractors: The Selling of Russia’s Cultural Heritage, 1918-1938 (Washington, D.C.: Hillwood Estate, Museum & Gardens, 2009)\nRouland, Michael. “A Nation on Stage: Music and the 1936 Festival of Kazak Arts,” In Neil Edmunds, (ed.), Soviet Music and Society under Lenin and Stalin: The Baton and Sickle (New York: RoutledgeCurzon, 2004)\nRyback, Timothy. Rock around the Bloc: A History of Rock Music in Eastern Europe and the Soviet Union (New York: Oxford University Press, 1990) \nSakwa, Richard. Gorbachev and His Reforms: 1985-1990 (New York: Philip Allan, 1990)\nSchultze, Sydney. Culture and Customs of Russia (Westport: Greenwood Press, 2000)\nSchwarz, Boris. Music and Musical Life in Soviet Russia, 1917-1970 (London: Barrie and Jenkins, 1972)\nShlapentokh, Vladimir. Public and Private Life of the Soviet People: Changing Values in Post-Stalin Russia (New York: Oxford University Press, 1989)\nStorey, John. Culture and Power in Cultural Studies: The Politics of Signification (Edinburgh: Edinburgh University Press, 2010)\nTaylor, Karin. Let’s Twist again: Youth and Leisure in Socialist Bulgaria (Münster: Lit, 2006)\nTaylor, Richard. “Seeing Red: Political Control of Cinema in the Soviet Union,” In Daniel Biltereyst and Roel Vande Winkel, (eds.), Silencing Cinema: Film Censorship around the World (New York: Palgrave Macmillan, 2013)\nVainshtein, Olga. “Female Fashion, Soviet Style: Bodies of Ideology,” In Helena Goscilo and Beth Holmgren, (eds.), Russia, Women, Culture (Bloomington: Indiana University Press, 1996)\nVolkov, Solomon. The Magical Chorus: A History of Russian Culture from Tolstoy to Solzhenitsyn (New York: Vintage Books, 2009)\nWachtel, Andrew B. “The Adventures of a Leskov Story in Soviet Russia, or the Socialist Realist Opera that Wasn’T,” In Kevin M. F. Platt and David Brandenberger, (eds.), Epic Revisionism: Russian History and Literature as Stalinist Propaganda (Madison: University of Wisconsin Press, 2006)\nWeaver, Kitty. Russia’s Future: The Communist Education of Soviet Youth (New York: Praeger, 1981)\nWeinberg, Robert and Laurie Bernstein. Revolutionary Russia: A History in Documents (New York: Oxford University Press, 2011)\nYurchak, Alexei. Everything Was Forever, until It Was no More: The Last Soviet Generation (Princeton, N.J.: Princeton University Press, 2006)\nZakharova, Larissa. “Dior in Moscow: A Taste for Luxury in Soviet Fashion under Khrushchev,” In David Crowley and Susan E. Reid, (eds.), Pleasures in Socialism: Leisure and Luxury in the Eastern Bloc (Evanston: Northwestern University Press, 2010)\nZezina, Maria. “De-Stalinisation and Socialist Realism. The Union of Soviet Writers in the Period of the Thaw,” In Thomas M. Bohn, Rayk Einax, Michel Abeßer, (eds.), De-Stalinisation Reconsidered: Persistence and Change in the Soviet Union (New York: Campus Verlag, 2014)\nZhuk, Sergei. Rock and Roll in The Rocket City: The West, Identity, and Ideology in Soviet Dniepropetrovsk, 1960-1985 (Johns Hopkins University Press, 2010) \nZubok, Vladislav. A Failed Empire: The Soviet Union in the Cold War from Stalin to Gorbachev (Chapel Hill: University of North Carolina Press, 2007)\n\n二、期刊論文\n\n“An Interview with Madame Furtseva,” Art Education, Vol. 19, No. 7 (1966), pp. 44-8.\nBeissinger, Mark. “Nationalism and the Collapse of Soviet Communism,” Journal of Contemporary European History, Vol. 18, No. 3 (2009), pp. 331-47.\nBeumers, Birgit. “Commercial Enterprise on the Stage: Changes in Russian Theatre Management between 1986 and 1996,” Europe-Asia Studies, Vol. 48, No. 8 (1996), pp. 1403-16.\nBowlt, John. “Stalin as Isis and Ra: Socialist Realism and the Art of Design,” The Journal of Decorative and Propaganda Arts, Vol. 24 (2002), pp. 34-63.\nBrighton, Andrew. “Towards a Command Culture: New Labour’s Cultural Policy and Soviet Socialist Realism,” Critical Quarterly, Vol. 41, No. 3 (1999), pp. 24-34.\nBrooks, Jeffrey. “Socialist Realism in Pravda: Read All about It!” Slavic Review, Vol. 53, No. 4 (1994), pp. 973-91.\nDavid-Fox, Michael. “What Is Cultural Revolution?” Russian Review, Vol. 58, No. 2 (1999), pp. 181-201.\nFitzpatrick, Sheila. “Culture and Politics under Stalin: A Reappraisal,” Slavic Review, Vol. 35, No. 2 (1976), pp. 211-31.\nFitzpatrick, Sheila. “The Bolsheviks’ Dilemma: Class, Culture, and Politics in the Early Soviet Years,” Slavic Review, Vol. 47, No. 4 (1988), pp. 599-613.\nFitzpatrick, Sheila. “The “Soft” Line on Culture and Its Enemies: Soviet Cultural Policy, 1922-1927,” Slavic Review, Vol. 33, No. 2 (1974), pp. 267-87.\nFox, Michael S. “Glavlit, Censorship and the Problem of Party Policy in Cultural Affairs, 1922-28,” Soviet Studies, Vol. 44, No. 6 (1992), pp. 1045-68. \nGriffin, Rosemary. “What’s in a Name? Soviet Names still Survive in Modern Russia,” Russia Profile, Iss. 4, Vol. 8 (2011), pp. 34-6. \nHolter, Howard R. “The Legacy of Lunacharsky and Artistic Freedom in the USSR,” Slavic Review, Vol. 29, No. 2 (1970), pp. 262-82.\nHugoson, Rolf. “The Rhetoric of Abstract Goals in National Cultural Policies,” The European Journal of Cultural Policy, Vol. 3, No. 2 (1997), pp. 323-40.\nJohnson, Oliver. “The Stalin Prize and the Soviet Artist: Status Symbol or Stigma?” Slavic Review, Vol. 70, No. 4 (2011), pp. 819-43.\nJohnson, Richard. “What Is Cultural Studies Anyway?” Social Text, No. 16 (1986-1987), pp. 38-80.\nMichaels, Paula. “Medical Propaganda and Cultural Revolution in Soviet Kazakhstan, 1928-41,” The Russian Review, Vol. 59, No. 2 (2000), pp. 159-78.\nMulcahy, Kevin. “Cultural Patronage in Comparative Perspective: Public Support for the Arts in France, Germany, Norway and Canada,” Journal of Arts Management, Law & Society, Vol. 27, No. 4 (1998), pp. 247-63.\nNeary, Rebecca. “Mothering Socialist Society: The Wife-Activists’ Movement and the Soviet Culture of Daily Life, 1934-41,” The Russian Review, Vol. 58, No. 3 (1999), pp. 396-412.\nPetrov, Petre. “The Industry of Truing: Socialist Realism, Reality, Realization,” Slavic Review, Vol. 70, No. 4 (2011), pp. 873-92.\nRead, Christopher. “Krupskaya, Proletkul’t and the Origins of Soviet Cultural Policy,” International Journal of Cultural Policy, Vol. 12, No. 3 (2006), pp. 245-55.\nRolf, Malte. “A Hall of Mirrors: Sovietizing Culture under Stalinism,” Slavic Review, Vol. 68, No. 3 (2009), pp. 601-30.\nSenn, Alfred. “The Sovietization of the Baltic States,” Annals of the American Academy of Political and Social Science, No. 317 (1958), pp. 123-9.\nVestheim, Geir. “Cultural Policy-Making: Negotiations in an Overlapping Zone between Culture, Politics and Money,” International Journal of Cultural Policy, Vol.18, No. 5 (2012), pp. 530-44.\nYankovskaya, Galina. “The Economic Dimensions of Art in the Stalinist Era: Artists’ Cooperatives in the Grip of Ideology and the Plan,” Slavic Review, Vol. 65, No. 4 (2006), pp. 769-91.\n\n三、網路資料\n\nJonson, Lena. “Russia: Cultural Freedom under Threat,” Artsfreedom, 2015.5.11. http://artsfreedom.org/?p=9026 (Accessed: 2015.6.15.)\nRockwell, John. “A Culture Strives to Root in Freedom’s Stony Soil,” The New York Times, 1992.11.9. http://www.nytimes.com/1992/11/09/arts/a-culture-strives-to-root-in-freedom-s-stony-soil.html (Accessed: 2014.12.25.)\nUNESCO. Cultural Policy: A Preliminary Study (1969), http://unesdoc.unesco.org/images/0000/000011/001173eo.pdf (Accessed: 2012.12.16.)\nUNESCO. Universal Declaration on Cultural Diversity (2001), http://www.un.org/chinese/hr/issue/docs/62.PDF (Accessed: 2013.1.8.)\n\n叁、俄文部分\n\n一、專書篇章\n\nАринштейна, Л. М. (под. ред.), Неизвестный Лихачёв: Неопубликованные Материалы из Архива Российского Фонда Культуры (Москва: Российский Фонд Культуры, 2006)\nАристова, Т. Ф. «Развитие Народново Просвещения» В. К. Гарданов, (под. ред.), Культура и Быт Народов Северного Кавказа 1917-1967 гг. (Москва: Издательство Наука, 1968) \nБелошапка, Н. В. Государство и Культура в СССР: От Хрущёва до Горбачёва (Ижевск: Издательский дом «Удмуртский университет», 2012)\nБлюм, А. В. (сос.), Цензура в Советском Союзе. 1917-1991. Документы (Москва: РОССПЗН, 2004)\nГерцен, А. И. Собрание Сочинений в Восьми Томах (Москва: Правда, 1975), Т. 2.\nГорбачёв, М. С. Жизнь и Реформы (Москва: Новости, 1995), кн. 1.\nГорбачёв, М. С. Избранные Речи и Статьи (Москва: Политиздат, 1987), Т. 1, Т. 3.\nГорбачёв, М. С. Перестройка и Новое Мышление для Нашей Страны и для Всего Мира (Москва: Политиздат, 1987)\nДенисова, Л. Ф. «В. И. Ленин о Толстом» М. М. Ракова, (под. ред.), Л. Н. Толстой и Изобразительное Искусство: Сборник Статей (Москва: Изобразительное Искусство, 1981)\nИванов, С. Г. Реакционная Культура: От Авангарда к Большому Стилю (Санкт-Петербург: Издательство Политехнического Университета, 2011)\nИезуитов, А. Н. «В. И. Ленин н Художественное Наследие Чернышевского» В. Г. Базанов, А. Н. Иезуитов и К. И. Ровда, (под. ред.), Н. Г. Чернышевский: Эстетика, Литература, Критика (Ленинград: Наука, 1979)\nКостина, А. В. и Т. М. Гудима. Культурная Политика Современной России: Соотношение Этнического и Национального (Москва: ЛКИ, 2007)\nКотляровская, Е. М. Женщины в СССР: Штрихи к Портрету (Москва: Русский Язык, 1988)\nКПСС. XX Съезд Коммунистической Партии Советского Союза (14-25 февраля 1956 г.) Стенографический Отчёт (Москва: Госполитиздат, 1956), Т. 1.\nКПСС. XXIII Съезд Коммунистической Партии Советского Союза (29 марта – 8 апреля 1966 г.) Стенографический Отчёт (Москва: Госполитиздат, 1966), Т. 2.\nКПСС. XXIV Съезд Коммунистической Партии Советского Союза (30 марта – 9 апреля 1971 г.) Стенографический Отчёт (Москва: Госполитиздат, 1971), Т. 1, Т. 2.\nКравченко, А. И. Культурология: Учебное Пособие для Вузов (Москва: Академический Проект, 2003)\nЛихачёв, Д. С. Раздумья о России (Санкт-Петербург: Издательство «Logos», 1999)\nПлатонов, А. П. Собрание Сочинений в Трех Томах (Москва: Советская Россия, 1985), Т. 2. \nРабин, О. Я. «Наша Жизнь Была Полна Событиями» Геогрий Кизевальтер, (сос.), Эти Странные Семидесятые, или Потеря Невинноси: Эссе, Интервью, Воспоминания (Москва: Новое Литературное Обозрение, 2010)\nРадугин, А. А. (под. ред.), Культурология: Учебное Пособие для Высших Учебных Заведений (Москва: Центр, 1997)\nСмеюха, В. В. Отечественные Женские Журналы: Историко-Типологическое Исследование (Ростов-на-Дону: СКНЦ ВШ ЮФУ, 2011)\nСолженицын, А. И. Раковый Корпус (Москва: Центр «Новый Мир», 1991)\nСуслов, М. А. Марксизм-Ленинизм и Современная Эпоха (Москва: Политиздат, 1982), Т. 3.\nТаванец, С. Д. (отв. сост.), Аппарат ЦК КПСС и Культура 1965-1972 (Москва: РОССПЭН, 2009)\nТолстой, Л. Н. Л. Н. Толстой Собрание Сочинений в 22 Томах (Москва: Художественная Литература, 1983), Т. 15.\nЧернышевский, Н. Г. Что Делать? (Москва: Художественная Литература, 1969)\n\n二、期刊論文\n\nВолков, В. В. «Концепция Культурности, 1935-38: Советская Цивилизация и Повседневность Сталинского Времени», Социологический Журнал, № 1/2 (1996), c. 203-21.\nГрадскова, Ю. В. ««Раскрепощение Националки» – Социально-Культурная Политика Советской Власти в Отношении Женщин Этнических Меньшинств», Журнал Исследований Социальной Политики, Т. 9, №1 (2011), с. 45-58.\nПронина, Ю. С. «Модернизация Общественной Роли Библиотек в Условиях Перестройки (1985-1991)», Гуманитарные Науки в Сибири, № 2 (2007), с. 112-5.\nХаннанова, А. С., С. А. 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Ю. «Борис Пастернак и Власть. 1956-1960 гг.», http://www.alexanderyakovlev.org/almanah/inside/almanah-intro/15 (Accessed: 2015.1.13.)\nБочинин, Анатолий. «В Москве на Субботник Вышли более 1 млн Человек», Итар-Тасс, 2013.4.27. http://www.itar-tass.com/c95/721664.html (Accessed: 2013.5.20.)\nВагон агитпоезда «Советский Кавказ» (1920) http://fotki.yandex.ru/users/vordringen/view/385436?page=51 (Accessed: 2013.1.18.)\nГорячева, Дарья. «Санта-Барбара Советского Союза: К Столетию Екатерины Фурцевой на Первом Канале Показали Фильм «Екатерина III»», Газета.Ру., 2010.9.12. http://www.gazeta.ru/culture/2010/12/09/a_3460457.shtml (Accessed: 2013.8.17.)\nКонституция Рoссийской Фeдерации, http://www.constitution.ru/10003000/10003000-4.htm (Accessed: 2015.4.25.)\nКонституция Союза Советских Социалистических Республик, 5 декабря 1936 года, http://www.hist.msu.ru/ER/Etext/cnst1936.htm (Accessed: 2013.6.25.)\nКонституция Союза Советских Социалистических Республик, 7 октября 1977 года, http://www.hist.msu.ru/ER/Etext/cnst1977.htm#3 (Accessed: 2015.4.25.)\nЛичный Архив А. Н. Яковлева, www.alexanderyakovlev.org/\nМинистерство Культуры РФ, http://mkrf.ru/\nНехамкин, Сергей. «Памятник Тиберию Гракху», Известия, 2005.8.3. http://izvestia.ru/news/304830 (Accessed: 2013.7.10.)\nО Сталине, http://ostaline.su/staliniana/painting/?node=42407 (Accessed: 2015.3.23.)\nПоляков, Владимир. «Свидетель Эпохи. Рой Медведев: «Инакомыслие Определяло Себя не Политическим, а Нравственным и Идеологическим Движением»», Часть I, Файл-РФ, http://file-rf.ru/analitics/737 (Accessed: 2013.6.25.)\nПроект «Исторические Материалы», http://istmat.info/\nСеменова, Наталья. «Операция Ликвидация. Как Уничтожали Музей Западного Искусства», Сноб, http://snob.ru/selected/entry/60756#comment_611799 (Accessed: 2015.2.18.)\nЭлектронный Музей Отечественного Плаката, http://www.plakaty.ru/ (Accessed: 2013.5.23.)zh_TW
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