Please use this identifier to cite or link to this item:
https://ah.lib.nccu.edu.tw/handle/140.119/79414| DC Field | Value | Language |
|---|---|---|
| dc.contributor | 英文系 | - |
| dc.creator | Kao, Pei-Wen Clio | - |
| dc.creator | 高珮文 | - |
| dc.date | 2014 | - |
| dc.date.accessioned | 2015-11-25T07:40:06Z | - |
| dc.date.available | 2015-11-25T07:40:06Z | - |
| dc.date.issued | 2015-11-25T07:40:06Z | - |
| dc.identifier.uri | http://nccur.lib.nccu.edu.tw/handle/140.119/79414 | - |
| dc.description.abstract | An essay is presented on machismo aesthetics of the male modernists. It explores the development of the two novels titled \"Heart of Darkness\" and \"Chance\" by the late Polish-British writer Joseph Conrad with his response to contemporary literary tropes from the two novels \"Angel in the House\" to the \"New Woman.\" It also offers concept of modernist arts and literature associated with feminism. | - |
| dc.format.extent | 5197090 bytes | - |
| dc.format.mimetype | application/pdf | - |
| dc.relation | Conradian, 39(1), 116-129 | - |
| dc.title | From Incapable \"Angel in the House\" to Invincible \"New Woman\" in Marlovian Narratives: Representing Womanhood in \"Heart of Darkness\" and Chance | - |
| dc.type | article | en |
| item.grantfulltext | open | - |
| item.openairetype | article | - |
| item.fulltext | With Fulltext | - |
| item.cerifentitytype | Publications | - |
| item.openairecristype | http://purl.org/coar/resource_type/c_18cf | - |
| Appears in Collections: | 期刊論文 | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| 116-129.pdf | 5.08 MB | Adobe PDF2 | View/Open |
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