Please use this identifier to cite or link to this item:
https://ah.lib.nccu.edu.tw/handle/140.119/80630
DC Field | Value | Language |
---|---|---|
dc.contributor | 英文系 | |
dc.creator | Corrigan, John Michael | |
dc.date | 2015 | |
dc.date.accessioned | 2016-01-15T07:55:21Z | - |
dc.date.available | 2016-01-15T07:55:21Z | - |
dc.date.issued | 2016-01-15T07:55:21Z | - |
dc.identifier.uri | http://nccur.lib.nccu.edu.tw/handle/140.119/80630 | - |
dc.description.abstract | This article gives a mystical interpretation of Terrence Malick`s award-winning film, The Tree of Life (2011), arguing that Malick carefully develops two esoteric patterns to structure his visual language: first, a triadic symbolism of divine emanation and return, and second, a complementary alchemical pattern of ascent and descent portraying the process of regeneration. Far from being a doctrinal presentation of Christianity, as some critics suppose, The Tree of Life engages little known but highly influential bodies of esoteric knowledge to offer a visually complex and symmetrical representation of genesis and alchemical transmutation. With the tree of life presented as an initiatory symbol of the axis mundi, Malick`s film portrays creation as a chiastic process, one point of view staging a triadic structure of emanation mysticism and the other offering a magical variation of this pattern in the human struggle for renewal in time. | |
dc.format.extent | 161 bytes | - |
dc.format.mimetype | text/html | - |
dc.relation | Religion & the Arts, 19(5), 552-582 | |
dc.title | Codas of Creation | |
dc.type | article | |
dc.identifier.doi | 10.1163/15685292-01905004 | |
dc.doi.uri | http://dx.doi.org/10.1163/15685292-01905004 | |
item.fulltext | With Fulltext | - |
item.grantfulltext | restricted | - |
item.openairecristype | http://purl.org/coar/resource_type/c_18cf | - |
item.openairetype | article | - |
item.cerifentitytype | Publications | - |
Appears in Collections: | 期刊論文 |
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index.html | 161 B | HTML2 | View/Open |
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