Please use this identifier to cite or link to this item: https://ah.lib.nccu.edu.tw/handle/140.119/85560
題名: 帝俄時代俄國戲劇發展與社會階層轉變關係之探討
作者: 賴玉琪
貢獻者: 王兆徽
賴玉琪
關鍵詞: 俄國
戲劇
統治階層
中產階層
日期: 2000
上傳時間: 18-Apr-2016
摘要: 本論文主要是在探討帝俄時代俄國戲劇發展與階層轉變之間的關係。在研究方法上,乃以歷史研究途徑為主要研究方法。本文的架構是以歷史發生的事件、階層角色的轉變為時間順序與研究主軸,結合戲劇功能、主題、流派、與劇作中探討的階層角色來分析彼此之間的相互影響。
This dissertation focuses on the relationship between the development of Russian drama and the change of social class. The methodology for this thesis is based on the Historical Approach. According to Russian historical and political events and the change of social class role, we find that the functions, topics, and schools of the Russian drama and the class roles in dramas are quite different.
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Bowlt, John E. and Olga Matich ed., 1996. Laboratory of Dreams, The Russian Avantgarde and Culture Experiment, California, Stanford Uni. Press.\r\n2. Brockett, Oscar G. 1979. The Theatre: an Introduction, NY: Rinehart and Winston.\r\n3. Brockett, Oscar G. 1982. History of the Theatre, Allyn and bacon, Inc.\r\n4. Brooks, Jeffrey. 1985. When Russian Learned to Read, New Jersey: Princeton Uni. Press.\r\n5. Benedetti, Jean. 1988. Stanislavski, NY: Routledge.\r\n6. Banham, Martin. ed., 1988. The Cambridge Guide to World Theatre, Cambridge Uni. Press.\r\n7. Brockett, Oscar G. and Robert Findlay, 1973. Century of Innovation: a History of European and American Theatre and Drama Since the Late Nineteenth Century, Allyn and Bacon.\r\n8. Charques, R. D. 1956. A Short History of Russia, NY: E. P. Dutton & Co., Inc.\r\n9. Florinsky, Michael T. 1955. Russia, Vol. 1, NY: The Macmillan Company.\r\n10. Florinsky, Michael T. 1955. Russia, Vol. 2, NY: The Macmillan Company.\r\n11. Freedley, George. and John A. Reeves, 1955. A History of the Theatre, NY: Crown Publishers, Inc.\r\n12. Freedley, George. 1955. A History of the Theatre, NY: Crown Publishers, Inc.\r\n13. Fooks, Jacquetta Beth. 1970. The Serf Theatre of Imperial Russia, Uni. Of Kansas.\r\n14. Fulop-Miller, Rene. and Joseph Gregor, 1968. The Russian Theatre: it’s Character and History with Especial Reference to the Revolutionary Period, NY: Benjamin Inc.\r\n15. Frank, Stephen P. and Mark D. Steinberg ed., 1994. Culture in Flux, Lower-Class Values, Practices, and Resistance in Late Imperial Russia, New Jersey: Princeton Uni. Press.\r\n16. Gassner, John. 1990. Masters of the Drama, NY: Dover Publications, Inc.\r\n17. Gassner, John. ed., 1967. A Treasury of the Theatre, from Aeschylus to Ostrovsky, NY: Simon & Schuster Inc.\r\n18. Hartnoll, Phyllis. ed., 1983. The Oxford Companion to the Theatre, Oxford Uni. Press.\r\n19. Hingley, Ronald. 1967. 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Art and Culture in Nineteenth-Century Russia, Indiana Uni. Press.\r\n38. Stavrou, Theofanis George. ed., 1969. Russia under the Last Tsar, Minneapolis: Minnesota Uni. Press.\r\n39. Sayler, Oliver M. 1970. Inside the Moscow Art Theatre, NY: Johnson Preprint.\r\n40. Stanislavsky, Konstantin. 1962. My Life in Art, NY: Theater Arts Books.\r\n41. Stuart, Donald Clive. 1928. The Development of Dramatic Art, D. Appleton and Company.\r\n42. Senelick, Laurence. 1997. The Chekhov Theatre: A century of the plays in performance, NY: Cambridge Uni. Press.\r\n43. Wiener, Leo. 1971. The Contemporary Drama of Russia, NY: AMS Press.\r\n44. Worrall, Nick. 1996. The Moscow Art Theatre, NY: Routledge.\r\n45. West, James L. and Iurii A. Petrov ed., 1998. Merchant Moscow, New Jersey: Princeton Uni. Press.\r\n46. Weiner, Jack. 1970. Mantillas in Moscovy: The Spanish Golden Age Theater in Tsarist Russia, 1672-1917, Lawrence: Uni. of Kansas Publications.\r\n* 英文期刊\r\n1. Borome, Joseph A. 1965.“The Bolshoi Theater and Opera.”The Russian Review, 24(1): 52-64.\r\n2. Goldstein, Robert Fustin. 1987.“Political Censorship of the Theatre in Nineteenth-Century Europe.”Theatre Research International, 12(3): 220-241.\r\n3. Roosevelt, Priscilla R. 1991.“Emerald Thrones and Living Statues: Theater and Theatricality on the Russian Estate.”The Russian Review, 50(1): 1-23.\r\n4. Senelick, Laurence. 1991.“The Erotic Bondage of Serf Theatre.”The Russian Review, 50(1): 24-34.\r\n5. Thurston, Gary. 1983.“The Impact of Russian Popular Theatre, 1886-1915.” The Journal of Modern History, 55(2): 220-241.\r\n6. Thurston, Gary. 1984.“Theatre and Acculturation in Russia from Peasant Emancipation to the First World War.”Journal of Popular Culture, 18 (2) : 3-16.\r\n*網路資料\r\n1. A Short History of the Moscow Art Theatre, from http:// www. theatre. ru: 8083 / mhat / ehistory. Htm\r\n參?俄文資料\r\n1. Y.Y. Tdhtqyjd, 1925. Rhtgjcnyst Frnths,《農奴演員》, Ktybyuhfl.\r\n2.C. C. Djkr, I. V. Ktdby cjcn., 1967. Rhfnrbq jxthr bcnjhbb heccrjq rek]nehs c lhtdytqib[ dhtvty lj 1917 ujlf,《俄國文化史綱,從遠古時代至1917年》, Ktybyuhfl: Bplfntkmcndj《Yferf》.\r\n3. Nfnbzyf Lbyybr, 1933. Rhtgjcnysq Ntfnh,《農奴劇院》, Vjcrdf.
描述: 碩士
國立政治大學
俄羅斯研究所
資料來源: http://thesis.lib.nccu.edu.tw/record/#A2002001661
資料類型: thesis
Appears in Collections:學位論文

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