Please use this identifier to cite or link to this item:
https://ah.lib.nccu.edu.tw/handle/140.119/87756
DC Field | Value | Language |
---|---|---|
dc.contributor.advisor | 劉建基 | zh_TW |
dc.contributor.advisor | Liu, Chien Chi | en_US |
dc.contributor.author | 洪偉庭 | zh_TW |
dc.contributor.author | Hung, Wei Ting | en_US |
dc.creator | 洪偉庭 | zh_TW |
dc.creator | Hung, Wei Ting | en_US |
dc.date | 1994 | en_US |
dc.date.accessioned | 2016-04-29 | - |
dc.date.available | 2016-04-29 | - |
dc.date.issued | 2016-04-29 | - |
dc.identifier | B2002003317 | en_US |
dc.identifier.uri | http://nccur.lib.nccu.edu.tw/handle/140.119/87756 | - |
dc.description | 碩士 | zh_TW |
dc.description | 國立政治大學 | zh_TW |
dc.description | 英國語文學系 | zh_TW |
dc.description | G82551003 | zh_TW |
dc.description.abstract | 自一九六六年付梓以來,聘瓊的短篇小說《番號四十九的拍賣》中超現實的敘述技巧,以及科學、文學領域相互交織、對話的風格,一直是批評家立文探究的重點。批評家對聘瓊技巧的純熟以及風格的艱澀,給予高度的肯定。另外,批評家也推崇其對後現代小說發展的貢獻。本論文分成四章:首章討論女主角伊蒂帕.瑪絲如何成功地顛覆父權建構的被動身分;並且繪建女性自主性及書寫女性歷史。第二章討論本小說如何藉「縫隙」牽引讀者的想像力,並且讓讀者和聘瓊進行一場想像力的競技。第三章指出小說豐富的隱喻語言有助於想像力的馳騁及意義的繪建,閱讀行為即是書寫創作。第四章討論聘瓊的歷史觀:他揭櫫了歷史的虛構性,歷史不再是客觀的真理,而僅是歷史學者主觀意識及權力運作的產物。結論則指出「陰謀」是本小說最重要的主題。另外,「偏執狂」式的閱讀或「顛覆性」的閱讀乃是聘瓊的讀者所需具備的態度。讀者反應理論是本論文遵循的分析方法。本論文主張閱讀行為乃是想像力之旅。於閱讀的旅程中,讀者必須成為「偏執狂」,展現顛覆的精神,才是詮釋的真諦。 | zh_TW |
dc.description.abstract | Since its publication in 1966, Pynchon`s short novel The Crying of Lot 49 has received considerable attention and discussion from critics. They are largely concerned with Pynchon`s narrative technique of surrealism and his style of inter-disciplinarity. Pynchon`s mature technique along with his style of elusiveness is highly celebrated. In addition, Pynchon`s notable contribution to the development of postmodernist fiction is also recognized and respected by critics. | en_US |
dc.description.tableofcontents | Acknowledgements-----iv\r\nTable of Contents\r\nChinese Abstract-----vi\r\nEnglish Abstract-----vii\r\nIntroduction-----1\r\nChapter\r\nOne Patriarchy, Subversion, and Femininity\r\n Oedipa Maas as a Passive Actor-----11\r\n Oedipa Maas as a Passive Reader-----19\r\n Oedipa Maas as an Active Director, Actor, Writer, and Reader-----30\r\nTwo Writerly, Intertextual, and Abysmal Traits Lot 49\r\n Lot 49 as a \"Writerly\" Fiction-----48\r\n Lot 49 as an Initertextual Fiction-----58\r\n Lot 49 as an Abysmal Fiction-----63\r\nThree Metaphor and Interaction of Imagination-----70\r\nFour Synchronicity, Fabrication, and Fictionality of History Synchronicity and Interconnectedness of History-----102\r\n Conspiratorial Fabrication of History-----112\r\n Fictionality of History-----115\r\nConclusion-----124\r\nWorks Cited-----129 | zh_TW |
dc.source.uri | http://thesis.lib.nccu.edu.tw/record/#B2002003317 | en_US |
dc.subject | 旅行 | zh_TW |
dc.subject | 閱讀 | zh_TW |
dc.subject | 聘瓊 | zh_TW |
dc.subject | 番號四十九的拍賣 | zh_TW |
dc.subject | Travelling | en_US |
dc.subject | Reading | en_US |
dc.subject | Mapping | en_US |
dc.subject | Crying of Lot 49 | en_US |
dc.title | 閱讀與旅「圖」:析論《番號四十九的拍賣》 | zh_TW |
dc.title | Reading As Travelling: Mapping of The Crying of Lot 49 | en_US |
dc.type | thesis | en_US |
item.openairecristype | http://purl.org/coar/resource_type/c_46ec | - |
item.openairetype | thesis | - |
item.grantfulltext | open | - |
item.cerifentitytype | Publications | - |
item.fulltext | With Fulltext | - |
Appears in Collections: | 學位論文 |
Files in This Item:
File | Size | Format | |
---|---|---|---|
index.html | 115 B | HTML2 | View/Open |
Google ScholarTM
Check
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.