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|Other Titles:||Aesthetic Autonomy and National Morality: A New Researtch on “Ji-Xian as a Cultural-Hanjian”|
Aesthetic Autonomy;National Morality;Cultural-Hanjian;the Japanese occupation;Ji Xian
|Issue Date:||2016-05-23 14:54:42 (UTC+8)|
This article is based on a relatively rich literature, re-explore Ji Xian’s behavior and writing during Japanese Occupation. On the one hand, I attempts to confirm whether the accuse of so-called cultural-hanjian can be established,and discusses what connection there is between the accuse and poetic creation. On the other hand, I also want to observe reversely how the related accuse to be operated, thus I reconsider the meaning of hanjian-discourse in depth. In an elaboration, I try to rectify some unaccurate points in the existing accuse, and add to some information. In addition, I inspect separately Ji Xian’s poetic text in prewar, wartime, and postwar, to find some messages inside his mind. Finally, I propose we break away from the entanglement of hanjian-discourse, then just pay attention to whether one do prudential calculation on community benefit, and profound introspection on individual life, and I think, Ji Xian was not prudential or profound.
|Relation:||政大中文學報, 11, 163-198|
Bulletin of the Department of Chinese Literature National Chengchi University
|Appears in Collections:||[政大中文學報 THCI Core] 期刊論文|
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