Please use this identifier to cite or link to this item: https://ah.nccu.edu.tw/handle/140.119/96875


Title: 從律詩美典到中國文化史的抒情傳統──高友工「抒情美典論」初探
Other Titles: From the“Aesthetics of Regulated Verse” to the “Lyrical Tradition”: A Study of Kao Yu-kung’s Conception of Chinese Lyricism
Authors: 陳國球
Chan, K. K-Leonard
Keywords: 高友工;抒情傳統;律詩;美典;中國文化史
Kao Yu-Kung;lyrical tradition;regulated verses;aesthetics;Chinese cultural history
Date: 2008-12
Issue Date: 2016-05-23 14:56:02 (UTC+8)
Abstract: 20世紀七○年代《中外文學》刊載了美國華裔學者高友工個人以及與梅祖麟合作撰寫的系列唐詩和文學理論研究論文,引發極大影響,一時間有「高友工震盪」之說。繼後高友工再深入研究律詩的演化,以至中國音樂、文學理論、書法,繪畫理論等藝術的「抒情美典」,彰明中國文化史的「抒情傳統」。其論述體大而思精,於台港地區之中國文學研究的影響既深且遠。本文主要探討高友工從唐詩研究到「抒情美典」的建立的歷程,剖視其論述之方向,並試圖評析這一詮釋系統之成效及意義。
In 1970s, Kao Yu-kung, Professor of the Princeton University, established his fame among Chinese critics outside Mainland China with a series of expositions on Chinese regulated verses and literary aesthetics. He continued his works on the conceptions of “Chinese Lyric Aesthetics” since then, and came up with a very ambitious formulation of the “Chinese Lyrical Tradition” with studies on various modes Chinese cultural production such as music, literary theory, calligraphy, and paintings. This paper tries to elucidate the theoretical foundation of Kao’s conception of “Lyric Aesthetics” and its significance in the study of Chinese literature and culture.
Relation: 政大中文學報, 10, 53-90
Bulletin of the Department of Chinese Literature National Chengchi University
Data Type: article
Appears in Collections:[政大中文學報 THCI Core] 期刊論文

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