Please use this identifier to cite or link to this item: https://ah.lib.nccu.edu.tw/handle/140.119/97691
DC FieldValueLanguage
dc.contributor英文系-
dc.creator柯瑞強-
dc.date2015-12-
dc.date.accessioned2016-06-06T07:46:40Z-
dc.date.available2016-06-06T07:46:40Z-
dc.date.issued2016-06-06T07:46:40Z-
dc.identifier.urihttp://nccur.lib.nccu.edu.tw/handle/140.119/97691-
dc.description.abstractThis article gives a mystical interpretation of Terrence Malick’s award-winning film, The Tree of Life (2011), arguing that Malick carefully develops two esoteric patterns to structure his visual language: first, a triadic symbolism of divine emanation and return, and second, a complementary alchemical pattern of ascent and descent portraying the process of regeneration. Far from being a doctrinal presentation of Christianity, as some critics suppose, The Tree of Life engages little known but highly influential bodies of esoteric knowledge to offer a visually complex and symmetrical representation of genesis and alchemical transmutation. With the tree of life presented as an initiatory symbol of the axis mundi, Malick’s film portrays creation as a chiastic process, one point of view staging a triadic structure of emanation mysticism and the other offering a magical variation of this pattern in the human struggle for renewal in time.-
dc.format.extent671341 bytes-
dc.format.mimetypeapplication/pdf-
dc.relationReligion and the Arts, Vol.19, No.5, pp.552 – 582-
dc.subjectNeoplatonism;Kabbalah;Hermeticism;alchemy;renaissance;film;Terrence Malick;mysticism-
dc.titleCodas of Creation: Emanation Mysticism and Alchemical Regeneration in Terrence Malick’s The Tree of Life-
dc.typearticle-
dc.identifier.doi10.1163/15685292-01905004-
dc.doi.urihttp://dx.doi.org/10.1163/15685292-01905004-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.cerifentitytypePublications-
item.fulltextWith Fulltext-
item.openairetypearticle-
item.grantfulltextopen-
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