| dc.contributor | 台文所 | |
| dc.creator (作者) | 楊小濱 | zh_TW |
| dc.creator (作者) | Yang, Xiaobin | |
| dc.date (日期) | 2010-07 | |
| dc.date.accessioned | 13-六月-2017 16:37:26 (UTC+8) | - |
| dc.date.available | 13-六月-2017 16:37:26 (UTC+8) | - |
| dc.date.issued (上傳時間) | 13-六月-2017 16:37:26 (UTC+8) | - |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/110262 | - |
| dc.description.abstract (摘要) | 本文通過拉岡的理論評述柏樺的長詩《史記：1950-1976》，揭示其占據了歷史主體的位置並掏空了自身主體性的寫作姿態，探討其如何在冷靜的敘述中體驗詞語和意義之間隱秘錯位的空洞主體。本文同時討論了這部長詩對革命話語中絕爽的表達，探索了該詩所書寫的現代性宏偉意義下的創傷性快感，以及這種創傷性快感在日常符號網絡中的不斷游移、逃逸和撒播。This critical essay is a study of Bai Hua`s long narrative poem Records of the Historian: 1950-1976 in light of Lacan`s theory of subjectivity and jouissance. I attempt to reveal how the narrator occupies the position of a historical subject, while at the same time emptying his own subjectivity. I also discuss the poem`s expression of jouissance in the revolutionary discourse, and examine the traumatic jouissance in the grand name of modernity, as well as the constant shifts, escapes and disseminations of such jouissance in the web of everyday language. | |
| dc.format.extent | 1272516 bytes | - |
| dc.format.mimetype | application/pdf | - |
| dc.relation (關聯) | 臺灣詩學學刊, 15, 31-38 | |
| dc.subject (關鍵詞) | 柏樺 ; 《史記：1950-1976》 ; 敘事詩 ; 絕爽 ; 主體性 ; Bai Hua ; "Records of the Historian: 1950-1976" ; narrative poetry ; jouissance ; subjectivity | |
| dc.title (題名) | 毛世紀的「史記」：作為史籍的詩輯 | zh_TW |
| dc.title.alternative (其他題名) | Documentations of the Mao Era: Poetry as History | |
| dc.type (資料類型) | article | |
