| dc.contributor | 傳播學院 | - |
| dc.creator (作者) | 黃俊銘 | - |
| dc.creator (作者) | Huang, Chun-Ming | - |
| dc.date (日期) | 2019-12 | - |
| dc.date.accessioned | 25-一月-2021 14:27:19 (UTC+8) | - |
| dc.date.available | 25-一月-2021 14:27:19 (UTC+8) | - |
| dc.date.issued (上傳時間) | 25-一月-2021 14:27:19 (UTC+8) | - |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/133724 | - |
| dc.description.abstract (摘要) | 本文討論兩個音樂社會學經典文本：阿多諾的《音樂社會學導 論》與德諾拉的《日常生活中的音樂》。前者視音樂為社會中介，既 造成順從亦能啟蒙重建；後者視音樂為「自我科技」，作為完成事物 的手段。本文認為德諾拉取徑阿多諾，相信音樂形式可提供實踐及塑 造意識；但人藉音樂生產能動自我，而非服從社會秩序。德諾拉被視 為代表近期音樂社會學新方向，並有情感與日常生活轉向，但仍能回 到阿多諾命題，唯賦予人更多實踐 ; 能動與希望。 | - |
| dc.description.abstract (摘要) | This study reviews two influential texts in the sociology of music: Adorno`s Introduction to the Sociology of Music and DeNora`s Music in Everyday Life. In the former, Adorno regards music as social mediation, which not only can induce obedience but also enlighten and restructure people`s minds, whereas in the latter, DeNora conceptualises music as a technology of self-a means of accomplishing things. This study proposes that DeNora developed the thoughts of Adorno to acknowledge that music is a building material of consciousness and a mode of praxis and that individuals may use music to produce and structure their agency rather than to accompany the existing social order. The ideas of DeNora are considered a new direction in music sociology, with an `affective turn` and a focus on everyday life. They return to the Adorno proposition but pay more attention to humanity`s search for social practice, agency, and hope. | - |
| dc.format.extent | 1417970 bytes | - |
| dc.format.mimetype | application/pdf | - |
| dc.relation (關聯) | 中華傳播學刊, 36, 275-288 | - |
| dc.subject (關鍵詞) | 中介;文化工業;日常生活;自我科技;阿多諾;音樂社會學 | - |
| dc.subject (關鍵詞) | mediation ; cultural industry ; everyday life ; a technology of self ; Adorno ; sociology of music | - |
| dc.title (題名) | 音樂如何社會?從阿多諾（Adorno）到德諾拉（DeNora）： 閱讀《音樂社會學導論》、《日常生活中的音樂》 | - |
| dc.title (題名) | Reflections on the Sociology of Music: Reading Adorno`s Introduction to the Sociology of Music and DeNora`s Music in Everyday Life | - |
| dc.type (資料類型) | article | - |
| dc.identifier.doi (DOI) | 10.3966/172635812019120036008 | - |
| dc.doi.uri (DOI) | https://doi.org/10.3966/172635812019120036008 | - |
