dc.contributor.advisor | 郭維裕 | zh_TW |
dc.contributor.advisor | Kuo, George | en_US |
dc.contributor.author (作者) | 李嘉 | zh_TW |
dc.contributor.author (作者) | Giovanni Alberto Zambotti | en_US |
dc.creator (作者) | 李嘉 | zh_TW |
dc.creator (作者) | Zambotti, Giovanni Alberto | en_US |
dc.date (日期) | 2021 | en_US |
dc.date.accessioned | 1-七月-2021 19:06:44 (UTC+8) | - |
dc.date.available | 1-七月-2021 19:06:44 (UTC+8) | - |
dc.date.issued (上傳時間) | 1-七月-2021 19:06:44 (UTC+8) | - |
dc.identifier (其他 識別碼) | G0107933040 | en_US |
dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/135963 | - |
dc.description (描述) | 碩士 | zh_TW |
dc.description (描述) | 國立政治大學 | zh_TW |
dc.description (描述) | 國際經營管理英語碩士學位學程(IMBA) | zh_TW |
dc.description (描述) | 107933040 | zh_TW |
dc.description.abstract (摘要) | This thesis is exploring the development of the remarkable, albeit recent, Chinese art market. From a timid start to an explosive growth the Chinese art market reached record braking prices mostly due to unbridled speculation. After 2012 there is a restructuring of the market. Both Auction houses and galleries move towards a more mature stage amid collectors’ taste development. Contemporary art is becoming the most dynamic sector of the market, fostered by the engagement of a new generation of collectors. The Covid pandemic, initially shocked the market in 2019, but China has been able to adapt quickly and emerge from it even stronger increasing the turnover of 2% in 2020 and mostly in the second part of the year.Extensive interviews with market actors show a sentiment of confidence and positivity for the future outlook of the Chinese market. | en_US |
dc.description.tableofcontents | TABLE OF CONTENTS1. Introduction 11.1. Research motivation 21.2. Research purpose 21.3. Methodology 32. The recent development of the Chinese art market 42.1. The first steps: from the 70’s to 1992 42.2. 1993-2003. Early stage of development 42.3. Chinese Contemporary Art Market 62.4. 2004-2011. Explosive growth 72.5. The arrival of Western Galleries into China 82.6. 2012-2018. Adjustment of the auction market. Art fair, Private museums, and western art 93. The art market in China in 2019 113.1. Introduction 113.2. Mainland China Market 113.3. Market structure. 184. The market evolution in 2020 214.1. What is new in 2020? 234.2. What are the new methods introduced during the pandemic? 244.3. What do clients like? 255. Conclusion 296. References 327. Appendix 347.1. Interview 1 347.2. Interview 2 387.3. Interview 3 417.4. Panel discussion 437.5. Interview 5 46 | zh_TW |
dc.format.extent | 1486635 bytes | - |
dc.format.mimetype | application/pdf | - |
dc.source.uri (資料來源) | http://thesis.lib.nccu.edu.tw/record/#G0107933040 | en_US |
dc.subject (關鍵詞) | 當代藝術 | zh_TW |
dc.subject (關鍵詞) | 新世代 | zh_TW |
dc.subject (關鍵詞) | 收藏家 | zh_TW |
dc.subject (關鍵詞) | 遠程 | zh_TW |
dc.subject (關鍵詞) | 藝術體驗 | zh_TW |
dc.subject (關鍵詞) | Contemporary Art | en_US |
dc.subject (關鍵詞) | new generation | en_US |
dc.subject (關鍵詞) | collectors | en_US |
dc.subject (關鍵詞) | remote | en_US |
dc.subject (關鍵詞) | art-experience | en_US |
dc.title (題名) | 中國藝術市場之探索與研究 | zh_TW |
dc.title (題名) | An exploratory Study of Art Market in China | en_US |
dc.type (資料類型) | thesis | en_US |
dc.relation.reference (參考文獻) | ReferencesFang Wang (2017) Which Part of the Chinese Art Market Is More Worth Investing In? Applying the Quantile Regression to Analyze Chinese Oil Paintings 2000–2014, Emerging Markets Finance and Trade, 53:1, 44-53, DOI: 10.1080/1540496X.2016.1145113Li, X., Su, C.-W., Qin, M., & Zhao, F. (2020). Testing for Bubbles in the Chinese Art Market. SAGE Open. https://doi.org/10.1177/2158244019901249Wang, Yaning, "The Explosion Development of Chinese Contemporary Art Market from 2000 to 2015" (2019). MA Thesis. 27.
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dc.identifier.doi (DOI) | 10.6814/NCCU202100627 | en_US |