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題名 臺灣古典詩創作的未來可能性——以臺北文學獎「臺北經驗」視角出發
作者 王婉如
Wang, Wan Ju
貢獻者 中文系
關鍵詞 古典詩創作;臺北文學獎;“臺北經驗”
The creation of classical poetry;Taipei Literary Award;"Taipei Experience"
日期 2018-05
上傳時間 25-三月-2022 15:59:21 (UTC+8)
摘要 從2012—2017年台北文學獎古典詩組獲獎作品回顧，《台北經驗》的刃是古典詩創作的一把雙劍，收穫了一些古典詩創作標準又伴隨著“台北》的作品，但阻擋了一些富有新意使的新作與經驗內容，在整體上前人積累下來的獲獎主題內容，形成了既定路線和固定式，對創作的創新性產生不利影響。由於古典詩創作遠古詩創作可以現代詩高的故事，台北文學獎古典詩未來的更好的發展，從歷史中尋找新的經歷，例子“詩界革命”。 “提出的創意想法，對創作進行深化升級，使新舊並存，創造古典詩創作的未來圖景。
To observe the prize-winning works of classical poetry group in Taipei Literature Prize from 2012 to 2017, the setting of " Taipei Experience" was a double-edged sword for classical poetry creation.Although it harvested some works that were full of " Taipei Experience" and met the standards of classical poetry creation, it blocked the appearance of some topics and contents with innovative philosophies. Those blue-ribbon works relied on the award-winning themes and contents accumulated by the previous generation as a whole,forming an established route and a fixed paradigm, which was detrimental to the innovation of poetry creation. Due to the difficulty of access to classical poetry creation, the volume of classical poetry in Taipei Literature Prize is far less than that of fiction, prose, and modern poetry. In order to seek for the better development of classical poetry in the future, we can search experiences from the history and learn from the novel ideas put forth by "the Revolution in Poetry Society". By doing so, one can deepen and polish the poetry creation which enables both the old and the new works to coexist, and to create a more desirable picture of the future classical poetry creation.
關聯 武陵學刊, 2018年3期, 總第190期, pp.106-113
資料類型 article
dc.contributor 中文系
dc.creator (作者) 王婉如
dc.creator (作者) Wang, Wan Ju
dc.date (日期) 2018-05
dc.date.accessioned 25-三月-2022 15:59:21 (UTC+8)-
dc.date.available 25-三月-2022 15:59:21 (UTC+8)-
dc.date.issued (上傳時間) 25-三月-2022 15:59:21 (UTC+8)-
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/139357-
dc.description.abstract (摘要) 從2012—2017年台北文學獎古典詩組獲獎作品回顧，《台北經驗》的刃是古典詩創作的一把雙劍，收穫了一些古典詩創作標準又伴隨著“台北》的作品，但阻擋了一些富有新意使的新作與經驗內容，在整體上前人積累下來的獲獎主題內容，形成了既定路線和固定式，對創作的創新性產生不利影響。由於古典詩創作遠古詩創作可以現代詩高的故事，台北文學獎古典詩未來的更好的發展，從歷史中尋找新的經歷，例子“詩界革命”。 “提出的創意想法，對創作進行深化升級，使新舊並存，創造古典詩創作的未來圖景。
dc.description.abstract (摘要) To observe the prize-winning works of classical poetry group in Taipei Literature Prize from 2012 to 2017, the setting of " Taipei Experience" was a double-edged sword for classical poetry creation.Although it harvested some works that were full of " Taipei Experience" and met the standards of classical poetry creation, it blocked the appearance of some topics and contents with innovative philosophies. Those blue-ribbon works relied on the award-winning themes and contents accumulated by the previous generation as a whole,forming an established route and a fixed paradigm, which was detrimental to the innovation of poetry creation. Due to the difficulty of access to classical poetry creation, the volume of classical poetry in Taipei Literature Prize is far less than that of fiction, prose, and modern poetry. In order to seek for the better development of classical poetry in the future, we can search experiences from the history and learn from the novel ideas put forth by "the Revolution in Poetry Society". By doing so, one can deepen and polish the poetry creation which enables both the old and the new works to coexist, and to create a more desirable picture of the future classical poetry creation.
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dc.format.mimetype application/pdf-
dc.relation (關聯) 武陵學刊, 2018年3期, 總第190期, pp.106-113
dc.subject (關鍵詞) 古典詩創作;臺北文學獎;“臺北經驗”
dc.subject (關鍵詞) The creation of classical poetry;Taipei Literary Award;"Taipei Experience"
dc.title (題名) 臺灣古典詩創作的未來可能性——以臺北文學獎「臺北經驗」視角出發
dc.type (資料類型) article