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題名 糾纏與異托邦：實驗作品集
The Director’s Note on “Entanglement and Heterotopia: Collective Works of Experimental Videos”作者 鄭偉拉
Vera, Chon貢獻者 盧非易
Lu, Fei-I
鄭偉拉
Chon Vera關鍵詞 糾纏
異托邦
多元文化
實驗影片
聲音藝術
entanglement
heterotopia
multicultural
experimental video
sound art日期 2023 上傳時間 1-九月-2023 15:45:27 (UTC+8) 摘要 這一系列實驗影片代表了一種深刻的個人努力，深入研究了與個人普遍相關的各種哲學概念和情感，無論其文化背景如何。 這些影片的創作者擁有多元文化背景，有韓國和俄羅斯血統，目前居住在台北市。 作者懷著濃濃的思鄉之情，在多元文化和語言的複雜性中游走，無意識地試圖通過視聽媒介來描繪在台北經歷的、與家鄉產生共鳴的時刻和現象。\n\n介紹性作品通過探索對家的懷舊情緒奠定了基礎，讓觀眾深入了解這件集體作品背後的動機。 隨後的作品展現了生活中具有內在普遍性的時刻——比如城市生活的混亂本質、雨天帶來的焦慮和悲傷、陽光明媚的日子裡經歷的幸福感、以及在虛擬宇宙探索個人興趣的快樂。 在該系列的總結中，該作品的作者提出了一篇哲學影片，強調生命是不斷的移動，通過不同的經歷來探索。\n\n這六部實驗作品捕捉了作者生活中的瞬間，無論身處何處，都能喚起人們的熟悉感。 創作者強調物理地點的微不足道，將不同國家的不同語言、音樂風格和她個人熟悉的風景無縫地融合在一起。 從本質上講，這些實驗影片充當了各種文化交織融合的容器，形成了一個文化糾纏的世界——這個概念類似於異托邦視角，看似不相關的粒子和諧共存。 因此，這部作品不僅描繪了作者關於家鄉和駕馭多元文化的情感旅程，而且描繪了一個語言和文化融為一體的異托邦境界。
This series of experimental videos represents a deeply personal endeavor that delves into various philosophical concepts and emotions universally relevant to individuals regardless of their cultural backgrounds. The creator of these videos hails from a multicultural heritage, being of South Korean and Russian descent, and currently resides in Taipei City. Through a profound sense of homesickness and the navigation of diverse cultures and languages, the author unconsciously sought to depict moments and phenomena experienced in Taipei that resonate with the feeling of being back home, conveyed through an audio-visual medium.\n\nThe introductory piece sets the stage by exploring nostalgia for home, offering viewers insight into the motivation behind this collective work. Subsequent pieces showcase moments in life that possess an intrinsic universality – such as the chaotic nature of city life, the sense of anxiety and sadness brought about by rain, the feeling of happiness experienced on sunny days, and the joy of exploration of personal interests in the metaverse. Concluding the series, the author of this work presents a philosophical piece emphasizing that life revolves around movement and the exploration of diverse experiences.\n\nThese six experimental videos capture moments in the author’s life that evoke familiarity regardless of location. Emphasizing the insignificance of the physical location, the creator seamlessly blends different languages, musical styles, and landscapes from diverse countries, personally familiar to them. In essence, these experimental videos serve as a vessel in which various cultures intertwine and merge, giving rise to a world of entangled cultures – a concept akin to the heterotopian perspective, where seemingly unrelated particles coexist harmoniously. Thus, this body of work not only portrays the author’s emotional journey concerning home and navigating diverse cultures but also portrays a heterotopian realm where languages and cultures blend into a unified whole.參考文獻 American Psychological Association (APA). (2012). Teens involved in arts activities report more depressive symptoms than teens not involved in the arts. ScienceDaily. Retrieved from https://www.sciencedaily.com/releases/2012/11/121120121809.htm\nAmerican Psychological Association. (2018). Generation Z stressed about issues in the news but least likely to vote: Gen Z more likely than other generations to report fair or poor mental health. ScienceDaily. Retrieved from https://www.sciencedaily.com/releases/2018/10/181030093709.htm\nAnisimova, I. (2015). Heterotopia in Contemporary Russian Fiction (Publication No. 3725607) [Doctoral dissertation, University of New York at Buffalo]. ProQuest Dissertations & Theses Global.\nBal, M. (2002). Concept. Travelling concepts in the humanities: A rough guide (pp. 22-55). University of Toronto Press.\nBingham, K. P. (2020). In Between the Everyday and the Imaginary. An Ethnography of Urban Exploration: Unpacking Heterotopic Social Space, (pp. 3-18). Springer International Publishing. https://doi.org/10.1007/978-3-030-56251-9\nBordwell, D. (2023). The Art Cinema as a Mode of Film Practice. Film Criticism, 4(1), 56-64. Retrieved from https://www.jstor.org/stable/44018650\nBotía, L. F. (2021). The Sound Art in Tarkovsky’s Andrei Rublev. Sound Ambiguities amid Visual Certainties. Quarterly Review of Film and Video, 38(8), 727-746. https://doi.org/10.1080/10509208.2020.1793641\nBrazil, R. (2020). 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國立政治大學
傳播學院傳播碩士學位學程
110464063資料來源 http://thesis.lib.nccu.edu.tw/record/#G0110464063 資料類型 thesis dc.contributor.advisor 盧非易 zh_TW dc.contributor.advisor Lu, Fei-I en_US dc.contributor.author (作者) 鄭偉拉 zh_TW dc.contributor.author (作者) Chon Vera en_US dc.creator (作者) 鄭偉拉 zh_TW dc.creator (作者) Vera, Chon en_US dc.date (日期) 2023 en_US dc.date.accessioned 1-九月-2023 15:45:27 (UTC+8) - dc.date.available 1-九月-2023 15:45:27 (UTC+8) - dc.date.issued (上傳時間) 1-九月-2023 15:45:27 (UTC+8) - dc.identifier (其他 識別碼) G0110464063 en_US dc.identifier.uri (URI) https://ah.lib.nccu.edu.tw/item?item_id=166593 - dc.description (描述) 碩士 zh_TW dc.description (描述) 國立政治大學 zh_TW dc.description (描述) 傳播學院傳播碩士學位學程 zh_TW dc.description (描述) 110464063 zh_TW dc.description.abstract (摘要) 這一系列實驗影片代表了一種深刻的個人努力，深入研究了與個人普遍相關的各種哲學概念和情感，無論其文化背景如何。 這些影片的創作者擁有多元文化背景，有韓國和俄羅斯血統，目前居住在台北市。 作者懷著濃濃的思鄉之情，在多元文化和語言的複雜性中游走，無意識地試圖通過視聽媒介來描繪在台北經歷的、與家鄉產生共鳴的時刻和現象。\n\n介紹性作品通過探索對家的懷舊情緒奠定了基礎，讓觀眾深入了解這件集體作品背後的動機。 隨後的作品展現了生活中具有內在普遍性的時刻——比如城市生活的混亂本質、雨天帶來的焦慮和悲傷、陽光明媚的日子裡經歷的幸福感、以及在虛擬宇宙探索個人興趣的快樂。 在該系列的總結中，該作品的作者提出了一篇哲學影片，強調生命是不斷的移動，通過不同的經歷來探索。\n\n這六部實驗作品捕捉了作者生活中的瞬間，無論身處何處，都能喚起人們的熟悉感。 創作者強調物理地點的微不足道，將不同國家的不同語言、音樂風格和她個人熟悉的風景無縫地融合在一起。 從本質上講，這些實驗影片充當了各種文化交織融合的容器，形成了一個文化糾纏的世界——這個概念類似於異托邦視角，看似不相關的粒子和諧共存。 因此，這部作品不僅描繪了作者關於家鄉和駕馭多元文化的情感旅程，而且描繪了一個語言和文化融為一體的異托邦境界。 zh_TW dc.description.abstract (摘要) This series of experimental videos represents a deeply personal endeavor that delves into various philosophical concepts and emotions universally relevant to individuals regardless of their cultural backgrounds. The creator of these videos hails from a multicultural heritage, being of South Korean and Russian descent, and currently resides in Taipei City. Through a profound sense of homesickness and the navigation of diverse cultures and languages, the author unconsciously sought to depict moments and phenomena experienced in Taipei that resonate with the feeling of being back home, conveyed through an audio-visual medium.\n\nThe introductory piece sets the stage by exploring nostalgia for home, offering viewers insight into the motivation behind this collective work. Subsequent pieces showcase moments in life that possess an intrinsic universality – such as the chaotic nature of city life, the sense of anxiety and sadness brought about by rain, the feeling of happiness experienced on sunny days, and the joy of exploration of personal interests in the metaverse. Concluding the series, the author of this work presents a philosophical piece emphasizing that life revolves around movement and the exploration of diverse experiences.\n\nThese six experimental videos capture moments in the author’s life that evoke familiarity regardless of location. Emphasizing the insignificance of the physical location, the creator seamlessly blends different languages, musical styles, and landscapes from diverse countries, personally familiar to them. In essence, these experimental videos serve as a vessel in which various cultures intertwine and merge, giving rise to a world of entangled cultures – a concept akin to the heterotopian perspective, where seemingly unrelated particles coexist harmoniously. Thus, this body of work not only portrays the author’s emotional journey concerning home and navigating diverse cultures but also portrays a heterotopian realm where languages and cultures blend into a unified whole. en_US dc.description.tableofcontents Introduction 1\nPhilosophical concepts 3\nEntanglement 3\nHeterotopia 5\nStyle and Form 9\nExperimental cinema 9\nSound Art 14\n1. Somewhere in Between Saint-Petersburg and Taipei 19\n2. In the Chaos of City 22\n3. In the Darkness of Rain 25\n4. In the Brightness of Sunshine 29\n5. In the Metaverse 32\n6. In the Movement 35\nVideo Production 37\nProduction Standards 37\nEquipment and Software 38\nVideo Distribution 38\nConclusion 39\nReferences 44\nAppendix A. A Part of the Poem To A. A. Akhmatova in Russian with Translation 49\nAppendix B. Selected Text about Taipei City in Chinese with Translation 51\nAppendix C. Selected Text about Seoul in Korean with Translation 53\nAppendix D. Transcripts of Three Interviews in Korean, English, and Russian with Translations 55\nAppendix E. Selected Texts on Various Topics in the Field of Psychology and Society 58\nAppendix F. Lyrics to the Song Sun is Shining in Sky 60\nAppendix G. Selected Text of the MBTI Test and Comments 62\nAppendix H. Comments about the Maps of Seoul, Gangneung and Saint-Petersburg 64\nAppendix I. Selected News Texts in Korean and Russian with Translations 65\nAppendix J. Random Counting in English, Russian, Korean and Chinese 67\nAppendix K. Appearance Release Forms 68\nAppendix L. Music Release From 73\nAppendix M. QR Code for the Published Work Entanglement and Heterotopia: Collective Works of Experimental Videos on the YouTube Channel 74\nAppendix N. Thesis Defense Materials 75 zh_TW dc.format.extent 4180404 bytes - dc.format.mimetype application/pdf - dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0110464063 en_US dc.subject (關鍵詞) 糾纏 zh_TW dc.subject (關鍵詞) 異托邦 zh_TW dc.subject (關鍵詞) 多元文化 zh_TW dc.subject (關鍵詞) 實驗影片 zh_TW dc.subject (關鍵詞) 聲音藝術 zh_TW dc.subject (關鍵詞) entanglement en_US dc.subject (關鍵詞) heterotopia en_US dc.subject (關鍵詞) multicultural en_US dc.subject (關鍵詞) experimental video en_US dc.subject (關鍵詞) sound art en_US dc.title (題名) 糾纏與異托邦：實驗作品集 zh_TW dc.title (題名) The Director’s Note on “Entanglement and Heterotopia: Collective Works of Experimental Videos” en_US dc.type (資料類型) thesis en_US dc.relation.reference (參考文獻) American Psychological Association (APA). (2012). Teens involved in arts activities report more depressive symptoms than teens not involved in the arts. ScienceDaily. Retrieved from https://www.sciencedaily.com/releases/2012/11/121120121809.htm\nAmerican Psychological Association. (2018). Generation Z stressed about issues in the news but least likely to vote: Gen Z more likely than other generations to report fair or poor mental health. ScienceDaily. Retrieved from https://www.sciencedaily.com/releases/2018/10/181030093709.htm\nAnisimova, I. (2015). Heterotopia in Contemporary Russian Fiction (Publication No. 3725607) [Doctoral dissertation, University of New York at Buffalo]. ProQuest Dissertations & Theses Global.\nBal, M. (2002). Concept. Travelling concepts in the humanities: A rough guide (pp. 22-55). University of Toronto Press.\nBingham, K. P. (2020). In Between the Everyday and the Imaginary. An Ethnography of Urban Exploration: Unpacking Heterotopic Social Space, (pp. 3-18). Springer International Publishing. https://doi.org/10.1007/978-3-030-56251-9\nBordwell, D. (2023). The Art Cinema as a Mode of Film Practice. Film Criticism, 4(1), 56-64. Retrieved from https://www.jstor.org/stable/44018650\nBotía, L. F. (2021). The Sound Art in Tarkovsky’s Andrei Rublev. Sound Ambiguities amid Visual Certainties. Quarterly Review of Film and Video, 38(8), 727-746. https://doi.org/10.1080/10509208.2020.1793641\nBrazil, R. (2020). Imaginative intersection. Physics World, 33(6), 48-49. https://doi.org/10.1088/2058-7058/33/6/33\nBrigham and Women’s Hospital. (2023). Depression after traumatic brain injury could represent a new, distinct disease. ScienceDaily. Retrieved from https://www.sciencedaily.com/releases/2023/07/230705142946.htm\nBrodsky, J. (1962). For churches, gardens, theaters… Joseph Brodsky. Retrieved from https://brodskiy.su/za-tserkvami-sadami-teatrami/?lang=en\nBrodskiy, I. (1962). A.A. Akhmatovoi. Kultura.RF. Retrieved from https://www.culture.ru/poems/30617/a-a-akhmatovoi\n\nBrunotts, K. (2023). Album Sequencing: The Complete Beginner’s Guide. Mastered Blog. Retrieved from https://emastered.com/blog/album-sequencing\nCardullo, B. (2011). Art-House Cinema, Avant-Garde Film, and Dramatic Modernism. 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