| dc.contributor | 中文系 | |
| dc.creator (作者) | 蔡欣欣 | |
| dc.creator (作者) | Tsai, Hsin-Hsin | |
| dc.date (日期) | 2022-12 | |
| dc.date.accessioned | 5-十月-2023 09:41:26 (UTC+8) | - |
| dc.date.available | 5-十月-2023 09:41:26 (UTC+8) | - |
| dc.date.issued (上傳時間) | 5-十月-2023 09:41:26 (UTC+8) | - |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/147760 | - |
| dc.format.extent | 177 bytes | - |
| dc.format.mimetype | text/html | - |
| dc.relation (關聯) | 대만연구 臺灣研究, No.21, pp.135-149 | |
| dc.subject (關鍵詞) | 臺灣京劇; 世界博覽會; 萬國博覽會; 正統中國; 文化展演 | |
| dc.subject (關鍵詞) | Peking Opera in Taiwan; World’s fair; universal exhibition; The legitimacy of China; Cultural performance | |
| dc.title (題名) | 二戰後臺灣京劇在「世界博覽會」的「正統中國」展演型塑 | |
| dc.title (題名) | The legitimacy of China shaped in Taiwanese Peking Opera that performed in World’s fairs after World War II | |
| dc.type (資料類型) | article | |
| dc.identifier.doi (DOI) | 10.22939/taiwanstudies.2022.21.135 | |
| dc.doi.uri (DOI) | https://doi.org/10.22939/taiwanstudies.2022.21.135 | |
