| dc.contributor | 歷史系 | |
| dc.creator (作者) | 劉宇珍 | |
| dc.creator (作者) | Liu, Yu-jen | |
| dc.date (日期) | 2014-02 | |
| dc.date.accessioned | 13-十二月-2023 11:56:10 (UTC+8) | - |
| dc.date.available | 13-十二月-2023 11:56:10 (UTC+8) | - |
| dc.date.issued (上傳時間) | 13-十二月-2023 11:56:10 (UTC+8) | - |
| dc.identifier.uri (URI) | https://nccur.lib.nccu.edu.tw/handle/140.119/148635 | - |
| dc.format.extent | 103 bytes | - |
| dc.format.mimetype | text/html | - |
| dc.relation (關聯) | Art History, Vol.37, No.1, pp.68-95 | |
| dc.title (題名) | Second Only to the Original: Rhetoric and Practice in the Photographic Reproduction of Art in Early Twentieth-Century China | |
| dc.type (資料類型) | article | |
| dc.identifier.doi (DOI) | 10.1111/1467-8365.12057 | |
| dc.doi.uri (DOI) | https://doi.org/10.1111/1467-8365.12057 | |
