| dc.contributor | 中文系 | |
| dc.creator (作者) | 蔡欣欣 | |
| dc.date (日期) | 2020-07 | |
| dc.date.accessioned | 3-七月-2024 13:22:31 (UTC+8) | - |
| dc.date.available | 3-七月-2024 13:22:31 (UTC+8) | - |
| dc.date.issued (上傳時間) | 3-七月-2024 13:22:31 (UTC+8) | - |
| dc.identifier.uri (URI) | https://nccur.lib.nccu.edu.tw/handle/140.119/152241 | - |
| dc.description.abstract (摘要) | 二戰後基於宣慰僑胞、敦邦睦鄰與復興中華文化為國家政策考量，以及著眼於海外演出市場的經濟利益，1960年代臺灣歌仔戲班在僑商的邀請下，重新開啟赴星馬演出的通路，以滿足華僑的思鄉情懷及提供欣賞娛樂。這段臺灣歌仔戲海外演出歷史，因展演時間距今久遠，資深藝人過往或失聯，史料散佚海外蒐羅不易等諸多侷限，雖有部分被載記書寫，然篇幅不多且遺漏謬誤不少。筆者繼續延伸與深化補充102年度《臺灣歌仔戲「星國留聲」新加坡唱片考察研究》成果，預計以「兩年」研究期程，通過臺星馬報刊廣告與報導等「文獻」史料的挖掘耙梳，演出戲單、照片與唱片等「文物」史料的蒐集整理，劇團成員「口述歷史」的訪談紀錄，進行《1960年代臺灣歌仔戲班赴星馬展演考察研究（Ⅰ、Ⅱ）》專題研究計畫，以保存流落海外的珍貴演出史料，補白1960年代臺灣歌仔戲星馬演出的歷史空隙。第一年度：1968年「日月園歌劇團」與1969年「三弘珠歌劇團」兩團的星馬巡演印記考察。第二年度：補充擴寫1963年「新台光閩劇團」、1964年「柏華閩劇團」與1964年「牡丹桂閩劇團」在馬來西亞的演出印記，並對1960年代五個臺灣歌仔戲班的出國運作機制、人際關係網絡與各種演劇現象進行整體論述考察。 | |
| dc.description.abstract (摘要) | After WW2, Gezixi (Taiwanese Opera) troupes were invited by oversea Chinese compatriots in 1960s, restarting the road to performance in Singapore and Malaysia, in order to satisfy Chinese compatriots’ homesickness and provide entertainment based on consolation for oversea Chinese compatriots and rejuvenation of the Chinese as well as focused on overseas performance economic profits. This Gezixi oversea performance history occurred because its origins were long before the 1960’s and most senior artists had lost association. Besides, related historic materials were hard to find as well. Although a part of this history has been written, it is limited and contains some wrong information. I plan to keep extending and intensifying to expand the result of “A study on Taiwanese Opera recorded albums at Singapore”, expecting to spend two years to finish this research. During this research period, I will collect the Gezixi documents which are in Singapore and Malaysian newspaper advertisements and reports. Moreover, not only “tangible items,” such as photos, recordsand play lists, but also “intangible assets” such as oral interviews, are important to preserve, so I would sort out those things in proceeds 《The research of the Performance of Gezixi (Taiwanese Opera) Troupes in Singapore and Malaysia in 1960s (Ⅰ、Ⅱ)》too. The purpose is to fill the gap of Gezixi performance history in Singapore and Malaysia.First year: study of troupes’ performance in Singapore and Malaysia, including the Riyueyuan Taiwanese Opera Troup in 1968 and the Sanhongzhu Taiwanese Opera Troup in 1969.Second year: replenish and expand study about troupes’ performances in Singapore and Malaysia, including Xintaiguang Taiwanese Opera Troupe in 1963, Bohua Hokkien Opera Troupe and Mu Dan Gui Min Theater Troupe both in 1964. Furthermore, discuss five Taiwan Gezixi troupes method of going abroad, relationship network and variety of performance phenomena. | |
| dc.format.extent | 116 bytes | - |
| dc.format.mimetype | text/html | - |
| dc.relation (關聯) | 科技部, MOST107-2410-H004-190, 107.08-108.07 | |
| dc.subject (關鍵詞) | 臺灣歌仔戲; 1960年代; 新加坡; 馬來西亞; 日月園歌劇團; 三弘珠歌劇團; 新台光閩劇團; 柏華閩劇團; 牡丹桂閩劇團 | |
| dc.subject (關鍵詞) | Gezixi（Taiwanese Opera）; 1960s; Singapore; Malaysia; Riyueyuan Taiwanese Opera Troup;Sanhongzhu Taiwanese Opera Troupe; Xintaiguang Taiwanese Opera Troupe; Bohua Hokkien Opera Troupe; Mu Dan Gui Min Theater Troupe | |
| dc.title (題名) | 1960年代臺灣歌仔戲班赴星馬演出考察研究(I) | |
| dc.title (題名) | The Research of the Performance of Gezixi (Taiwanese Opera) Troupes in Singapore and Malaysia in 1960s（Ⅰ、Ⅱ） | |
| dc.type (資料類型) | report | |
