學術產出-學位論文
| 題名 | 網路文化與性別認同政治的民主化：亞太地區男孩愛情的網絡圖 Network Culture and Democratization of Gendered Identity Politics: A Netnography of Boys Love in the Asia Pacific |
| 作者 | 堡明君 Castillo, Ronald Maglaqui |
| 貢獻者 | 林男爵 Lino N. Baron 堡明君 Ronald Maglaqui Castillo |
| 關鍵詞 | 網路文化 身分政治 性別政治 男孩的愛 網路攝影學 Network Culture Identity Politics Gender Politics Boys’ Love Netnography |
| 日期 | 2025 |
| 上傳時間 | 2-六月-2025 14:40:12 (UTC+8) |
| 摘要 | 網路文化為邊緣族群在數位空間中的身分政治參與打開了一扇窗。亞太地區並非完全支持 LGBT，但卻是全球 Boys’ Love 電視製作的核心。本論文擬研究在 YouTube 上播放的 Boys’ Love 電視劇。這些電視連續劇的主要製作地在泰國，提供了一個獨特的案例：網路社群中線上的性別文化裡，參與了有爭議的同性戀與同性戀視訊內容為中心的案例。
本研究運用 Robert Kozinets 所開創的網路統計方法，以混合方法進行三個階段的研究：(1) 從螢幕與觀眾的論述進行探討；(2)用電腦進行情感與社群媒體的數據分析，並依據參與度追蹤霸權方與邊緣方的評論；(3) 觀察 Boys’ Love 粉絲聚會。
這些階段結合起來，產生了在網路文化中想法與想法之間的政治動態，並使得性別認同政治的民主化形成更完善的概念。這個過程是在一個概念框架的引領下進行的，在這個框架中，社群電視中的網路文化是從兩個層面互動而來的：媒體介面和社會界面。研究結果將顯示「Boys’ Love 社交電視」如何基於身份認同、性別取向、偏好和表達，促進對邊緣性別群體的接納，激發性別認同政治討論。這些發現提供途徑來引發社會政治的情感與認知溝通，對 LGBT 社會運動有所貢獻。 Network culture opens a window into the engagements of marginalized groups' identity politics in digital spaces. The Asia Pacific is not completely pro-LGBT but is home to the heart of the global Boys’ Love TV production. Puzzling how gendered identity politics democratizes within network culture, this dissertation proposes to study Boys’ Love TV dramas aired on YouTube. With their primary production in Thailand, these TV series offer a unique case of the gendered network culture of online communities centered on engagement regarding contested homosexual and homonormative video content. Applying a netnographic method pioneered by Robert Kozinets, the study’s approach is mixed-method with three phases: (1) immersion into the discourse both from the screen and from the viewer comments; (2) computational sentiment analysis and social media analysis that traces hegemonic and marginal comments based on their engagement; (3) observation during Boys’ Love fan meetings. These phases combined yield the political dynamic between ideas within the network culture and help conceptualize the democratization of gendered identity politics. The process is guided by a conceptual framework where network culture in social TV is reflected from two interacting facets: a media interface and a social interface. The findings are expected to show how Boys’ Love Social TV stimulates gendered identity political discussions by promoting acceptance of marginalized gender groups based on identity, orientation, preference, and expression. These findings contribute to LGBT social movements by providing an affective and cognitive avenue for socio-political communication. |
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| 描述 | 博士 國立政治大學 亞太研究英語博士學位學程(IDAS) 110265506 |
| 資料來源 | http://thesis.lib.nccu.edu.tw/record/#G0110265506 |
| 資料類型 | thesis |
| dc.contributor.advisor | 林男爵 | zh_TW |
| dc.contributor.advisor | Lino N. Baron | en_US |
| dc.contributor.author (作者) | 堡明君 | zh_TW |
| dc.contributor.author (作者) | Ronald Maglaqui Castillo | en_US |
| dc.creator (作者) | 堡明君 | zh_TW |
| dc.creator (作者) | Castillo, Ronald Maglaqui | en_US |
| dc.date (日期) | 2025 | en_US |
| dc.date.accessioned | 2-六月-2025 14:40:12 (UTC+8) | - |
| dc.date.available | 2-六月-2025 14:40:12 (UTC+8) | - |
| dc.date.issued (上傳時間) | 2-六月-2025 14:40:12 (UTC+8) | - |
| dc.identifier (其他 識別碼) | G0110265506 | en_US |
| dc.identifier.uri (URI) | https://nccur.lib.nccu.edu.tw/handle/140.119/157219 | - |
| dc.description (描述) | 博士 | zh_TW |
| dc.description (描述) | 國立政治大學 | zh_TW |
| dc.description (描述) | 亞太研究英語博士學位學程(IDAS) | zh_TW |
| dc.description (描述) | 110265506 | zh_TW |
| dc.description.abstract (摘要) | 網路文化為邊緣族群在數位空間中的身分政治參與打開了一扇窗。亞太地區並非完全支持 LGBT，但卻是全球 Boys’ Love 電視製作的核心。本論文擬研究在 YouTube 上播放的 Boys’ Love 電視劇。這些電視連續劇的主要製作地在泰國，提供了一個獨特的案例：網路社群中線上的性別文化裡，參與了有爭議的同性戀與同性戀視訊內容為中心的案例。 本研究運用 Robert Kozinets 所開創的網路統計方法，以混合方法進行三個階段的研究：(1) 從螢幕與觀眾的論述進行探討；(2)用電腦進行情感與社群媒體的數據分析，並依據參與度追蹤霸權方與邊緣方的評論；(3) 觀察 Boys’ Love 粉絲聚會。 這些階段結合起來，產生了在網路文化中想法與想法之間的政治動態，並使得性別認同政治的民主化形成更完善的概念。這個過程是在一個概念框架的引領下進行的，在這個框架中，社群電視中的網路文化是從兩個層面互動而來的：媒體介面和社會界面。研究結果將顯示「Boys’ Love 社交電視」如何基於身份認同、性別取向、偏好和表達，促進對邊緣性別群體的接納，激發性別認同政治討論。這些發現提供途徑來引發社會政治的情感與認知溝通，對 LGBT 社會運動有所貢獻。 | zh_TW |
| dc.description.abstract (摘要) | Network culture opens a window into the engagements of marginalized groups' identity politics in digital spaces. The Asia Pacific is not completely pro-LGBT but is home to the heart of the global Boys’ Love TV production. Puzzling how gendered identity politics democratizes within network culture, this dissertation proposes to study Boys’ Love TV dramas aired on YouTube. With their primary production in Thailand, these TV series offer a unique case of the gendered network culture of online communities centered on engagement regarding contested homosexual and homonormative video content. Applying a netnographic method pioneered by Robert Kozinets, the study’s approach is mixed-method with three phases: (1) immersion into the discourse both from the screen and from the viewer comments; (2) computational sentiment analysis and social media analysis that traces hegemonic and marginal comments based on their engagement; (3) observation during Boys’ Love fan meetings. These phases combined yield the political dynamic between ideas within the network culture and help conceptualize the democratization of gendered identity politics. The process is guided by a conceptual framework where network culture in social TV is reflected from two interacting facets: a media interface and a social interface. The findings are expected to show how Boys’ Love Social TV stimulates gendered identity political discussions by promoting acceptance of marginalized gender groups based on identity, orientation, preference, and expression. These findings contribute to LGBT social movements by providing an affective and cognitive avenue for socio-political communication. | en_US |
| dc.description.tableofcontents | Abstract i Preface ix Chapter 1 Introduction 1 1.1 Background 1 1.1.1 The Puzzle 2 1.1.2 A Rising Boys Love Wave from Thailand 2 1.1.3 Network Culture and digital social spaces 5 1.1.4 Dynamics in Gendered Identity Politics 6 1.1.5 Exploring the Social Space of Boys Love Social TV 8 1.2 Research Questions 11 1.3 Thesis Statement 11 1.4 Project Objectives 11 1.5 Conceptual Framework 12 1.6 Significance and Contribution of the Research 26 1.7 Scope and Limitations 28 1.8 Definition of Terms 29 Chapter 2: Literature Review 33 2.1 Network Culture and Social TV ecosystem 33 2.2 Online and offline socialization 36 2.3 Exploring Sex and Gender in Identity Politics 40 2.4 Dynamics of Gendered Perspectives and Media 43 2.5 Social and Academic Debates on Boys’ Love 47 2.6 Synthesis of Review 52 Chapter 3 Methodology 55 3.1 Research Design (design, data, locus) 55 3.2 Data Treatment 57 3.3 Data Validation 64 3.4 Ethical Considerations 64 3.5 Preliminary Research Undertakings 65 Chapter 4: Gendered Identity Politics on the Social TV Screen 67 4.1 Introduction 67 4.2 Critical Discourses from Selected Series from 2019 to 2023 68 4.2.1 Dark Blue Kiss (2019) 69 4.2.2 Until We Meet Again (2019) 72 4.2.3 Tonhon Chonlatee (2020) 77 4.2.4 A Tale of a Thousand Stars (2020/2021) 81 4.2.5 Bad Buddy (2021) 87 4.2.6 Not Me (2021) 94 4.2.7 The Eclipse (2022) 102 4.2.8 My School President (2022) 113 4.2.9 Moonlight Chicken (2023) 121 4.2.10 Bed Friend (2023) 131 4.3 TV Screen Themes and the Democratization of Gendered Identity Politics 137 Chapter 5: A Network Flow of Democratization of Gendered Identity Politics 150 5.1 Introduction 150 5.2 Networking affection (sentiments and emotions) and cognition (ideas) from audience responses 151 5.2.1 Dark Blue Kiss (2019) 153 5.2.2 Until We Meet Again (2019) 157 5.2.3 Tonhon Chonlatee (2020) 162 5.2.4 A Tale of a Thousand Stars (2020/2021) 165 5.2.5 Bad Buddy (2021) 169 5.2.6 Not Me (2021) 172 5.2.7 The Eclipse (2022) 177 5.2.8 My School President (2022) 182 5.2.9 Moonlight Chicken 2023) 186 5.2.10 Bed Friend (2023) 192 5.3 Audience Response and Democratization of Gendered Identity Politics 196 Chapter 6: Network Culture and the Democratization of Gendered Identity Politics 201 6.1 Introduction 201 6.2 Narratives and artifacts from offline fanmeetings 202 6.2.1 Thailand 202 6.2.2 Manila 204 6.2.3 Taiwan 215 6.2.4 Singapore 219 6.3 Network activity of gendered identity politics in an offline setting 224 Chapter 7: Summary, Conclusion, Recommendation 231 7.1 Summary 231 7.2 Conclusion 235 7.3 Recommendation 237 References 240 Appendix A: Notes on Style 255 Appendix B: GANTT Chart 256 Appendix C: Sample screenshots of running Python 3.9 code for sentiment and network analysis 257 | zh_TW |
| dc.format.extent | 6787514 bytes | - |
| dc.format.mimetype | application/pdf | - |
| dc.source.uri (資料來源) | http://thesis.lib.nccu.edu.tw/record/#G0110265506 | en_US |
| dc.subject (關鍵詞) | 網路文化 | zh_TW |
| dc.subject (關鍵詞) | 身分政治 | zh_TW |
| dc.subject (關鍵詞) | 性別政治 | zh_TW |
| dc.subject (關鍵詞) | 男孩的愛 | zh_TW |
| dc.subject (關鍵詞) | 網路攝影學 | zh_TW |
| dc.subject (關鍵詞) | Network Culture | en_US |
| dc.subject (關鍵詞) | Identity Politics | en_US |
| dc.subject (關鍵詞) | Gender Politics | en_US |
| dc.subject (關鍵詞) | Boys’ Love | en_US |
| dc.subject (關鍵詞) | Netnography | en_US |
| dc.title (題名) | 網路文化與性別認同政治的民主化：亞太地區男孩愛情的網絡圖 | zh_TW |
| dc.title (題名) | Network Culture and Democratization of Gendered Identity Politics: A Netnography of Boys Love in the Asia Pacific | en_US |
| dc.type (資料類型) | thesis | en_US |
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