| dc.contributor.advisor | 方孝謙 | zh_TW |
| dc.contributor.advisor | Fang, Xiao Qien | en_US |
| dc.contributor.author (作者) | 金知玧 | zh_TW |
| dc.contributor.author (作者) | Kim, Jiyoon | en_US |
| dc.creator (作者) | 金知玧 | zh_TW |
| dc.creator (作者) | Kim, Jiyoon | en_US |
| dc.date (日期) | 2006 | en_US |
| dc.date.accessioned | 17-九月-2009 15:57:02 (UTC+8) | - |
| dc.date.available | 17-九月-2009 15:57:02 (UTC+8) | - |
| dc.date.issued (上傳時間) | 17-九月-2009 15:57:02 (UTC+8) | - |
| dc.identifier (其他 識別碼) | G0924510291 | en_US |
| dc.identifier.uri (URI) | https://nccur.lib.nccu.edu.tw/handle/140.119/33276 | - |
| dc.description (描述) | 碩士 | zh_TW |
| dc.description (描述) | 國立政治大學 | zh_TW |
| dc.description (描述) | 新聞研究所 | zh_TW |
| dc.description (描述) | 92451029 | zh_TW |
| dc.description (描述) | 95 | zh_TW |
| dc.description.abstract (摘要) | 本文研究的目的嘗試回答「在以國族認同的現實中，東亞流行文化的交流是否能使東亞國家成為一個想像中的共同體，進而創造一個令人嚮往認同的東亞認同？」。在理論層次上，本研究認為一個想像中的東亞共同體可以建立在亞洲閱聽人對東亞國家間混種流行文化產品的消費上，東亞共同體代表了形形色色的生活型態，並結合傳統、現代及後現代的價值觀。為了要找出混種的文化實踐能否建構東亞認同，必須探討這些文化實踐在社會及歷史的情境中各種既有的連接方式。本研究發現，在消費進口流行文化的情境下，消費混種流行文化文本不僅能提供消費者反思社會議題，同時也讓生產者理解其他國家如何產製產品的機會。此外，大眾媒體藉由討論國家主義，試圖干預閱聽人對他國文化產品的消費行為。當審視東亞流行文化實踐之間所發生複雜的互動關係，本研究也發現構想東亞認同應該是想要面對並克服各種非民主及壓制的力量，而非去認同其所定位的文化內容。 | zh_TW |
| dc.description.abstract (摘要) | National identity has traditionally played a central role in shaping a person’s views and beliefs. However, is it possible that we are moving towards a new paradigm, where exchanges of popular culture in East Asia make it possible to visualize an integrated East Asia bloc and connect with a broader East Asian identity? On the theoretical level, we contend that the new East Asian image is being cultivated by the commonality of consuming hybridized popular culture products exchanged among East Asia countries, which represent various shapes and forms of cultural memes, which are ingrained in tradition and values of modernity and post－modernity. In order to find out whether hybrid cultural practices can constitute the basis for the establishment of an 「East Asian identity」 with the potential to change the current landscape in power relations, we need to investigate concrete ways in which specific cultural practices are articulated in the social and historical contexts.In the context of the consumption of imported popular cultural products, the experience of hybrid popular culture products provides the consumer with an opportunity to critically reflect on the problems in their society as well as gaining an insight into the foreign country producing the product. For the part of audiences enjoying other Asian cultural products, some make use of the cultural products as symbolic capital as a way of distinguishing themselves from other users. | en_US |
| dc.description.tableofcontents | 第一章 前言...............................................................................................................5第二章 全球化與文化混種的架構..........................................................................12第一節 文化多樣性............................................................................................12第二節 從文化帝國主義探究............................................................................18第三節 全球化與全球在地化............................................................................25第四節 文化混種化............................................................................................29第三章 韓流如何呈現混種化特性..........................................................................35 第一節 流行文類與文化消費品味....................................................................36 第二節 流行文類內容特色................................................................................39 第三節 產製與流通結構....................................................................................40第四章 韓流文化資本及其文化民族主義之形成..................................................43 第一節 文化與國家：以韓國電影產業運作模式為例....................................43 第二節 作為「產業」的韓流與作為「論述」的韓流....................................52 第五章 代結論： 在跨國文化流動及接收現象當中，「亞洲」由誰如何被想像...............60參考文獻......................................................................................................................63表 次表一：1999年首爾上映票房統計……………………………………………………7表二：韓國文化商品在亞洲數出現況………………………………………………8表三：韓國影視傳播輸出入紀錄……………………………………………………30表四：簽約購賣版權韓片目錄……………………………………………………..42表五：1999-2002年韓國首爾地區各國電影市場佔有率…………………………48表六：文化創意產業範疇各國分類比較表………………………………………..53圖 次圖一：封建的中心－周邊結構.........................................................................................21圖二：多元文化中心網絡……………………………………………………………22圖三：韓國電影投資主體的演變與更替－歷史上主要階段………………………50圖四：2003年未來韓國國家遠見…………………………………………………..58 | zh_TW |
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| dc.language.iso | en_US | - |
| dc.source.uri (資料來源) | http://thesis.lib.nccu.edu.tw/record/#G0924510291 | en_US |
| dc.subject (關鍵詞) | 文化混種 | zh_TW |
| dc.subject (關鍵詞) | 全球在地化 | zh_TW |
| dc.subject (關鍵詞) | 東亞認同 | zh_TW |
| dc.subject (關鍵詞) | 跨文化實踐 | zh_TW |
| dc.subject (關鍵詞) | 韓流 | zh_TW |
| dc.subject (關鍵詞) | cultural hybridization | en_US |
| dc.subject (關鍵詞) | glocalization | en_US |
| dc.subject (關鍵詞) | East Asian identity | en_US |
| dc.subject (關鍵詞) | cross-cultural practice | en_US |
| dc.subject (關鍵詞) | the Korean Wave | en_US |
| dc.title (題名) | 從「韓國文化熱」論東亞文化之融合 | zh_TW |
| dc.title (題名) | From Korean Culture Fever to Hybridization of Eastern Asian Culture | en_US |
| dc.type (資料類型) | thesis | en |
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| dc.relation.reference (參考文獻) | 유상철외（2005）《한류DNA의 비밀을 찾아서》 （中譯：尋找韓流DNA的秘訣），首爾：생각의 나무 출판사. | zh_TW |
| dc.relation.reference (參考文獻) | 김학수（2003）.<韓國電影產業的關鍵人物>,인물과사상사,頁143-171. | zh_TW |
| dc.relation.reference (參考文獻) | CJ娛樂公司（2003）〈CJ Entertainment Annual Report 2002〉. | zh_TW |
| dc.relation.reference (參考文獻) | 정재형（2003）<문화제국주의시대의영화(文化帝國主義時代的韓國電影)>，韓國電影振興會 網路資料庫. | zh_TW |
| dc.relation.reference (參考文獻) | Lisa Leung Yuk Ming（2005）Virtualizing the ‘ Korean Wave’: Transnationalizing governance in web discussion groups of ‘Daejangguem’, rediscovery of Asia：Cultural/Industrial Meanings of Trans－Border Exchanges of TV programs in East Asia, Korea Society for Journalism & Communication Studies. | zh_TW |
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| dc.relation.reference (參考文獻) | 四 、網站資料 | zh_TW |
| dc.relation.reference (參考文獻) | http：//www.cjent.co.kr：CJ ENTERTAINMENT | zh_TW |
| dc.relation.reference (參考文獻) | http：//www.cw.com.tw：天下網站 創意行銷 抓住你的「雙瞳」 | zh_TW |
| dc.relation.reference (參考文獻) | http：//www.kofic.or.kr：電影振興委員會官方網站 | zh_TW |
| dc.relation.reference (參考文獻) | http：//www.mct.go.kr：韓國文化觀光部文化產業資料庫（Ministry of Culture and Tourism ） | zh_TW |
| dc.relation.reference (參考文獻) | http：//www.screenquota.org：Coalition for cultural Diversity in Moving images database電影銀幕配額聯合會資料庫 | zh_TW |
| dc.relation.reference (參考文獻) | http：//www.unesco.org/exboard/fr/166ex1provf.pdf. | zh_TW |
| dc.relation.reference (參考文獻) | http：//www.donga.com：韓國東亞日報網站 | zh_TW |
| dc.relation.reference (參考文獻) | http：//www.cine21.co.kr：電影雜誌「cine 21」 | zh_TW |
