| dc.contributor.advisor | 蕭宇超 | zh_TW |
| dc.contributor.advisor | Hsiao,Yuchau E. | en_US |
| dc.contributor.author (作者) | 熊芮華 | zh_TW |
| dc.contributor.author (作者) | Hsiung,Jui hua | en_US |
| dc.creator (作者) | 熊芮華 | zh_TW |
| dc.creator (作者) | Hsiung,Jui hua | en_US |
| dc.date (日期) | 2009 | en_US |
| dc.date.accessioned | 9-十二月-2010 12:35:39 (UTC+8) | - |
| dc.date.available | 9-十二月-2010 12:35:39 (UTC+8) | - |
| dc.date.issued (上傳時間) | 9-十二月-2010 12:35:39 (UTC+8) | - |
| dc.identifier (其他 識別碼) | G0096555009 | en_US |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/49904 | - |
| dc.description (描述) | 碩士 | zh_TW |
| dc.description (描述) | 國立政治大學 | zh_TW |
| dc.description (描述) | 語言學研究所 | zh_TW |
| dc.description (描述) | 96555009 | zh_TW |
| dc.description (描述) | 98 | zh_TW |
| dc.description.abstract (摘要) | 本文以優選理論的觀點分析台灣漢語饒舌歌的節奏類型。主要論點包括三個部份：節拍對應、音節對應與韻句分析。本研究建立一個漢語饒舌歌語料庫，提出數據佐證分析，認為漢語饒舌歌的節奏類型不只一種，不同的節奏類型可透過並存音韻理論(Cophonology Theory)來解釋，另外，本文也提出浮動制約(Floating Constraints)來預測漢語饒舌歌中不同節奏型態出現的比例。在節拍對應方面，透過虛詞左向附著與其他制約的排序變化，可以篩選出音節與節拍不同的對應方式。在音節對應方面，當一韻句需要滿足簡單律時，就會產生音節跨越現象。而在韻句分析方面，透過左界對整(U,x)與其他制約的排序變化，可以預測兩韻句間之間隔1/2拍或1/4拍的例子。整體而言，本篇研究就漢語饒舌歌中豐富的節奏類型提出語料以及理論上的分析基準。 | zh_TW |
| dc.description.abstract (摘要) | This thesis analyzes the rhythmic structure of Chinese raps in Taiwan from the perspective of Optimality theory. Three factors are in order: the demibeats mapping, the syllable mapping and the utterance phrasing. The thesis adopts the corpus-based analysis. This thesis proposes that rhythmic variants can be accounted for through the constraint re-ranking in terms of the Cophonology Theory. The positing of floating constraints can then predict the percentages of the rhythmic variants. In demibeat mapping, the interaction between F-share-L(the left-adjunction of functors) and other constraints results in different ways of demibeat-syllable correspondence; in syllable mapping, Simplicity decides the syllable-straddling phenomenon. Finally, in utterance phrasing, the interaction between Align-L(U,x) and other constraints predicts different lengthens of the utterance breaks. To conclude, this thesis provided a corpus and theoretical basis for the rhythmic structures of Chinese raps. | en_US |
| dc.description.tableofcontents | VITA……………………………………………………………………………….…ivACKNOWLEDGEMENTS………………………………………………………....vi目錄………………………………………………………………………………….viii中文摘要……………………………………………………………………………....x英文摘要……………………………………………………………………………...xi第一章 緒論 1第二章 文獻探討 72.1 優選理論 72.1.1 優選理論之基本觀念 72.1.2 概括對整 92.2 韻律音韻學 102.2.1 韻律結構 102.2.2 嚴格層級假設 122.2.3 語調詞組 132.3 並存音韻理論 182.4 浮動制約 192.5 漢語饒舌歌的口語節奏 202.6 相關的現代節律研究 212.7 相關的語料庫節律研究 23第三章 漢語饒舌歌語料庫 253.1 語料庫之內涵 253.2 節拍對應 323.3 音節對應 393.4 韻句分析 473.5 小結 52第四章 以優選理論分析台灣漢語饒舌歌 554.1節拍對應的分析 554.1.1 語調詞組定義 554.1.2 1-to-1與1-to-2的分析 564.1.3 1-to-3的分析 654.1.4 並存音韻之節拍對應 684.1.5 浮動制約之節拍對應 694.2 音節跨越的分析 724.3 韻句分析的分析 744.3.1 間隔1/4拍的分析 (Mc HotDog + 周杰倫) 764.3.2 間隔1/2拍的分析 (Mc HotDog + 周杰倫) 814.3.3 並存音韻之韻句分析 844.3.4 浮動制約之韻句分析 854.4 小結 88第五章 結論及後續問題 91參考書目 95[英文部分] 95[中文部分] 98 | zh_TW |
| dc.format.extent | 887413 bytes | - |
| dc.format.mimetype | application/pdf | - |
| dc.language.iso | en_US | - |
| dc.source.uri (資料來源) | http://thesis.lib.nccu.edu.tw/record/#G0096555009 | en_US |
| dc.subject (關鍵詞) | 漢語饒舌歌 | zh_TW |
| dc.subject (關鍵詞) | 節奏類型 | zh_TW |
| dc.subject (關鍵詞) | 語料庫 | zh_TW |
| dc.subject (關鍵詞) | 優選理論 | zh_TW |
| dc.subject (關鍵詞) | 並存音韻理論 | zh_TW |
| dc.subject (關鍵詞) | 浮動制約 | zh_TW |
| dc.subject (關鍵詞) | Chinese Raps | en_US |
| dc.subject (關鍵詞) | Rhythmic Types | en_US |
| dc.subject (關鍵詞) | Corpus | en_US |
| dc.subject (關鍵詞) | Optimality Theory | en_US |
| dc.subject (關鍵詞) | Cophonology Theory | en_US |
| dc.subject (關鍵詞) | Floating Constraints | en_US |
| dc.title (題名) | 台灣漢語饒舌歌之節奏類型 | zh_TW |
| dc.title (題名) | The Rhythmic Types of Chinese Raps in Taiwan | en_US |
| dc.type (資料類型) | thesis | en |
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