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題名 Derrida``s Deconstruction and the Rhetoric of Proper Genres in Leonardo and Lessing. 作者 趙順良
Chao, Shun-liang貢獻者 英文系 日期 2006.09 上傳時間 4-八月-2014 13:31:48 (UTC+8) 摘要 In his paper, "Derrida`s Deconstruction and the Rhetoric of Proper Genres in Leonardo and Lessing," Shun-liang Chao draws on Derrida`s discourse of logocentrism to illuminate the "exorbitant" threads of metaphysical thought in Leonardo`s and Lessing`s texts on the comparison of poetry and painting. Both Leonardo and Lessing seek to subordinate one of the two sister arts to the other by constructing, respectively, the first, fixed principle of the proper genre and by drawing rigid borders between what is proper and what is improper. Leonardo privileges painting over poetry owing to the power of visiblity; on the other hand, Lessing subordinates painting to poetry since the former frustrates vision and thus allows the free play of the imagination. In so doing, however, they both push their metaphysical arguments into an aporia and as such, that which is proper and decidable turns out to be improper and undecidable. 關聯 CLCWeb: Comparative Literature and Culture, 8(3) 資料類型 article dc.contributor 英文系 en_US dc.creator (作者) 趙順良 zh_TW dc.creator (作者) Chao, Shun-liang en_US dc.date (日期) 2006.09 en_US dc.date.accessioned 4-八月-2014 13:31:48 (UTC+8) - dc.date.available 4-八月-2014 13:31:48 (UTC+8) - dc.date.issued (上傳時間) 4-八月-2014 13:31:48 (UTC+8) - dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/68061 - dc.description.abstract (摘要) In his paper, "Derrida`s Deconstruction and the Rhetoric of Proper Genres in Leonardo and Lessing," Shun-liang Chao draws on Derrida`s discourse of logocentrism to illuminate the "exorbitant" threads of metaphysical thought in Leonardo`s and Lessing`s texts on the comparison of poetry and painting. Both Leonardo and Lessing seek to subordinate one of the two sister arts to the other by constructing, respectively, the first, fixed principle of the proper genre and by drawing rigid borders between what is proper and what is improper. Leonardo privileges painting over poetry owing to the power of visiblity; on the other hand, Lessing subordinates painting to poetry since the former frustrates vision and thus allows the free play of the imagination. In so doing, however, they both push their metaphysical arguments into an aporia and as such, that which is proper and decidable turns out to be improper and undecidable. en_US dc.format.extent 308099 bytes - dc.format.mimetype application/pdf - dc.language.iso en_US - dc.relation (關聯) CLCWeb: Comparative Literature and Culture, 8(3) en_US dc.title (題名) Derrida``s Deconstruction and the Rhetoric of Proper Genres in Leonardo and Lessing. en_US dc.type (資料類型) article en
