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題名 懷舊、記憶與遷徙:以馬努耶‧李維的《移民者之手》為例
作者 楊瓊瑩
Yang, Chung-Ying
貢獻者 歐文系
關鍵詞 懷舊 ; 記憶 ; 遷徙 ; 移民者之手 ; 馬努耶‧李維 ; 加利西亞人的身分認同 ; 移植
nostalgia ; memory ; migration ; La mano del emigrante ; Manuel Rivas ; Galician identify ;
日期 2008.06
上傳時間 22-十二月-2014 11:32:24 (UTC+8)
摘要 加利西亞人的身分認同之省思。本文將探討李維如何藉著手的移植之寓言,來重建倫敦之加利西亞移民與加利西亞漁民船難者的生活。我們也將分析作者的相片集,以闡釋加利西亞移民面對眷戀與失落這兩種矛盾的意念所呈現的遷徙現象。
The present paper aims to study the notions of nostalgia, memory and migration in La mano del emigrante (2001) by Manuel Rivas. This Galician writer and journalist, in the book, draws on diverse genres, which include a short story “La mano del emigrante,” a collection of photographs taken by the writer, “El álbum furtivo” and a journalistic short story, “Los náufragos.” Despite their structural autonomy, these three parts are linked by the theme of border experiences, in particular, dealing with a reflection on the construction of Galician identity. Thus, it will be interesting to explore how Rivas reconstructs the lives of Galician migrant workers in London and shipwrecked fishermen through an allegory of transplantation. We will also analyze the album of photographs to explain the phenomenon of displacement of Galician immigrants in front of two paradoxical notions: attachment and loss.
關聯 外國語文研究, 8, 67-82
資料類型 article
dc.contributor 歐文系en_US
dc.creator (作者) 楊瓊瑩zh_TW
dc.creator (作者) Yang, Chung-Yingen_US
dc.date (日期) 2008.06en_US
dc.date.accessioned 22-十二月-2014 11:32:24 (UTC+8)-
dc.date.available 22-十二月-2014 11:32:24 (UTC+8)-
dc.date.issued (上傳時間) 22-十二月-2014 11:32:24 (UTC+8)-
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/72180-
dc.description.abstract (摘要) 加利西亞人的身分認同之省思。本文將探討李維如何藉著手的移植之寓言,來重建倫敦之加利西亞移民與加利西亞漁民船難者的生活。我們也將分析作者的相片集,以闡釋加利西亞移民面對眷戀與失落這兩種矛盾的意念所呈現的遷徙現象。en_US
dc.description.abstract (摘要) The present paper aims to study the notions of nostalgia, memory and migration in La mano del emigrante (2001) by Manuel Rivas. This Galician writer and journalist, in the book, draws on diverse genres, which include a short story “La mano del emigrante,” a collection of photographs taken by the writer, “El álbum furtivo” and a journalistic short story, “Los náufragos.” Despite their structural autonomy, these three parts are linked by the theme of border experiences, in particular, dealing with a reflection on the construction of Galician identity. Thus, it will be interesting to explore how Rivas reconstructs the lives of Galician migrant workers in London and shipwrecked fishermen through an allegory of transplantation. We will also analyze the album of photographs to explain the phenomenon of displacement of Galician immigrants in front of two paradoxical notions: attachment and loss.en_US
dc.format.extent 100918 bytes-
dc.format.mimetype application/pdf-
dc.language.iso en_US-
dc.relation (關聯) 外國語文研究, 8, 67-82en_US
dc.subject (關鍵詞) 懷舊 ; 記憶 ; 遷徙 ; 移民者之手 ; 馬努耶‧李維 ; 加利西亞人的身分認同 ; 移植en_US
dc.subject (關鍵詞) nostalgia ; memory ; migration ; La mano del emigrante ; Manuel Rivas ; Galician identify ;en_US
dc.title (題名) 懷舊、記憶與遷徙:以馬努耶‧李維的《移民者之手》為例zh_TW
dc.type (資料類型) articleen