| dc.contributor | 廣電系 | |
| dc.creator (作者) | Kuo, Li-Hsin | |
| dc.creator (作者) | 郭力昕 | zh_TW |
| dc.date (日期) | 2007 | |
| dc.date.accessioned | 14-九月-2015 16:54:30 (UTC+8) | - |
| dc.date.available | 14-九月-2015 16:54:30 (UTC+8) | - |
| dc.date.issued (上傳時間) | 14-九月-2015 16:54:30 (UTC+8) | - |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/78441 | - |
| dc.description.abstract (摘要) | This essay provides a contextualised account of social documentary photography in Taiwan during the second half of the 1980s and a critical review of Ren Jian magazine within a case study of Guan Xiao-rong`s Dignity und Humiliation. The latter emerges as an exemplary documentary work on the socio-political issues of an ethnic group of indigenous Taiwanese. The essay suggests that Guan`s mixed position of documentary photographer and campaign activist made his photographs a distinctive and rare humanistic contribution with a politicised dimension. | |
| dc.description.abstract (摘要) | Članek obravnava socialno dokumentarno fotografijo na Tajvanu v drugi polovici osemdesetih let prejšnjega stoletja in kritično ocenjuje časopis Ren Jian s študijo o fotografijah Guan Xiaoronga o dostojanstvu in ponižanju. Fotografije so primer dokumentarnega dela na socialno-političnem področju med avtohtono tajvansko etnično skupino. Članek predstavlja Guana kot dokumentarnega fotografa in aktivista, kar je iz njegovih fotografij napravilo nevsakdanji humanistični prispevek s politično razsežnostjo. | |
| dc.format.extent | 4978519 bytes | - |
| dc.format.mimetype | application/pdf | - |
| dc.relation (關聯) | Javnost-The Public, 14(3), 49-64 | |
| dc.title (題名) | POLITICISING DOCUMENTARY PHOTOGRAPHY | |
| dc.type (資料類型) | article | en |
